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Dodgers Beat Yankees
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| June 28, 1960: An emotional point in the Dodgers' early history in Los Angeles was the 1959 exhibition game against the Yankees to honor Roy Campanella, the star catcher who had been paralyzed in a car accident.
The Dodgers won, 4-3. The Times' Frank Finch said the teams played in front of "a highly vocal crowd with a heavy Brooklyn accent." Finch had a sidebar knocking down a rumored seven-player trade between the Yankees and Dodgers. According to the rumor, Don Drysdale, Gil Hodges and Duke Snider would go to the Yankees for Tony Kubek, Elston Howard, Ryne Duren and Johnny James. --Keith Thursby |
Jimmie Fidler in Hollywood, June 28, 1940
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| June 28, 1940: “Height of swank: The dress Mary Martin's sporting in nitespots; it's trimmed with real gardenias which have to be renewed hourly from a reserve supply in the cafe icebox,” Jimmie Fidler says. |
Movieland Mystery Photo
| Los Angeles Times file photo Update: This is Lawrence Gray in an undated photo. This week’s mystery guest was chosen by Daily Mirror reader Mike Hawks. | |
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From the Vaults: 'Inferno' (1980)
OK, here's where I alienate all you nice "His Girl Friday" fans from last week; sorry. This week's movie does not have Cary Grant, but it does have a man being eaten alive by rats!
"Inferno" is the second in Dario Argento's loose trilogy "Three Mothers," following his 1977 masterpiece "Suspiria"; the third, "Mother of Tears," wasn't released until 2007. None of the movies share characters, just a concept: three evil female forces (fates? witches?) lie waiting, each in her own building, in her own city. People who come asking questions feel her wrath, often in gruesome ways! In "Inferno," the Mater Tenebrarum (Mother of Darkness, or Shadows) lurks in a massive New York apartment building. One of the residents starts asking questions, and -- uh-oh.
It's barely a plot, just a flimsy structure to hang some of Argento's beautiful horror sequences around. But those sequences are why you're here, and Argento delivers magnificently. My favorite is the first big death scene: a young couple is in a big apartment listening to opera (Verdi's "Va' pensiero...") when the power starts flickering -- the lights switch off and on, and eerily, so does the music. The guy heads down to check the fuse box, and if you've ever seen a horror movie, you know how this ends up. Ciao, young couple! But the scene is played so elegantly, it's unforgettable.
As the movie goes on, the deaths get increasingly zany: A countess (Daria Nicolodi, Argento's then-partner) gets attacked by a pack of vicious cats in a sequence that actually reminded me a bit of "Night of the Lepus." (It just takes some careful framing to make it look like cats are biting someone. The camera kept cutting to a cat's claws on the floor.) An antiques dealer (Sacha Pitoeff) falls victim to the rats. A butler's eyes pop out. A concierge catches on fire. There are plenty of stabbings.
As Argento movies go, it's actually pretty tame; there's nothing quite as melodramatic as the stabbing/hanging that opens "Suspiria," or the fabulous bit in "Mother of Tears" in which the museum employee (Nicolodi again, bless her oops, it's Coralina Cataldi-Tassoni; many thanks, M Frost) is strangled with her own entrails; but the deaths are still pretty creative. Argento, as always, walks the line between gonzo and baroque. (Lamberto Bava, son of "Black Sunday" director Mario, was an assistant director. I got to see Lamberto on an Italian-horror panel at Fangoria's Weekend of Horrors last year, and he was cute as a button! But I digress.)
Pages of History [Updated]
| Central Park, later named Pershing Square, and Philharmonic Auditorium. |
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One of the most influential books ever written about the city is Morrow Mayo’s 1933 “Los Angeles.” It is, in fact, easy to argue that Mayo was the father of an entire school of caustic, iconoclastic writing about L.A., even shaping the views of contemporary authors who are unaware that they are following his well-beaten path. |
Matt Weinstock, June 27, 1960
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| June 27, 1960: More people are taking vacations in smalltown America to look for a getaway from the rat race, but find that the other rats have already beaten them to it, Matt Weinstock says. CONFIDENTIAL TO "UNDERAGE AND DESPERATE": I can't help you unless you send me your name and address. I offer advice and refer people to the proper agencies; I do not "turn them in," Abby says. |
Police Detective Alleges Corruption
| Sept. 26, 1979 |
| June 27, 1980: After more than 1,000 hours of investigation, the district attorney's office closes its inquiry into Det. Donald Wicklund’s charges of misconduct in the Los Angeles Police Department, ending a messy, complicated case involving a TV production company’s loan to a police official and the unauthorized leak of police files for a movie script. Deputy Dist. Atty. Gil Garcetti, who was then the head of the special investigations division, said none of Wicklund’s allegations had been substantiated. "Wicklund has described Lang as the connection between Beck and two men allegedly associated with organized crime figures," The Times said. Lang told The Times: "I don't know anybody in organized crime." As the case unfolded, Chief Gates sharply criticized the Herald Examiner and KABC-TV for unfair and inaccurate reporting. Chief Gates said of the accusations against Judd: "We knew when it was first brought to the news media's attention that there was absolutely no truth to these allegations ... but for some newsmen to pick up on those kinds of accusations have done nothing but punish the reputation of a very fine officer." After the dust had settled, Gates said he never doubted Wicklund’s sincerity but said the detective should have gone to the proper authorities instead of making his accusations on a TV show. |
Navy Subs Pay Port Call in Los Angeles
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| June 27, 1910: The Navy submarines Pike and Grampus pay a port call in Los Angeles. The Times says about 1,000 men, women and children visited the Pike and explains the challenges women had in navigating the small space in the sub. Interestingly enough, the C.O. of the Pike is an ensign, James P. Olding.The Grampus was decommissioned in 1921 and sunk as a target in Manila Bay. The Pike was decommissioned in 1921 and used as a target. |

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