Iranian American weddings too over-the-top?
Shahbal Shabpareh and his band Black Cats — a top Iranian American pop group — have performed American hits with a Persian twist at upper-crust Iranian celebrations almost weekly for years.
They've seen lots of lavish weddings, but one stands out as the most over the top.
As guests enjoyed hors d'oeuvres outside the banquet hall, the bride was placed in a glass coffin. The groom fitted on a white half-mask. Then, the carefully planned "Phantom of the Opera" theme devolved into chaos.
Condensation formed inside the coffin as guests delayed filtering in. When the groom finally took his cue to present the bride, the lid wouldn't budge. Before long, he was slamming the glass trying to break through as the bride wailed inside, her makeup running down her face. It would be an hour before she was finally freed.
For Shabpareh, the night crystallized the breakneck rise in ostentation at weddings hosted in recent years by L.A.'s wealthiest Iranian Americans. For some, party hosting can be a competitive sport, with spending used as a yardstick for status. Weddings boasting guest lists almost a thousand deep with price tags nearing half a million dollars are not unheard of.
Iranian culture is by no means alone in making huge affairs out of weddings, rites of passage and other celebrations. But rarely are the stakes as high as they are for Iranian Americans, particularly in Los Angeles, home to the largest — and one of the most affluent — Persian communities outside of Iran.
During the 1980s, the initial years of the Iranian diaspora, many were unsure whether L.A. would be any more than a temporary home, and were wary of spending extravagantly during a time of transition. But as members of the immigrant group began to settle down and prosper, there was a shift.
"They said 'If we are living in this country, let's live,' " Shabpareh said. "It used to be only one cameraman with the camera on his shoulder. Now there are four or five camera crews at parties and they have a 25-foot crane over the dance floor."
-- Robert Faturechi