Category: Two Broke Girls

Upfronts 2012: CBS unveils fall schedule; 'Men' moves to Thursday

Vegas

With one of the strongest schedules in broadcast television, CBS made relatively few moves for the upcoming fall season, shifting four returning shows to different nights and picking up three dramas and a sitcom.

The new shows, which CBS executives outlined to reporters at a breakfast in New York on Wednesday morning, are: "Vegas," a drama about the clashes between a sheriff and the mob during the 1960s; "Elementary," a dramatic update on the Sherlock Holmes story; "Made in New Jersey," a drama about a new lawyer caught between classes; and, "Partners," a comedy about work and lifelong friends.

The network also moved "Two and a Half Men" to Thursday, and "The Mentalist" to Sunday. 

VIDEO: Watch 2012 TV previews

CBS will formally unveil its lineup to advertisers in Carnegie Hall on Wednesday afternoon.

Here is the fall lineup: (N denotes a new show; NT denotes a new time slot)

MONDAY

8:00-8:30 PM              HOW I MET YOUR MOTHER

8:30-9:00 PM              PARTNERS (N)

9:00-9:30 PM              2 BROKE GIRLS (NT)

9:30-10:00 PM            MIKE & MOLLY

10:00-11:00 PM          HAWAII FIVE-0

 TUESDAY

8:00-9:00 PM              NCIS

9:00-10:00 PM            NCIS: LOS ANGELES

10:00-11:00 PM          VEGAS (N)

 WEDNESDAY

8:00-9:00 PM              SURVIVOR

9:00-10:00 PM            CRIMINAL MINDS

10:00-11:00 PM          CSI: CRIME SCENE INVESTIGATION

 THURSDAY 

8:00-8:30 PM              THE BIG BANG THEORY

8:30-9:00 PM              TWO AND A HALF MEN (NT)

9:00-10:00 PM            PERSON OF INTEREST

10:00-11:00 PM          ELEMENTARY (N)

  FRIDAY

8:00-9:00 PM              CSI: NY (NT)

9:00-10:00 PM            MADE IN JERSEY (N)

10:00-11:00 PM          BLUE BLOODS

 

SATURDAY

8:00-9:00 PM              CRIMETIME SATURDAY

9:00-10:00 PM            CRIMETIME SATURDAY

10:00-11:00 PM          48 HOURS MYSTERY

 SUNDAY

7:00-8:00 PM              60 MINUTES

8:00-9:00 PM              THE AMAZING RACE

9:00-10:00 PM            THE GOOD WIFE

10:00-11:00 PM          THE MENTALIST (NT)

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ABC renews "Scandal," picks up five new series

-- Martin Miller

Photo: A scene from CBS' new drama "Vegas." Credit: Lorey Sebastian / CBS

'2 Broke Girls' on CBS is rich in raunch

Two Broke Girls gets even dirtier
There is never a shortage of raunchy dialogue on the CBS comedy "2 Broke Girls," but Monday night's episode may have hit a new high — or low, depending on your perspective.

In the episode, main characters Max and Caroline cook cupcakes for a bar mitzvah. Besides giving writer Liz Feldman an excuse to whip up every tired old Orthodox Jewish stereotype, it also gave her a chance to put really crude lines in the mouths of two 13-year-old boys hitting on the girls.

Here is a sampling of what the boys said to Max and Caroline:

"Damn sweetness, your lips are moving but your ass is doing all the talking."

"How much money is it going to take for you to pop that top and serve me up some super fine ta-tas?

"How you going to say anything with your mouth full?"

"That’s what’s up, hooker."

"Damn, boo, I stopped listening after you said 'freshly waxed.'"

One wonders what jokes the standards-and-practices department at CBS deemed too over the top.

Of course, the dirty talk wasn't limited to the boys. When the mother of one of the boys offers Max an opportunity to “sit, eat, come," Max replies, "Three of my favorite things to do." Earlier in the episode one character says to a women in a tight orange dress that her breasts "look like two giant orange traffic cones" and adds, "Are you trying to tell me not to park there?"

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Minority hopefuls perform in CBS diversity showcase

CBS diversity showcase

LMFAO’s head-pounding “Party Rock Anthem” pulsated through North Hollywood’s El Portal Theatre as a multiracial group of young performers stormed the stage, promising in song to provide a lively evening of laughs. They then launched into a rapid-fire parade of sketches filled with gleeful raunch and pokes at racial stereotypes.

The performance had the usual trappings of a night out at any comedy club around town. But little about this invitation-only night was typical. The actors, writers and directors were all amateur, and they were mostly people of color — young blacks, Latinos, Asians, Indians — performing original material they had helped to develop before a crowd of managers, agents and creative executives from major networks and studios.

The event marked the culmination of this year’s CBS Diversity Sketch Comedy Showcase, an annual talent forum that also functions as a three-month boot camp designed to boost the chances of minorities hoping to land roles on TV comedies and dramas.

The participants are schooled to collaborate with others as well as receive lessons in character development and voices, auditions and “cold readings.” But the main focus is the showcase, said CBS diversity honchos.

“What we’re putting on is much more than a showcase: This is a full-fledged show that we feel could be staged at any theater in Los Angeles,” said Tiffany N. Smith-Anoa’i, vice president of diversity and communications for CBS. She pointed out that this year’s event was a hot ticket: The 360-seat El Portal was filled to overflowing for four shows over two days last week. Many attendees stood against the walls or sat in the aisles.

The showcase, now in its seventh year, is always scheduled in January, as networks and studios begin lining up their pilots for the fall season. NBC and ABC also sponsor minority showcases as part of their stated commitment to increase diversity in prime time. The four major networks have been grappling for more than a decade with charges from advocacy groups and critics that most prime-time series feature predominantly white casts and have largely excluded minorities from significant creative roles. Even some series that feature minority characters have been blasted — both CBS’ “Two Broke Girls” and “Rob!” have been accused by critics of perpetuating negative stereotypes.

A survey conducted by the Directors Guild of America of more than 2,600 television episodes from 170 scripted TV series for the 2010-11 season found that white men directed 77% of all episodes, and white women directed 11% of all episodes. A report released by the Writers Guild of America, West in May found that the earnings gap between minorities and white writers more than doubled from 2007 to 2009.

Smith-Anoa’i said the criticisms have overshadowed significant gains on the diversity front: “People who are trying to improve diversity at the networks often hear about what is wrong. But with this showcase and our other diversity initiatives, we are attempting to put more of a spotlight on the positive progress that is being made. Increasing that level of awareness is more helpful in the larger scope of the issue.”

Instead of the usual showcase format of stand-up comedy routines or scenes from plays or movies, the performers, assisted by director Rick Najera (“MADtv,” “In Living Color”) and CBS Vice President of Casting Fern Orenstein, develop original material that allows them to improve their writing skills, show a range of characters and broaden their acting styles.

Almost 40 showcase graduates in the last seven years have won regular or guest-starring roles on series, while dozens of others have scored representation. One of the graduates, Affion Crockett, starred in his own short-lived sketch comedy series on Fox last year.

Julie Ashton, who runs her own agency and does casting for “Two Broke Girls” and Fox’s upcoming reboot of “In Living Color,” said she finds the CBS show a valuable resource for discovering talent. “It’s just a great arena to see so many talented folks at the same time.”

Several other participants this week told CBS they have booked auditions and meetings with agents following the showcase.

Asif Ali, 24, who appeared in several of the sketches, sounded relieved at the end of one of the showcases last week.

“We pulled it off,” he declared, saying he was ecstatic that the audience had responded so favorably to the material. “I didn’t even have butterflies.”

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—Greg Braxton

Photo: The entire cast of this year's CBS Diversity Sketch Comedy Showcase greet the audience at the El Portal Theatre in North Hollywood. Credit: Lawrence K. Ho/Los Angeles Times.

'2 Broke Girls' and one ugly clash with reporters

Michael Patrick King, Kat Dennings and Beth Behrs of "2 Broke Girls"

"2 Broke Girls" is one of the few new huge successes of the TV season, and its stars and executive producers had hoped to celebrate its popularity Wednesday during CBS' portion of the Television Critics Assn. press tour.

But a session to promote the series deteriorated into an uncomfortable and messy clash between reporters and executive producer Michael Patrick King, who grew agitated with repeated questions about the continuing controversy concerning the show's lone Asian character, the owner of a diner who speaks in broken English.

Even though King had been expecting questions about the character Han Lee (Matthew Moy) since it has been an issue since the series premiered, he became increasingly defensive as the session wore on, making what amounted to a flat joke about the Irish heritage and sexual orientation of one reporter who continued to press him about whether CBS had asked him to make Han more dimensional and tone down his ethnicity.

The producer's combative demeanor ultimately cast a sour note over what should have been an upbeat session.

It's not the first time King has faced criticism over race. He was the creator of "Sex and the City," which was set in New York City but seldom featured principal characters of color. The only nonwhite character in the first movie spinoff of the series was an assistant to Carrie (Sarah Jessica Parker) played by Oscar-winner Jennifer Hudson.

King initially tried to downplay the controversy over "2 Broke Girls," saying that while the show's humor may be edgy it was also full of heart. He said CBS Entertainment President Nina Tassler had called the show "an equal opportunity offender," and the show comically deals with stereotypes, particularly of the title characters (played by Kat Dennings and Beth Behrs) who are respectively brunet and blond.

When the subject kept returning to Han Lee, King grew increasingly contentious. "I like Han and the fact that he's an immigrant," King said, adding that he didn't find the character offensive. King added that because he is gay — and a comedy writer — it gave him permission to poke fun at other "outsiders."

And even though King maintained that he had received no instructions from the network about toning down Han's more stereotypical characteristics, he noted that the last three episodes had not made any Asian jokes — only jokes about the character's shortness.

King repeated that he was proud of the "creativity and hilarity of what we do," and expressed surprise that there were fewer questions about that aspect of the show. But with his defensiveness, King and his prickly tone took the attention away from his show.

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Late Night: Colbert defends Romney's "I like to fire people" gaffe

Is ABC's new soap "GCB" the next "Desperate Housewives?" 

— Greg Braxton

Photo: Michael Patrick King, Kat Dennings and Beth Behrs at the Winter Press Tour 2012. Photo: Monty Brinton / CBS.

 

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