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Category: Jason Statham

Box office: Do Jason Segel and Jason Statham need new acts?

April 30, 2012 |  7:00 am

Jason Segel's "The Five-Year Engagement" and Jason Statham's "Safe," each released to theaters this weekend, earned disappointing dollars at the box officeThere may be no second acts in American life. Fortunately, Jason Statham and Jason Segel work in the movie business, which is somewhere very far away from mainstream American life.

Just a few years ago, the two Jasons were unquestionably on the rise, albeit in very different genres. Segel could do no wrong as the nice guy in sweet-but-raunchy comedies. Hits such as "Forgetting Sarah Marshall" and "I Love You, Man" began to flow, and a niche sitcom, "How I Met Your Mother," began to establish itself.

Statham was on his own upward trajectory. After emerging in Guy Ritchie films more than a decade ago, the tough-talking Brit solidified his status as an action hero with a dependable franchise in "Transporter."  He then had a tidy late-summer performer in "Death Race" and was a key younger element in the blockbuster "The Expendables."

REVIEW: 'The Five-Year Engagement'

Then things began to change for both men. Segel staked a great deal of his reputation on his revival of "The Muppets," which was a modest and not entirely memorable performer last year. The streak turned colder this spring in the lower-budget "Jeff, Who Lives at Home," which flopped by all but the most indie of standards (though, to be fair, the movie inexplicably got only a small release in the first place). "How I Met Your Mother" has begun to show its age. And then this weekend, "The Five-Year Engagement" gave Segel the lowest numbers for a wide opening since he became a star.

Statham also has hit a wall, and finally it was one he couldn't punch through. After a 2008-2010 period in which the actor had a prolific four movies that grossed at least $30 million (on modest budgets), Statham's next two pictures, "The Mechanic" and "Killer Elite," each fell short of that mark. Then this weekend he too had one of his lowest openings as a star, with the measly $7.7-million take of "Safe.”

On one level, the story of the two Jasons is an age-old tale -- the actor who went to the well once too often. Studio executives like to say that actors should stay on brand. But the truth is that many performers can only play the same character so many times before audiences start to feel like they've seen it before, and turn away.

The Jasons also may be falling prey to something more specific. Fans didn't just flock to these actors' movies because they liked them; they flocked to these actors because they weren't seeing too many other people do what they were doing.

Prior to Segel and a few of his ilk, we hadn't seen the nice guy toss out ribald barbs. Statham also was a novelty, at least in this age -- a genuine action hero, a man who could punch and kick his way out of a problem with his God-given hands instead of relying on superhero powers (or just brooding darkly about those problems). These were actors, in other words, who staked their appeal on their freshness. And freshness kind of has an expiration date.

The way around this, of course, is to do something totally different and show film fans that you're still capable of surprise. Five years ago that meant a part in a smaller, more prestige-y movie. But there are fewer of those roles than there used to be, and in any event, they're increasingly taken by the likes of Brad Pitt and George Clooney, who have shown an insatiable appetite for them.

Still, some commercial actors are able to make the transition. Check out Jonah Hill, Segel's "Knocked Up" costar, who has cleverly managed to find new avenues for his brand of goofy comedy, in more dramatic vehicles such as "Moneyball" and more action-y pictures like "21 Jump Street."

Both Statham and Segel have several of those new paths open to them. But they’re going to need to start venturing down one or two, or risk becoming tired old acts.


"Five-Year Engagement" a missed opportunity

Jason Statham looks to punch above his weight

"Think Like a Man" is the surprise box-office winner

--Steven Zeitchik

Photo: Jason Segel and Emily Blunt in "The Five-Year Engagement." Credit: Universal Pictures

In NY, Jason Statham looks to punch above his weight

April 18, 2012 |  9:26 am

NEW YORK -- Since he first appeared as Guy Ritchie's tough-talking muscle more than a decade ago, Jason Statham has pounded, head-butted, pummeled, hammered, shot, punched, knived, thrashed and battered countless of on-screen victims.

But for all his Schwarzeneggerian ambitions, Statham has perhaps never racked up a body count as large as that of “Safe,” Boaz Yakin's new crime-themed action movie, which sees more blood and bullets than a small Central American war.

At the movie’s New York premiere on Monday, Yakin was effusive about his star, and not just for his kill count. The actor, Yakin said before the screening, “adds some colors to the palette here, and he does it in a way that knocked me out." The pun was figurative. One hopes.

The film, which Lionsgate releases next week, takes the director back to the street action of his acclaimed indie debut, “Fresh,” though this is a movie meant to sell tickets to a no-translation-required global action crowd as much as it's designed to win Sundance awards (even if it does feature the producing hand of longtime/previous Quentin Tarantino collaborator Lawrence Bender and costars a bunch of streetwise theater-y types like Danny Hoch).

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Jason Statham doesn't play it safe

May 6, 2010 | 12:51 pm

EXCLUSIVE: Few things gets women filmgoers going like watching Jason Statham tear it up on the big screen.

Stat Now it looks like they'll have yet another chance -- with a twist.  In a project that has to be one of the more unusual marriages in the history of film collaborations, Statham is joining with producer Lawrence Bender and the  auteur Boaz Yakin for a new thriller called "Safe."

Yakin has been responsible for a number of commercial movies -- like "Remember the Titans," which he directed, and the upcoming Jake Gyllenhaal action epic "The Prince of Persia," which he co-wrote. But he's also dabbled in artier fare, like an edgy Sundance movie called "Death in Love" from a few years back.

Bender is best known as the longtime producer of Quentin Tarantino, most recently producing his "Inglourious Basterds." All of which makes a collaboration with Statham, who again plays the action card in the upcoming "The Expendables" all the more notable, weird and interesting.

Statham has to be the hardest-working actor, action or otherwise, out there right now -- it the last few years alone he's starred in movies in the Crank and Transporter franchises and one-offs like "Death Race" and "The Bank Job." He'll also be in upcoming action tales "Blitz" and "The Killer Elite."

"Safe" is one of the projects that international film sales and financing company IM Global, which announced this morning that it is receiving a significant investment from Reliance Big Entertainment, will be taking to the Cannes market. It will be a busy time for IM Global, which will also sell John Cusack's thriller "The Factory" and a Kevin Costner passion project with echoes of "Inglourious Basterds" at the festival. The company should see plenty of interest on those, as well as on "Safe." Foreign distributors go almost as crazy for Statham as the women do.

--Steven Zeitchik

(Follow me on Twitter.)

Photo: Jason Statham at "The Bank Job" premiere in Sydney. Credit: Rick Rycroft / AP

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