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Movies: Past, present and future

Category: Classics films

Nobody does it better: Celebrating 50 years of James Bond films

June 4, 2012 |  3:58 pm


It's a Bond, James Bond, weekend in Los Angeles.

With Ian Fleming's dashing, debonair and sexy British spy marking 50 years on the silver screen, the American Cinematheque and the Los Angeles County Museum of Art are celebrating the longevity of the film franchise, which has endured five decades, 22 films (the 23rd, "Skyfall," with Daniel Craig, is due this fall) and almost as many leading-man incarnations as Dr. Who.

The celebration begins with the American Cinematheque's "007 at 50: The Complete James Bond Retrospective." The fun starts Friday at the Egyptian Theatre in Hollywood with the very first Bond film, "Dr. No," starring Sean Connery as 007, and 1963's "From Russia With Love." The retrospective moves Saturday to the Aero in Santa Monica with a double bill of 1964's "Goldfinger" and 1965's "Thunderball." The series continues at both theaters through June 24. http://www.americancinematheque.com

The exhibition "... Is James Bond," presented by LACMA and co-organized with Loyola Marymount University's School of Film and Television, opens Saturday and continues through Sept. 9 at LACMA's Art of the Americas Building. The presentation will feature all 22 unique, boldly graphic and often erotic film title sequences thematically grouped and displayed on a series of 40-inch monitors.

Fourteen of those title sequences were designed by the late Maurice Binder, who was succeeded by Daniel Kleinman for 1995's "GoldenEye."

Film Independent at LACMA will screen a Bond double bill every Thursday evening in July and September. http://www.lacma.org


James Bond through the years

James Bond's exciting adventure in Turkey

-- Susan King

Photo: Sean Connery in "From Russia With Love." Credit: MGM Home Entertainment

Around Town: 'Paper Moon' shines on downtown festival

May 24, 2012 |  6:00 am

  "Paper Moon"
The Los Angeles Conservancy's Last Remaining Seats festival that showcases the historic movie palaces on Broadway in downtown L.A. returns this Wednesday with Peter Bogdanovich's 1973 comedy "Paper Moon." The movie, which stars Ryan O'Neal and his daughter Tatum, who won the supporting actress Oscar for the role, screens at the 1931 Los Angeles Theatre. Bogdanovich will be on hand to introduce the film.

Last Remaining Seats continues Wednesdays through June. Other features on tap include a 30th anniversary screening of "Tootise," June 6 at the 1926 Orpheum Theatre, and 1922's "Robin Hood," with Douglas Fairbanks, scheduled for June 27 at the Orpheum. http://www.laconservancy.org/remaining/2012.php

The UCLA Film and Television Archive's Wednesday programming at the Million Dollar Theater downtown features the archive's restoration of 1948's "The Red Shoes," Michael Powell and Emeric Pressburger's Technicolor romantic drama set in the world of ballet. The series will go on hiatus in June and return in July. http://www.cinema.ucla.edu

The New Beverly Cinema ushers in Memorial Day weekend with a retrospective of films by iconoclastic director David Lynch, beginning Friday and Saturday with his first feature, the 1977 cult favorite "Eraserhead," followed by his Oscar-nominated 1980 drama "The Elephant Man," with Anthony Hopkins and John Hurt.

Scheduled for Sunday and Monday are his controversial 1986 thriller "Blue Velvet," with Kyle MacLachlan, Isabella Rossellini, Dennis Hopper and Laura Dern, and Lynch's only G-rated film, the 1999 "The Straight Story," starring Richard Farnsworth in his Oscar-nominated role as an elderly man who goes on an epic journey on a lawnmower.

Tuesday and Wednesday's offerings are 1997's "Lost Highway" with Bill Pullman and Robert Blake, and the award-winning 2001 noir "Mulholland Drive" with Naomi Watts and Laura Harring. http://newbevcinema.com

Steven Spielberg earned his second best director Oscar for his powerful 1998 World War II drama, "Saving Private Ryan," which screens Thursday evening at the American Cinematheque's Aero Theatre in honor of Memorial Day. Steven Jay Rubin, author of "Combat Films: American Realism, 1945-2010," will be signing copies and leading a discussion before the film with actor Adam Goldberg.

A new digitally restored print with eight minutes of never-before-seen footage of Richard Donner's 1978 blockbuster "Superman" soars into the Cinematheque's Egyptian Theatre on Friday evening. Also screening is Richard Lester's "Superman II," which was released in Europe in 1980 and in the U.S. in 1981. http://www.americancinematheque.com

.The Los Angeles County Museum of Art's "The Sun Sets in the West: Mid-Century California Noir" festival continues Friday evening at the Leo S. Bing Theatre with the 1950 Joan Crawford noir favorite "The Damned Don't Cry," directed by Vincent Sherman. Crawford plays Ethel Whithead, an ambitious woman who goes from housewife to gangster moll. David Brian also stars.

Two seminal Universal horror flicks directed by James Whale -- 1933's "The Invisible Man," which marked the film debut of Claude Rains, and 1935's "The Bride of Frankenstien" -- are set for LACMA's Tuesday matinee. http://www.lacma.org

Audrey Hepburn earned her second best actress Oscar nomination as the title character in "Sabrina," Billy Wilder's 1954 romantic comedy about two wealthy brothers (Humphrey Bogart and William Holden) who fall for the daughter of the family's chauffeur. It screens Saturday evening at Cinespia's outdoor series at Hollywood Forever. http://www.cinespia.org

Cinefamily at the Silent Movie Theater presents "T.J. Miller's Hangover Matinee" Sunday morning with brunch on the patio, live entertainment, a screening of vintage shorts followed by W.C. Fields' 1940 comedy "The Bank Dick."

On tap for Wednesday evening is the latest installment of comic Doug Benson's "Movie Interruption." This time around, Benson and his friend wax comedic during a screening of this year's box office dud, "John Carter." http://www.cinefamily.org

The Aero Theatre hosts the Rural Route Film Festival Shorts program Wednesday that features "films by and about rural people and places." http://www.americancinematheque.com


"A tribute to Peter Bogdanovich"

"Mind &  Body: Five Questions"

--Susan King

Photo: "Paper Moon" opens Last Remaining Seats festival. Credit: Paramount Pictures


LACMA film series celebrates California noir

May 17, 2012 |  5:00 am

Kiss me deadly lacma noir california

Los Angeles is the city of sunshine and light, the city that's like a day at the beach, the city that ... you get my drift. That line of chat may work with the suckers, the tourists and the rubes, but if you live here, you know there's a corrosive darkness lurking below the surface in perpetually sunlit L.A., a spiritual malaise that makes this town rotten to the core.

Hardly the City of Angels, this is a place where bad people come to do worse things and live to tell the tale. Or so the crackerjack films featured in “The Sun Sets in the West: Mid-Century California Noir” would have you believe.

Starting Friday at the Los Angeles County Museum of Art’s Bing Theater, in conjunction will the museum’s “California Design, 1930-1965” exhibition, “California Noir” features a superb selection of 10 little-seen films that benefit greatly from the widescreen, 35mm treatment. Though the films are squeezed into four packed nights, it’s genuinely exciting to have a classic repertory series back at LACMA, especially one of such first-rate quality from beginning to end.

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TCM Classic Film Fest: Stanley Donen on Hepburn, censors and more

April 13, 2012 |  9:00 am

Stanley donen tcm festival
When director/producer Stanley Donen took home an honorary Oscar in 1998, “in appreciation of a body of work marked by grace, elegance, wit and visual innovation,” he turned on the charm at the Academy Awards, hoofing it up and singing “Cheek to Cheek.”

A former Broadway chorus dancer, he made his mark on Hollywood co-directing and choreographing musical classics with Gene Kelly — 1949’s “On the Town,” 1952’s “Singin’ in the Rain,” and 1955’s “It’s Always Fair Weather.” Beginning with 1951’s “Royal Wedding” — best known as the film in which Fred Astaire dances on the ceiling — Donen also had great success as a solo director. He went on to helm 1954’s “Seven Brides for Seven Brothers” with Jane Powell and Howard Keel; in 1957 he came out with both “Funny Face” with Astaire and Audrey Hepburn and “The Pajama Game,” starring Doris Day. In 1958 came the romantic comedy “Indiscreet,” with Cary Grant and Ingrid Bergman, and later the 1963 romantic thriller “Charade” (with Hepburn and Grant) and the 1967 romantic drama “Two for the Road” (with Hepburn and Albert Finney).

Donen, who turns 88 on Friday, is appearing three times at the Turner Classic Movies Festival in Hollywood this weekend for screenings of “Funny Face,” “Charade” and “Two for the Road.” We caught up with him recently.

The TCM Film Festival is screening all three movies you did with Audrey Hepburn. She is my favorite actress. I hope you had a great time working with her.

She was wonderful.... We only had one disagreement.... On “Funny Face,” there was a scene where she danced in a black slacks and top. She said [I want to wear] black socks and I said no, white socks. She said it will ruin [the uniformity]. You can’t have white socks. I made a test with her in the white socks and she kept saying black socks. We were right up to the moment of starting the sequence. I went into her dressing room and said, “Audrey. We are never going to agree — you will have to wear the white socks.” She said all right. When the rushes came in she wrote me a little note: “Dear Stanley, you were right about the socks.” She was glorious looking. She was a lovely, lovely person. We stayed friends.

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Around Town: Films, screenings and more in L.A. this week

January 4, 2012 | 12:17 pm


This post has been corrected. See the note below for details.

With Gary Oldman getting strong reviews and Oscar buzz for his performance as spy George Smiley in “Tinker, Tailor, Soldier, Spy,” the Arclight in Hollywood is offering a six-film retrospective of the British actor’s career beginning Monday with 1986’s “Sid and Nancy,” in which he played punk rocker Sid Vicious, followed by Oliver Stone’s 1991 “J.F.K.,” which features his tenacious performance as Lee Harvey Oswald.

Oldman’s performance as a U.S. congressman in 2000’s “The Contender” is on display on Tuesday, along with his “biting” turn as the most famous vampire in Francis Ford Coppola’s 1992 “Dracula.” Scheduled for Wednesday is his turn as playwright Joe Orton in 1987’s “Prick Up Your Ears,” directed by Stephen Frears, followed by “Tinker, Tailor, Soldier, Spy.”

After the "Tinker, Tailor" screening, Oldman will participate in a Q&A with Matt Holzman, host of KCRW’s “Matt’s Movies.” The admission to the retrospective is free, but tickets are only available via RSVP through www.OldmanRSVP.com. www.arclightcinemas.com

The American Cinematheque’s Aero Theatre concludes its annual “Screwball Comedies” Festival Thursday evening with Howard Hawks’ 1941 romantic comedy “Ball of Fire,” starring Barbara Stanwyck in her Oscar-nominated performance as a nightclub singer on the lam who hides out with a group of encyclopedia nerds. Gary Cooper plays the nerd working on slang who falls for Stanwyck.

The second feature is the 1937 classic “The Awful Truth,” for which director Leo McCarey won the best director Oscar. Cary Grant and Irene Dunne, who earned an Oscar nomination, star.

On Friday, the Aero celebrates the centennial of New Mexico’s statehood with Sam Peckinpah’s 1973 Western “Pat Garrett and Billy the Kid,” with Kris Kristofferson and James Coburn. Nick Redman, Peckinpah’s biographer and documentary filmmaker; Peckinpah’s assistant Katy Haber; editor Garth Craven; and the film’s co-star, Charles Martin Smith, will discuss the movie after the screening.

Director J.J. Abrams and members of his cast and crew will be appearing Saturday evening at the Aero Theatre for a screening of Abrams' sci-fi coming-of-age 2011 box office hit, “Super 8.” Sunday evening, the Aero presents the 2010 French comedy-drama “Eight Times Up,” which explores the topic of unemployment. Director Xabia Molia and star and co-producer Julie Gayet will appear in person.

Every year the Cinematheque presents the “Golden Globe Foreign-Language Nominee Series.” The Globes take place Jan. 15. This year's programming begins Monday evening at the Aero with Angelina Jolie’s feature film debut, “In the Land of Blood and Honey,” which is in Bosnian with English subtitles. The series continues Tuesday with Pedro Almodovar’s “The Skin I Live In,” which marks a reunion with one of the Spanish director’s early muses, Antonio Banderas. The critically lauded Iranian film, “A Separation,” which has already earned several critics’ accolades, screens Wednesday.

The Cinematheque’s Egyptian Theatre presents its seventh annual “Focus on Female Directors” evening on Thursday. Among the films screening are Maryna Vroda’s “Cross,” which won the 2011 Palme d’Or for best short film; Jess Holzworth’s 2011 “Gamma Ray,” with Chloe Sevigny; Mitsuyo Miyazaki’s award-winning 2011 USC student film, “Tsuyako”; and Penelope Spheeris’ 1998 “No Use Walkin’ When You Can Stroll.” Spheeris and other directors featured in the program will be appearing.

Two cult coming-of-age classics, 1985’s “The Goonies” and 1986’s “Stand By Me,” are scheduled for Friday evening at the Egyptian.

On Saturday evening, Jeff Garlin of “Curb Your Enthusiasm” will be leading a discussion after the screening of “The Honeymooners: Lost Episodes 1951-1957.”

The current film “My Week with Marilyn” explores the turbulent production of the 1957 film, “The Prince and the Showgirl,” starring Marilyn Monroe and Laurence Olivier. On Sunday the Egyptian will screen “The Prince and the Showgirl,” along with the 1959 Billy Wilder comedy masterwork, “Some Like It Hot,” with Monroe, Jack Lemmon and Tony Curtis. www.americancinematheque.com

The UCLA Film & Television Archive commences its three-month retrospective on Oscar-winning actor Spencer Tracy on Saturday evening at the Billy Wilder Theatre with “Inherit the Wind,” Stanley Kramer’s 1960 film version of the hit Broadway play based on the infamous Scopes Monkey Trial, for which Tracy earned an Oscar nomination as an attorney based on Clarence Darrow. Fredric March also stars. James Curtis, author of the new Tracy biography, and “Wind” co-star Donna Anderson will be in attendance.

Scheduled for Sunday is his first feature film, 1930’s “Up the River,” which also marked the feature debut of Humphrey Bogart, followed by the 1930 Vitaphone short, “The Hard Guy.”

The archive’s Wednesday program at the Million Dollar Theater in downtown Los Angeles is the campy 1966 prehistoric drama “One Million Years B.C." starring Raquel Welch in very revealing outfits and the 1940 version “One Million B.C.” with Victor Mature. www.cinema.ucla.edu

Jean-Luc Godard’s 1967 satire “Weekend” visits the Cinefamily at the Silent Movie Theatre on Thursday through Wednesday in a new 35mm print. On Monday, Cinefamily presents a feature length edition of Season One of David Cross’ IFC series “The Increasingly Poor Decisions of Todd Margaret,” followed by a Q&A with the actor (“Arrested Development”), who created and writes the series, which begins its second season Friday evening. www.cinefamily.org

And on Saturday the Los Angeles Filmforum teams up with Cinefamily to present “Wallace Berman’s Underground Alternative Projections: Experimental Film in Los Angeles, 1945-1980, Screening 9." Toni Bail and Russ Tamblyn are scheduled to appear in person, schedule permitting. www. lafilmforum.org

The New Beverly Cinema showcases Werner Herzog’s latest documentary, “Into the Abyss,” on Thursday evening, followed by Errol Morris’ 1999 doc, “Mr. Death: The Rise and Fall of Fred A. Leuchter Jr." Two by Pedro Almodovar are featured Friday and Saturday -- his 2011 drama “The Skin I Live In” followed by 2009’s “Broken Embraces” with Penelope Cruz. Saturday’s midnight movie is David Fincher’s 1999 “Fight Club,” with Brad Pitt and Edward Norton.

Sunday and Monday’s offerings are Luc Besson’s 1997 action-adventure “The Fifth Element,” with Bruce Willis and Chris Tucker, as well as 2001’s “Cowboy Bebop: The Movie.”

Mark Romanek, schedule permitting, will appear in person Wednesday at the New Beverly for a screening of his 2010 drama, “Never Let Me Go.” Also screening is Francois Truffaut’s only English-language film, 1966’s “Fahrenheit 451,” based on the novel by Ray Bradbury. www.newbevcinema.com

The 7th Annual Santa Clarita Valley Film Festival kicks off Thursday and continues through Sunday at the Repertory East Playhouse in Old Town Newhall and features comedies, dramas, animation and shorts, plus works by budding filmmakers in junior high and high school. www.SCVFilmFestival.com

The 9th Annual Venice Film Festival, which explores the history of films made in Venice, Calif., takes place Thursday at the Seven Dudley Cinema at Beyond Baroque. laughters.com/7dudleycinema.html.

The Free Tunisia Organization is presenting the New Tunisian Film Festival Tuesday through Thursday at the Barnsdall Gallery Theatre. The festival also marks the one-year anniversary of the Tunisian uprising. Among the films to be screened are “Fallaga 2011,” “Making of,” “Fausse Note” and “Rouge Parole.” www.levantinecenter.org/event/tunisian-film-festival.

Stanley Donen directed the acclaimed 1967 romantic comedy-drama “Two for the Road,” with Audrey Hepburn and Albert Finney, which screens Tuesday afternoon at the Skirball Cultural Center. www.skirball.org

[For the record, 4:03 p.m. Jan. 5: This post originally listed Spencer Tracy's retrospective as a two-month engagement launching on Friday. The retrospective is three months and launches Saturday.]


'Tinker, Tailor, Soldier, Spy': Betsy Sharkey's film pick

-- Susan King

Photo: Tom Hardy, left, and Gary Oldman in "Tinker, Tailor, Soldier, Spy" Credit: Jack English/Focus Features

Around Town: Superman flies again and the New Wave returns

December 1, 2011 |  7:00 am


A Francois Truffaut retrospective, an animation festival and a screening of 1978’s “Superman” are among this week’s highlights.

The American Cinematheque’s Egyptian Theatre celebrates the legacy of one of the founders of France’s New Wave cinema, Francois Truffaut, who died at the age of 52 in 1984. “The Film Lover: A Francois Truffaut Retrospective” commences Friday evening with his first feature film, 1959’s “The 400 Blows,” his critically acclaimed autobiographical drama about a troubled young boy, Antoine Doinel (Jean-Pierre Leaud in a stunning performance). The second feature is Truffaut’s third entry in the Antoine Doinel series, the 1968 romantic comedy “Stolen Kisses,” with Leaud and Delphine Seyrig.

Truffaut pays homage to one of his icons, Alfred Hitchcock, in his 1968 mystery thriller “The Bride Wore Black,” starring Jeanne Moreau in the title role, which screens Saturday. Also on tap is his 1962 masterwork, “Jules and Jim” with Moreau and Oskar Werner. The retrospective concludes Sunday with his 1960 film noir, “Shoot the Piano Player” with Charles Aznavour, and 1980’s World War II drama “The Last Metro,” with Gerard Depardieu and Catherine Deneuve. http://www.americancinematheque.com

Cinefamily’s Silent Movie Theatre gets highly animated this week. The “Animation Breakdown” begins with “An Evening With Don Hertzfeldt” on Thursday, featuring the L.A. premiere of his latest animated short, “It’s Such a Beautiful Day.” The filmmaker will be appearing in person. On Friday, Cinefamily shines the spotlight on Polish animation with several shorts by noted animators including an exclusive presentation of the Brothers Quays’ latest film, “Maska.” Saturday afternoon’s offering is a sneak preview of Pixar’s newest short film, “La Luna,” six months before its theatrical release. Later in the afternoon, Cinefamily presents a cast and crew reunion of the Cartoon Network series “Space Ghost: Coast to Coast.”

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Around Town: 'Last Picture Show' and Duncan Jones

November 17, 2011 |  6:00 am

A 40th-anniversary reunion screening of “The Last Picture Show,” a tribute to the vintage TV series “Insight” and a personal appearance by filmmaker Duncan Jones with screenings of his films “Moon” and “Source Code” are among the offerings this weekend.

Director Peter Bogdanovich and stars Cybill Shepherd, Cloris Leachman, Timothy Bottoms and Eileen Brennan join host Luke Wilson on Thursday evening at the Academy of Motion Picture Arts and Sciences’ Samuel Goldwyn Theater for the special presentation of “The Last Picture Show.”

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Around Town: Oprah Winfrey, James Earl Jones honored

November 10, 2011 |  6:30 am

Tributes to Honorary Oscar winners Oprah Winfrey and James Earl Jones, as well as a salute to John Wayne and a new documentary on famed "B" movie producer/director Roger Corman, who nurtured the careers of filmmakers such as Martin Scorsese, Francis  Ford Coppola and Ron Howard, are among the highlights of the week's cinematic events.

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Around Town: Black cinema, Sidney Lumet, monster movies and more

October 6, 2011 |  6:00 am



Halloween is coming early to the American Cinematheque’s Egyptian Theatre and Cinefamily’s Silent Movie Theater.

Director John Landis looks at monsters in the movies Thursday, Saturday and Sunday at the Egyptian. The director of 1978’s “Animal House,” the influential 1981 horror film “An American Werewolf in London” and Michael Jackson’s 1983 music video “Thriller” has written a book, “Monsters in the Movies.” Landis opens the monster mash with two pre-code classics: 1933’s “Island of Lost Souls,” based on H.G. Wells’ “The Island of Dr. Moreau,” starring Charles Laughton and Bela Lugosi, and Rouben Mamoulian’s visually striking 1931 version of “ Dr. Jekyll and Mr. Hyde,” for which Fredric March won his first lead actor Oscar in the dual role. Landis will appear in person at the screening. On tap for Saturday is a Frankenstein triple bill: 1931’s “Frankenstein,” 1935’s superior sequel “Bride of Frankenstein” and the underrated 1939 “Son of Frankenstein.” The retrospective concludes Sunday evening with two black-and-white ghost chillers: Jack Clayton’s 1961 “The Innocents,” based on Henry James’ “The Turn of the Screw,” and Robert Wise’s “The Haunting.” http://www.americancinematheque.com

Cinefamily celebrates the sequels to famous horror films Thursday night with a triple bill of 1981’s “Halloween II,” 1987’s “A Nightmare on Elm Street 3: Dream Warriors” and 1984’s “Friday the 13th Part IV: The Final Chapter.” http://www.cinefamily.org

The UCLA Film & Television Archive launches its ambitious two-month-long retrospective “L.A. Rebellion: Creating a New Black Cinema” Friday evening at the Billy Wilder Theatre. The festival looks at some 50 African-American filmmakers who attended UCLA from the mid-1960s through the late 1980s. Julie Dash’s 1991 drama, “Daughters of the Dust,” and her 1975 short, “Four Women,” open “L.A. Rebellion” Friday evening. Dash will attend. Scheduled for the late afternoon Saturday is Zeinabu Irene Davis’ 2011 documentary, “Spirits of Rebellion: Black Film at UCLA." On tap for Saturday evening is Haile Gerima’s 1975-79 drama “Bush Mama” and Bernard Nicolas' 1977 short, “Daydream Therapy.” Nicolas will attend. A panel of the “L.A. Rebellion” filmmakers, including Dash, Davis, Ben Caldwell and Larry Clark, is scheduled for late Sunday afternoon, followed by several experimental shorts, including Barbara McCullough’s 1979 “Water Ritual #1: An Urban Rite of Purification.”

The archive’s screening series at the Million Dollar Theatre in downtown Los Angeles continues Wednesday with a David Cronenberg double bill: 1986’s “The Fly” with Jeff Goldblum and 1983’s “Videodrome,” starring James Woods. http://www.cinema.ucla.edu

John Leguizamo, appearing at the Ricardo Montalban in “Ghetto Klown,” will be stopping by the Egyptian on Friday evening after his performance for the 10th-anniversary screening of Baz Lurhmann’s revisionist musical “Moulin Rouge!,” in which he costars with Ewan McGregor and Nicole Kidman as painter Toulouse-Lautrec.

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What classic movie would you like to see in 3-D? [Poll]

September 26, 2011 | 11:33 am


Disney’s 3-D version of its 1994 animated hit “The Lion King” earned the No. 1 spot at the box office this weekend for the second week in a row, and 3-D revamps  of “Titanic,” “Star Wars” and “Top Gun” are on their way.

This story in Sunday’s newspaper tackles the debate over the 3-D conversions, with boosters like director James Cameron, who is behind the $18 million 3-D update of “Titanic,” asserting that "all of my goals when I made the film originally are furthered by converting it to 3-D.” Doubters like Wheeler Winston Dixon, Ryan professor of film studies at the University of Nebraska-Lincoln, however, fret that  converting a movie to 3-D "undercuts the quality of the film and the verisimilitude of the film."

As the debate churns, audiences can expect to see more movies undergoing conversions. What, if any, classic movie would you like to see in 3-D?




3-D makeovers coming to aging Hollywood blockbusters

Box Office: Pitt, Lautner beat by 17-year-old 'Lion King'

-- Rebecca Keegan

Photo: "Titanic." Credit: Merie W. Wallace / Paramount Pictures



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