The Big Picture

Patrick Goldstein and James Rainey
on entertainment and media

« Previous Post | The Big Picture Home | Next Post »

Are the haters really right to hate 'Kick-Ass'?

When "Kick-Ass" director Matthew Vaughn talked to my colleague Geoff Boucher the other day, he vented a little, complaining that too many people had expressed outrage about his new movie--which opened Friday--without actually seeing it first. It's really no surprise that some people are up in arms, since "Kick-Ass" is chock-full of graphic violence and ultra-nasty language, much of which is used by the film's potty-mouthed, preteen Hit Girl, played by 13-year-old actress Chloe Grace Moretz.

As we all know, it's a time-honored tradition for every special interest group--from Jews to Muslims, from gays to evangelical Christians--to beef about the amount of sex, bad language, violence and negative portrayals of minority groups in Hollywood movies. So, it's hardly a surprise that Vaughn is getting a lot of flak. As he said to Boucher: "Of course, the people that do complain, 99% of them haven't seen the film. I tell them, 'Go see the movie and then call me up after and I'll chat with you as long as you want. I'd be interested in your opinion.' "

OK, so what do America's film critics have to say about the film now that they've seen it? As you might have guessed, the reaction ranges from revulsion to rousing approval. If you see the film this weekend, I'd love to hear your take. But here's a condensed sampling from some of our best critics (you can click on the links to read the entire reviews):

Joe Morgenstern, Wall Street Journal: Hyperviolence is the dominant mode of "Kick-Ass," Matthew Vaughn's low-budget excursion into Tarantino-style chaos for teens. The film is grungily stylish and often funny, at least for a while, though all of the caveats and contradictions that apply to Tarantino films apply here: One man's—or boy's—stylization is another's profane, unrelenting and tedious brutality. "Kick-Ass" stands as an intriguing fantasy of social networking. To achieve superhero status, you simply put up your own Web site, announce it on MySpace and Facebook and you're on your mythic way.

Roger Ebert, Chicago Sun-Times: A movie camera makes a record of whatever is placed in front of it, and in this case, it shows deadly carnage dished out by an 11-year-old girl, after which an adult man brutally hammers her to within an inch of her life. Blood everywhere. In one scene, she faces a hallway jammed with heavily armed gangsters and shoots, stabs and kicks them all to death, while flying through the air with such power, it's enough to make Jackie Chan take out an AARP membership. This isn't comic violence. These men, and many others in the film, are really stone-cold dead. And the 11-year-old apparently experiences no emotions about this. Many children that age would be, I dunno, affected somehow, don't you think, after killing eight or 12 men who were trying to kill her?

Owen Gleiberman, Entertainment Weekly: "Kick-Ass," directed by Matthew Vaughn ("Layer Cake"), is an enjoyably supercharged and ultraviolent teen-rebel comic-book fantasy that might be described — in spirit, at least — as reality-based. Hit Girl, trained by a daddy (Nicolas Cage) with rubber-suited-vigilante ambitions of his own, turns out to be the most ass-kicking character in the film. The reason that's a good joke is that the way she turns villains into cannon fodder is really no more preposterous than, say, Bruce Willis doing the same thing. Yet is it a problem that "Kick-Ass" is by far the most violent movie ever to feature kids as heroes? Parents should consider themselves warned, though personally, I just wish that the film had ended up a bit less of an over-the-top action ride.

Karina Longworth, the Village Voice:  For all of its self-conscious edge, "Kick-Ass" feels as if Vaughn took all of his potentially powerful material and filtered it through distancing devices. It's a teen-angst movie filtered through the comic book form in which the characters themselves only respond to reality as filtered through comic books, TV and social networking. Most offensively, it takes the strain of Asian pop culture centered on uniformed schoolgirls coolly and competently kicking the asses of grown men, which has already been filtered into American pop culture by Quentin Tarantino, and reduces it to shallow shock lines. Anything passed through this many filters would come out weak. Never as shocking as it thinks it is, as funny as it should be, or as engaged in cultural critique as it could be, "Kick-Ass" is half-assed.

Ty Burr, Boston Globe:   "Kick-Ass" wants to shock your momma. The new superhero action-parody — half a scrappy send-up of the “Spider-man" genre, half a desperate wannabe — indulges in all sorts of bad behavior designed to appall the guardians of culture while delighting the young, the jaded and the smug. Fusing teen comedy, bad-boy raunch, Tarantino-style gonzo mayhem, and tossing in a bloodthirsty little girl vigilante who swears like Steve Buscemi in a Coen brothers movie, the film has its moments of high-flying, low-down style. It’s also nowhere near as subversive as it thinks it is.

Kenneth Turan,Los Angeles Times: "Kick-Ass" is the movie our parents warned us about, the movie you don't want your children to see. A highly seductive enterprise that's equal parts disturbing and enticing, it will leave you speechless because its characters — especially a 12-year-old virtuoso of violence named Hit Girl — are anything but. It's as if all the arguments about these hyper-violent films — why they are so popular, what they have done to our culture — are open for business in one convenient location. It may or may not be the end of civilization as we know it, but "Kick-Ass" certainly is Exhibit A of the here and now.

Dana Stevens, Slate: The director, Matthew Vaughn, pointed out the hypocrisy of those who criticized his movie's use of profanity while ignoring its violence: "I was like, 'Does it not bother you that she killed about 53 people in this film?' … I'm like, 'Would you rather your daughter swore, or became a masked vigilante killer?' They're going, 'Yeah, I don't know.' " Cogently put, sir. But this critic, for one, is going, "Yeah, it does bother me that Hit Girl, and her fellow amateur superheroes rack up a body count in the high dozens." In the course of this zany romp made for the high-school set, human bodies are microwaved, crushed in trash compactors, skewered, bazookaed, and burned alive. And, yes, it's comic-book violence and deliberately over the top—but since "Kick-Ass' " whole premise is that comic-book violence, when enacted in real life, has real consequences, it seems a strange choice to layer Tarantino-style splatter onto the Y.A.-novel setting and play the whole thing for laughs.

Colin Covert, Minneapolis Star-Tribune: "Kick-Ass" is a guilty pleasure of the highest order, a guns-blazing, media-savvy superhero comedy designed to thrill geeks and outrage prudes. What makes it different from "Sin City" or the "Kill Bill" movies is that it features Hit Girl, a moppet who swears like Joe Pesci and turns villains into corpses by the dozen: a tween Tarantino. If that's a deal breaker, too bad for you, fuddy duddy. You're missing a fabulously insane piece of work -- original, self-aware and so cartoonishly extravagant with bloodshed that it makes a joke of hollow Hollywood violence. If you look beyond the jokes and gore, you'll find a strong belief in a code of honor. Honor among vigilantes perhaps, but a virtue nonetheless.

PREVIOUSLY: GEOFF BOUCHER INTERVIEWS MATTHEW VAUGHN: 'THIS MOVIE HAS BROKEN EVERY RULE

 
Comments () | Archives (21)

The comments to this entry are closed.

The movie was amazing. At first I felt it would be to much of a comedy like Superhero Movie, but it was awesome. The young girl played a great part in this movie, I don't think the swearing got to me because I felt like she was mature, had that confidence needed to move the other characters forward. I liked the move a lot and I just took a class on mythology, so I was trying to figure our the archetypes portrayed by the characters. It was sweet.

Is it just me or does it seem like several comments in here come from publicity plants?

"If you are under 13 years of age you may read this message board, but you may not participate."

If you are under 13 you can murder, swear and be obscene in a Hollywood movie. You can not, however, participate on this message board.

Lord knows what you would be exposed to here.


I personally thought this was awesome in the same way Inglourious Basterds was, you get intense violence but it's fun, like when hit girl goes around slicing bad guys to pieces while they play happy music, you're laughing your ass off and cringing at the same time. And who cares about swearing, in the real world 12 year old kids swear commonly, wake up people and see that the only thing that can be really offensive in this movie is the cold-blooded nature of Hit Girl, I thought she was fucking awesome.

"Is it just me or does it seem like several comments in here come from publicity plants?"

Yes, it's just you and maybe a few other uptight people like you.

I wouldn't change anything about this movie. I LOVED it.

The violence in this movie is comic book violence put in movie form. It is NOT the Tarantino violence with all the excessive gore and suffering. It's hard to find anything to compare this movie to which is one of the great things about it.

I was shocked by a lot of things in the movie, but only because no other movie is like this. The usual scenarios we've seen in every other movie are turned on their heads.

The movie is a fun ride.

Shouldn't we be congratulating Chloe on what a superb job she did as Hit Girl? A 13 year old GIRL that was handed a script fit for a Stallone or Willis type of actor...she alone stole the movie. She obviously worked really hard for this part which she can add to an already impressive resume. So kudos to you Chloe... Now, if you just focus on the language and violence of this movie... get over it... its a movie... just entertainment. Unless you really believe that the planet krypton and gotham city really exist.... so Congratulations to these kids that work hard to be the bright future for Hollywood..

Matthew Vaughn has out-Tarantinoed Tarantino. Hit Girl is really just a step above Go Go from KILL BILL - i.e. Vaughn took it to the next level by making her even younger than Go Go.

Nice work. Loved it. The film kicked ass! Can't wait for the sequel where Red Mist is the main villian! Go McLovin, get some revenge for Papa (OOPS, SPOILER).

I'm a 17-year-old girl and I had no problem with the content of the movie. While everyone is entitled to their opinion,there are some adults out there who need to realize that there is an overwhelming amount of children Hit Girl's age who speak like her on a daily basis. Because the whole movie was so over the top, the violence kind of just fit right in with the rest of it. I honestly did not find the movie nearly as crude and graphic as some of the press/critics/public made it out to be. It had the exact same amount of objective content that any other R-rated movie with violence and language warnings would have. I've seen way more violent and way more mouthy movies. The only issue I had with the swearing was sometimes it felt forced and unecessary, like they were putting it in place just for the shock value, and for me, the break in the dialogue flow jarred me out of the movie and story.

That being said, my main reaction to the movie was just 'meh'. I wanted to love Kick-Ass, I really did, but maybe it was the hype-train that did it in for me, because I just didn't enjoy it that much. I understood the satire/humor but didn't find it that funny. I ended up becoming unbearably bored about halfway through. I wasn't the only one, my entire (reasonably full) theatre was dead silent the whole movie, and not in the impressed or enthralled way. I was suprised that I didn't hear one laugh or cheer from the people in the theatre like some people have described. Most people were checking the time and texting throughout by about half an hour in. I don't remember sitting in a theatre and seeing the audience have a such a lukewarm reaction since I saw Watchmen. When it was over and everyone was filing out, nobody seemed to be talking about it or acting excited over it like I remember audiences in that same theatre were after the Dark Knight or Avatar (even though I didn't really like Avatar either). The general consensus I got from the group I went with was "it was okay".

I'd still reccomend this movie, though. It's clear that a lot of people do love it and it was very well-made and acted, maybe the final product just wasn't for me.

Look, I'm 50, and have seen a lot of film. Kick-ass does just that,... funny, smart, of the moment. It may become one of my all time favorites. and yes, this is what this movie goer wants, not just another dumb action film.

 
« | 1 2 3 | »

Connect

Recommended on Facebook


Advertisement

In Case You Missed It...

Stay Connected:



About the Bloggers


Categories


Archives
 


Get Alerts on Your Mobile Phone

Sign me up for the following lists: