MSNBC's Melissa Harris-Perry brings her analytical POV to cable news
As a tenured professor of political science at Tulane University in New Orleans, a columnist for The Nation magazine, and, as of February, host of an eponymous weekend talk show on MSNBC, Melissa Harris-Perry maintains a schedule that would make even the most intrepid working mother break out in hives.
During a lunchtime interview in her spartan office at 30 Rockefeller Plaza in New York, Harris-Perry provides an exhaustive rundown of her jam-packed week. The explanation itself takes close to 10 minutes, during which time Harris-Perry barely pauses to take a breath — much less a bite of her salad.
From Monday through Thursday, Harris-Perry is in New Orleans, where she lives with her husband of just over a year, politician and housing activist James Perry, and her 10-year-old daughter, Parker. Wednesday is her marathon day: She teaches two classes, conducts office hours, then takes a conference call with her team of MSNBC producers while en route to a “Women and Politics” reading group. By noon the next day, she’s on a plane to New York, where she spends the ensuing 36 hours frantically prepping the her show, which airs live on Saturday and Sunday from 7 to 9 a.m. Pacific time. Perry and Parker fly out on Friday evenings and, once Harris-Perry’s show wraps on Sunday, the whole family returns to New Orleans to start the process all over again.
“It really did blow up my entire life,” admits Harris-Perry, 38, whose distinguished resume includes stints at the University of Chicago and Princeton University.
But as a black feminist and academic, Harris-Perry says the opportunity to bring her unique perspective to a broad television audience, particularly during a heated presidential campaign -- and to be one of just a handful of African-American women anchoring a cable-news program -- makes the grueling schedule worthwhile. “It is more than I could ever do with my books,” she says.
Harris-Perry’s windowless office does double duty as a conference room for the show’s production staff. On the wall hangs a white board where words like “Syria” and “Spanx” are scrawled in black ink. The space is evocative of the show Harris-Perry is trying to create, one that mixes political prognostication with thoughtful analysis of cultural trends — especially ones that relate to women and minorities. She’s used the same approach in her more scholarly work, including the book “Sister Citizen: Shame, Stereotypes and Black Women In America,” published by Yale University press last fall.








