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Feb. 27, 1961: “The Apartment” gets 10 Academy Award nominations, including best picture. The other nominees are "The Alamo," "Elmer Gantry," "Sons and Lovers" and "The Sundowners."
Paul Coates has an interview with Herman Abrams, who became known as the most ticketed man in the U.S. with 430 citations.
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This item comes from the Atlantic: by Mark Bernstein“My morning drive to Eastgate, our software workshop, is literary.
“In the car this morning, I listened to the estimable Katherine Kellgren reading Connie Willis' new historical fiction, Blackout. This is fun (and better for my blood pressure than talk radio), but it's also work: Eastgate has always been very interested in interlinked electronic narrative and for years I've been trying to interest hypertext writers in historical fiction. I've not always been convincing. If the argument doesn't go better soon, I may try my hand.
“My morning drive takes me past the former site of the Fannie Farmer School, deeply influential in popular American cookery and in American technical writing. Next comes the the house from which the Black Dahlia embarked for Hollywood and a different narrative than she'd contemplated.”
Sorry, no. I haven’t been to Medford, Mass., for years so I’m not sure what is being pointed out as Elizabeth Short’s house these days. In fact the triple-decker home at 115 Salem where her family was living when she was killed was torn down years ago. I have combined a 1920 map of Medford, with a red dot showing the approximate location of 115 Salem, and a Google map. Note the location of Fifield Court, where the Pacios family lived.
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For many people, this will be an exercise in tedium. But I’m hopeful that the research fanatics among the Daily Mirror readers will find it engaging.
I’m going to spend some time on Morrow Mayo’s “Los Angeles” to examine its reliability. In other words, I’m going to fact-check portions of the book, mostly against reports from The Times.
Mayo often quotes The Times in his book, so we know he referred to it for some details, but we may find ourselves on a treasure hunt to unearth his other source material, so I expect to examine other period newspapers along the way, depending on just how far it’s worth carrying the whole matter.
I’m starting with “Los Angeles” because this is where most contemporary historians begin. To be sure, there are earlier works on the subject, but where they are dry, dusty and plodding recitations of the past, “Los Angeles” is a jaunty dash through history with a guide who gives readers a wink and a sly look as he promises to tell “the real story.” Mayo is an entertaining and engaging author, but (spoiler alert) he’s not especially accurate, and his errors, combined with his caustic commentary, have influenced generations of writers – even those who may not be aware that they are following in his footsteps.
Where to begin? I’ve decided to start in the last section of the book, rather than at the beginning, (the Portola expedition discovers the future metropolis is inhabited by “a tribe of circus freaks,” Page 6) or at the end, with Mayo’s bibliography, although it will be fun to examine his source material in another post, depending on one’s idea of fun.
In a brief biography on the book jacket, Mayo says that he spent six years in California working for various newspapers before he began “Los Angeles” in 1931, so I’m starting with an event that he observed first-hand: the sensational coverage of the 1927 abduction and killing of Marion Parker by William Edward Hickman. One would expect that a newsman would be fairly accurate in writing about an event that occurred a few years earlier and was still fresh in his memory. But is he? Let’s put him to the acid test.
Before going further I should note that the Hickman case involves a particularly gruesome killing of a 12-year-old girl and the original accounts in The Times are extremely graphic. I’m not much on ghoulish sensationalism so I don’t plan to recount everything that was done to Marion Parker unless it’s necessary to contrast it with Mayo’s version of the crime.
Here’s Page 293 of the chapter titled “Strange Interlude.”
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Here we have another popular faked picture of Elizabeth Short. The image on the left is genuine, as far as I know. The bizarre image on the right has been flopped and retouched.
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Charles H. Matthews, African American member of the Police Commission, at a 1946 meeting.
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I was intrigued by the remark on L.A. Observed, quoting the Root, “According to historian Raphael J. Sonenshein, ‘No African-American, Latino or Jewish person held elected office in the city of Los Angeles between 1900 and 1949, when a Latino, Edward Roybal, was elected to the City Council.’ ”
Not quite.
Without looking too far into the historic record for this era, we find Fay E. Allen, an African American music teacher at Jefferson High who after an unsuccessful attempt in 1937, was elected to the Board of Education in 1939. In 1943, Allen was opposed by The Times, which alleged that she had communist support (although she was a registered Democrat), and she was defeated by Marie M. Adams. She ran for Board of Education in 1945 but was defeated again. That year, she became a labor organizer to unionize nonteaching employees in Los Angeles.
As might be expected, The Times wrote very little about Allen and I can’t find an obituary for her, so further digging is required.
And although he was appointed rather than elected, one of the most notable African American figures in Los Angeles city government in this era is Charles H. Matthews (d. 1985), a deputy district attorney from 1931 to 1945, who was appointed to the Police Commission in 1946. As far as I can determine, Matthews was the first African American on the commission and was followed by John Somerville, Herbert Greenwood and Everette M. Porter.
According to Matthews' obituary, he was the only African American in his law class at UC Berkeley, the only black in the district attorney's office and the first African American on the California State Law Review Commission. He was twice denied membership in the Los Angeles County Bar Assn. because he was black and refused to join when it became desegregated, although he accepted an honorary membership.
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Edward R. Roybal on the Daily Mirror
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