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Charlie Kaufman on screenwriting and "Synecdoche"

01:19 PM PT, Oct 24 2008

The Writers Guild posted a good, short interview with "Synecdoche, New York" writer and first-time director Charlie Kaufman, where the out-of-the-box filmmaker says the pragmatic requirements of directing have taught him to ignore those pragmatic requirements in his writing.  "I want my imagination to be able to continue to have as free a rein as I can allow it."

Kaufman also draws a parallel between his creative process and that of his main character, Caden (Philip Seymour Hoffman), who spends an eternity trying to finish a play that keeps getting longer and more complicated. "If you're trying to be truthful, you start out with one idea, and as you become more familiar with it and explore different aspects of the idea, different things become revealed to you.  And you have to incorporate that. So whereas Caden's city kept getting bigger and bigger and more populated as time went on, there was really no ending to it. So that becomes a bit of a hindrance when you're writing, but I do feel like it's the way I like to write."

—David Sarno

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About the Blogger
David Sarno is the Times' Internet culture and online entertainment writer. His Web Scout print column runs in the L.A. Times Calendar section on Wednesdays.
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