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Patrick Goldstein and James Rainey
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The Oscars: Not exactly an enchanted evening

Hughjackman

I guess reinventing the Oscars is harder than it looks.

The academy gave the gig this year to producers Larry Mark and Bill Condon, two classy industry veterans who've been involved with all sorts of admirable films over the years. But after watching this year's Hugh Jackman-hosted awards, which were undermined by a pair of lackluster Jackman musical numbers, nearly three hours of earnestly dull, emotion-free acceptance speeches (of course excepting Kate Winslet, who's apparently been overflowing with emotion for the entire awards season) and hardly any surprises, I'm beginning to believe that saving the Oscars is a job for Iron Man or Hancock, a kick-ass superhero with the kind of unassailable powers that would allow them to radically overhaul what has become the year's stodgiest awardsfest.

From Jackman's strangely self-conscious low-rent opening musical number to Ben Stiller's very inside-the-Beltway spoof of Joaquin Phoenix's recent appearance on David Letterman's late-night show, the awards had a tone problem--they tried to be something for everyone, coming off like a movie script that had its edginess and guts airbrushed out by too many studio notes. It was hard to find any focused narrative for the awards, which were busy veering wildly from making fun of serious movies (mocking "The Reader," for example) to being entirely too reverential about the past, treating a banal montage of supporting actress "thank you" speeches as if they were lost outtakes from "Citizen Kane."

It's hard to blame the producers for some of the problems. It certainly wasn't their fault that "Slumdog Millionaire" swept the evening, robbing the proceedings of any real suspense--you know you've got a drama deficit when the biggest upset of the night came in the foreign language film category. New ideas were attempted but not always executed with success. It was a treat to see Queen Latifah crooning and Sophia Loren paying tribute to Meryl Streep. My 10-year-old son was especially impressed that all his favorite movies were represented in a nicely edited action film montage, although it reminded us only of how cloistered the Oscars have become, since virtually none of the films in the montage were nominated for any major awards (and the visual effects Oscar went to "Benjamin Button," the one non-action film in the bunch.

It also wasn't the producer's fault that the much antipated Judd Apatow comedy sketch, which featured his "Pineapple Express" costars, was so hit and miss that the best line in the whole bit came from Polish cinematographer Janus Kaminski, who waved his Oscars and, with perfect timing, apologized by saying, "They made me do it, Mr. Spielberg, [work is] really slow in town."

But you'd have to say that Jackman was a bust. The idea of having a song and dance man instead of a traditional comedian seemed like a step in the right direction. But Jackman never radiated any real heat. His shortcomings were especially obvious when Will Smith, someone with real star power, showed up to give out a bunch of technical awards. You wanted Will to stick around--he had real presence. Jackman disappeared for so many big chunks of the evening that I found myself shouting at the TV: "Who kidnapped Hugh Jackman?" (Of course, I also found myself shouting: "What does Philip Seymour Hoffman have on his head?)

I find it hard to quibble with anything "Slumdog" director Danny Boyle might have to say after making last year's most wonderful movie, but when he announced on stage that the show felt "bloody wonderful in the room," those of us at home, on the couch, begged to differ. After all, the Kodak Theatre crowd gave six standing ovations during the course of the evening, including one for Jackman just for showing up, but back at home, we were mostly sitting on our hands. Even Jerry Lewis, who was expected to bring some loose-cannon fireworks to the evening, was surprisingly restrained, giving a very pro-forma acceptance speech for his Jean Hersholt Humanitarian Award. And where was Jack Nicholson--at a Lakers game?

Jackman was supposed to earn his stripes with a knock-'em dead musical extravaganza created by Baz Luhrmann. But the much-vaunted, Busby Berkeley-style number felt like most of the rest of the show--awkward, listless and underwhelming, the opposite of what Luhrmann brought to his great Oscar-nominated film, "Moulin Rouge." It hardly felt like a surprise to see Jackman trading licks with Beyonce, who (memo to the academy) has been wildly overexposed lately, showing up everywhere, including at the inaugural ball.

What the awards sorely lacked--with rare exception--were the wonderful unexpected, unrehearsed moments that make live TV worth watching, one of the rare exceptions being Boyle's Tigger-like pogo bounce after he arrived to accept his director award. It was a joyous burst of spontaneity in an otherwise over-scripted evening that made Hollywood's oldest award show feel even older and more in need of reinvention than ever. 

(Photo courtesy Getty Images)

RELATED:

PHOTOS: Best & Worst: Oscars 2009

PHOTOS: Oscar arrivals

STORY: The Oscars show itself was puttin' on the fritz

STORY: 'Slumdog' strikes it rich

Complete Oscar scorecard

 
Comments () | Archives (305)

The comments to this entry are closed.

When HOLLYwood realizes that LIBERALISM doesnt sell they will be profitable. ENOUGH WITH THE GAY, ANTI- AMERICAN, ANTI-CAPITALISM, LIBERAL MOVIES. THEY DONT SELL AND THEY ARENT ENTERTAINING. WE DONT WANT TO BE PREACHED TOO WE WANT TO BE ENTERTAINED. IT IS OBVIOUS THE UNIONS IN HOLLYwood ARE DESTROYING THE QUALITY OF MOVIES JUST LIKE THE UAW IS DESTROYING THE QUALITY OF AMERICAN CARS. HOLLYwood GET A CLUE WILL YA??

When HOLLYwood realizes that LIBERALISM doesnt sell they will be profitable. ENOUGH WITH THE GAY, ANTI- AMERICAN, ANTI-CAPITALISM, LIBERAL MOVIES. THEY DONT SELL AND THEY ARENT ENTERTAINING. WE DONT WANT TO BE PREACHED TOO WE WANT TO BE ENTERTAINED. IT IS OBVIOUS THE UNIONS IN HOLLYwood ARE DESTROYING THE QUALITY OF MOVIES JUST LIKE THE UAW IS DESTROYING THE QUALITY OF AMERICAN CARS. HOLLYwood GET A CLUE WILL YA??

Are you out of your mind? This was the best Oscar show in years!

When HOLLYwood realizes that LIBERALISM doesnt sell they will be profitable. ENOUGH WITH THE GAY, ANTI- AMERICAN, ANTI-CAPITALISM, LIBERAL MOVIES. THEY DONT SELL AND THEY ARENT ENTERTAINING. WE DONT WANT TO BE PREACHED TOO WE WANT TO BE ENTERTAINED. IT IS OBVIOUS THE UNIONS IN HOLLYwood ARE DESTROYING THE QUALITY OF MOVIES JUST LIKE THE UAW IS DESTROYING THE QUALITY OF AMERICAN CARS. HOLLYwood GET A CLUE WILL YA??

When HOLLYwood realizes that LIBERALISM doesnt sell they will be profitable. ENOUGH WITH THE GAY, ANTI- AMERICAN, ANTI-CAPITALISM, LIBERAL MOVIES. THEY DONT SELL AND THEY ARENT ENTERTAINING. WE DONT WANT TO BE PREACHED TOO WE WANT TO BE ENTERTAINED. IT IS OBVIOUS THE UNIONS IN HOLLYwood ARE DESTROYING THE QUALITY OF MOVIES JUST LIKE THE UAW IS DESTROYING THE QUALITY OF AMERICAN CARS. HOLLYwood GET A CLUE WILL YA??

Couldn't disagree more. I thought this was a classy afair and a real tribute to the new producers and the change in tone.

No, Mr. Goldstein, I DON'T HAVE TO say that Jackman was disappointing. To you, maybe, but I thought he was refreshing and clearly an improvement ove rthe past few years. Just because you get to write your thoughts and have it published does not make your opinion worthier than mine, so no thanks, I don't have to just because you think I have to feel a certain way.

Not everything worked, but I loved Jackman's opening number, especially how he talked to some of the nominees and brought Anne Hathaway on stage for a surprising performance from her. Very reminiscent of Billy Crystal. And I loved the big Baz Luhrman musical number. It was FUN! The iinnovative way the acting awards were presented was quite refreshing and real. And Tina Fey and Steve Martin were pure gold. But best of all was the fact that for the first time that I can remember, no one was played off during their acceptance speeches. (Too bad they weren't more exciting.) My biggest disappointment was Eddie Murphy's presentation of the Hersholt Award. Surely Jerry Lewis's career and the fact that he is an icon in France deserved more than the few minutes he was given. For such an off year for film, I think Mark and Condon deserve high praise!

Why WAS BILL MAHER AND TINA FEY ON STAGE? "30 ROCK" RANKED 119th IN RATINGS LAST YEAR, TIED WITH "AMERICAS MOST WANTED". NO ONE WATCHES HER SHOW BUT HOLLYwood KEEPS PUTTING HER UP ON STAGE BECAUSE SHE BASHES REPUBLICANS. WHAT A JOKE!!

Why WAS BILL MAHER AND TINA FEY ON STAGE? "30 ROCK" RANKED 119th IN RATINGS LAST YEAR, TIED WITH "AMERICAS MOST WANTED". NO ONE WATCHES HER SHOW BUT HOLLYwood KEEPS PUTTING HER UP ON STAGE BECAUSE SHE BASHES REPUBLICANS. WHAT A JOKE!!

 
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