Category: Science Fiction

'Game of Thrones' recap: All men must die

"Game of Thrones" resumed its Carmen-Sandiego-style world tour of Westeros for a season finale that left surprisingly few of its characters hanging off cliffs and focused far more on resolutionAfter last week's climactic episode, which remained laser-focused on Kings Landing and the bloody Battle of the Blackwater, "Game of Thrones" resumed its Carmen-Sandiego-style world tour of Westeros for a season finale that left surprisingly few of its characters hanging off cliffs and focused far more on resolution and begrudging acceptance: of failure, of death, of change. There's a lot of ground to cover in this extra-long 65-minute episode, so let's get started.

Those concerned about Tyrion can breathe a sigh of relief as he wakes up relatively unharmed, although he's now Battle Damage Tyrion thanks to a rather nasty scar across his face. Turns out the man who attacked him was Mandon Moore, a member of the Kingsguard sent to kill him at Cersei's behest.

But the greatest blow to Tyrion is not physical, but political: As Master Pycelle informs him quite gleefully, Lord Tywin has taken over his position as the King's Hand, relieved Bronn as commander of the City Watch and sent Tyrion's hill-tribe warriors home -- transforming Tyrion instantly from one of the most important players in the game to a powerless bystander.

CHEAT SHEET: Who's who in 'Game of Thrones' Season 2?

One of his few remaining allies appears to be Varys, who goes out of his way to acknowledge that Tyrion saved Kings Landing from certain destruction, because neither the history books nor Lord Tywin will ever do so.

Cut to Lord Tywin's horse crapping all over the stone floor outside the throne room, a rather unsubtle but apt metaphor for how the Lannister patriarch has always treated his youngest son. Joffrey offers Littlefinger all the lands of Harrenhal as a reward for coordinating the partnership with the Tyrells, and grants an even bigger boon to Ser Loras by breaking off the engagement with Sansa in favor of marrying his sister, Margaery.

Sansa is over the moon about the idea that she might finally get away from that tow-headed psycho, but Littlefinger quickly quashes her tiny moment of sunshine and disabuses her of that notion. Although the betrothal may be over, it's not going to end the beatings, plus he adds that there's all kinds of exciting rape to look forward to now that she's finally "a woman"! Littlefinger promises to help Sansa escape because of his affection for her mother, so here's hoping that bargain works out better here than it did for Ned!

CHEAT SHEET: Who's who in 'Game of Thrones' Season 2?

Brienne and Jaime encounter three dead women hung along the road with a sign that reads: "They lay with lions." The three men who killed them for consorting with Lannisters amble back down the road and go into laughing fits when they see Brienne in armor, a situation she seems sadly accustomed to. Clearly bound as a prisoner, Jaime tries to slide under the radar by pretending to be a pig thief, but one of the men sees through the ruse and recognizes him. Brienne steps in with astonishing speed and eviscerates all three of them with such ferocity that even Jaime seems shocked.

I'll admit to freeze-framing on his hilariously shocked expression several times, as it is priceless. Maybe it's time to cut back on those jokes about her sexuality, eh Kingslayer?

Jaqen appears once more to say farewell to Arya after her escape from Harrenhal, and she takes this opportunity to tell him how impressed she's been with his awesome murdering, and how wants to learn how to do it herself! Jaqen says she'd need to come with him to the faraway city of Braavos, but because she's not ready to give up on finding her family, she declines.

Instead, Jaqen gives Arya a strange silver coin and the words "valar morghulis" as consolation prizes, and tells her that if she ever wants to find him again, she need only give them to any man from Braavos. And then he leaves, but not before he kills one final person: himself. "Jaqen is dead," he tells Arya, before turning his head away and turning it back -- to reveal an entirely different (and slightly less hot) face.

Things looks grim for Theon, whose twenty men holding Winterfell are now surrounded by 500 enemy soldiers with no help from the Iron Islands forthcoming. He seems very much like the old Theon here, and Master Luwin gently counsels him to flee and join the Night's Watch. Theon says it's too late; he's "gone too far go pretend to be anything else," and there's nowhere to go now but through. He gives a very stirring Braveheart sort of speech about dying gloriously and it seems like his men are rallying... until someone bonks him on the back of the head and prepares to deliver him to the enemy outside the walls, presumably per Robb Stark's offer of leniency.

Daenerys arrives at the House of the Undying to reclaim her dragons, and finds herself drawn into strange, tempting visions as she moves from room to room. In one, she walks across the throne room of Kings Landing, empty and dark with snow falling from a ruined ceiling open to the sky. Then she finds herself in a tent where she has an emotional reunion with Khal Drogo and the child they lost. When she finally finds her dragons chained to a table, the warlock appears and explains that the dragons have fueled the revival of magic, and because she makes them stronger, they're going to imprison her with them... forever.

Much like Brienne, her response is swift and lethal, ordering her dragons to shoot fireballs at the warlock, consuming him in flames and dissolving their chains. She returns to the villa of Xaro Xhoan Ducksauce, finds him in bed with her handmaiden, and locks both of them in Xaro's empty vault to die a slow death while her khalasar loots everything he owns. It will be enough, says Mormont, to buy a ship.

Robb Stark, much like his father, is an honorable idiot who can't help but make the wrong decisions for the right reasons, which is why Robb's decided not only to have hot, spontaneous tent sex with Talisa, but to put aside the Frey betrothal and marry her.

Oath-breaking is kind of a big deal here, not just in terms of personal honor but the rather intense political fallout this is going to create, particularly from Lord Walder Frey. But Robb doesn't care because he's in looooove and somehow thinks he's on a show in which love is treated as a formidable power that conquers all, rather than a profound weakness more likely to destroy you.

Speaking of powerful men under the sway of alluring foreign women, Stannis is understandably pretty upset about his massive military failure at Blackwater and the Lord of Light's inability to seal the deal, which he expresses by choking Melisandre rather vigorously and screaming, "Where is your god now?" She maintains that he will still ultimately become king (after betraying everything he once held dear, a qualification that doesn't faze him but probably should?). There stare into a fire together for a while; sadly there are no S'Mores.

Finally, Jon continues his march toward Mance Rayder with the wildlings and ranger Qhorin Halfhand, who had previously urged Jon to become a spy within the wildlings for the Night's Watch. Qhorin contrives a fight with Jon that forces him to kill the ranger, which earns him trust from the wildlings. Moments later, Ygritte brings him to see the armies of wildlings gathered together in a frozen valley below. Their numbers are not small.

Meanwhile, the men of the Night's Watch must face another, even bigger threat as the third horn finally sounds and the White Walkers finally rise up en masse, shambling forwards in the undead hundreds for the final dramatic shot of the season.

That's it for Game of Thrones until 2013! Now that it's all over, what were your favorite moments of Season 2?

Sex and violence tally:

Violence: Brienne kills three Stark soldiers, Jon kills Qhorin Halfhand, Stannis chokes Melisandre, Master Luwin gets stabbed, the warlock burns to death and, though this isn't violence in the traditional sense, Daxos gets buried alive in a vault, which is a pretty messed up way to die. 

Nudity: A prostitute strips pointlessly for Varys.

Extra-credit book report:

Tyrion's wound was actually far more disfiguring in the book, with three-quarters of his nose and a chunk of his lip lost. Robb didn't set aside his marriage to the Frey girl for Talisa -- who is not a character in the book -- but rather a high-born girl from a minor family named Jeyne Westerling. Luwin was killed by Bolton's men, not Iron Islanders (or Osha). And Daenerys went to the House of the Undying accompanied by her dragons, and she had very different visions and ultimately burned not the warlock, but the entire building.

RELATED:

Full Show Tracker coverage of "Game of Thrones"

Alfie Allen talks about life as Theon Greyjoy

"Game of Thrones": Richard Madden talks Robb Stark's romance

-- Laura Hudson

Photo: Ser Jorah Mormont (Iain Glen) and Daenerys (Emilia Clarke) in "Game of Thrones." Credit: HBO

'Game of Thrones' recap: Charting its own course

Game of Thrones
The "Game of Thrones" that plays out weekly on HBO will never be the "Song of Ice and Fire" books exactly, it never has. But with each passing week, tiny changes from the plot of the books are rippling out and causing the series to deviate more and more from what was widely praised as a near-identical transcription of the books during Season 1.

"A Man Without Honor," is the latest and most striking example yet of the cumulative effect these changes are having on the series, with very few scenes from the episode playing out exactly as they did in the book. And events changed in previous episodes forcing developments in this episode to chart their own unique path. For those who fell in love with George R.R. Martin's richly imagined world and have come to expect the HBO series to stand proudly side-by-side with the books, this episode seems like a test. Just how far can the TV show deviate before fans cry foul? And do the changes really matter?

The nice thing for those unburdened by knowledge of the books is that the seventh episode of the season slows things down from the usual blistering pace of plot developments and character revelations whizzing by at 1,000 miles an hour, blurred by heavy accents. Several intimate scenes in this episode are two-person interactions designed to flesh out the characters rather then speed the plot along. And though many of them are total inventions of the TV series, they're so good they deserve to be seen on their own terms.

CHEAT SHEET: All you need to know about 'Game of Thrones'

Best among these scenes are the conversations between Tywin Lannister and Arya Stark in the dragon-scorched castle of Harrenhal. Despite her best efforts (including siccing assassin Jaqen Hagar on Amory Lorch last week to protect her identity), Lannister seems to be seeing through Arya's front as a common serving girl. However, in a development that not even Lannister himself could foresee, the old nobleman doesn't seem to care all that much that this girl who is so close to him is apparently lying about who she is. Blame it on getting soft in his old age, but Lannister seems to have a soft spot for Arya — or at least girls who know their ancient Westerosi history.

North of the Wall, Jon Snow continues to endure the never-ending torments of the aggressively flirtatious wildling Ygritte. If this were a romantic comedy, Jon and Ygritte would be in the first act where they really don't like each other. Is it any secret what's ahead for these two? Yes, Jon Snow has vowed never to lay a finger on a woman as part of the Night's Watch, but come on! He can't go through the entire series without having any romantic interests. Despite all the flirtation, Ygritte does have other things on her mind, such as getting loose from Snow's ropes. And with the appearance of other wildlings near the episode's end, it looks like Snow may be the one in ropes soon.

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‘Fringe’ recap: The end … for now

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Well done, “Fringe.”

Season 4 was probably one of the most daring risks in television. The kind of bold leap only a show teetering on the edge could make: erasing its own history. Though “Fringe” took that experiment and used it to explore its past. The details may have changed, but the themes of scientific ethics and how far you will go for the people you love came through even stronger, building to this week’s finale. It was the culmination of the past four years, and it came together in a way that was dramatic, personal, surprising and ultimately uplifting, a true gift to the fans who stuck with this show through its often rocky life.

The past few episodes brought to the foreground story lines that have been developing since the first season. There was David Robert Jones’ evil plot, which turned out to be William Bell’s evil plot, which turned out to be Walter’s evil plot. Olivia learned the full extent of the powers given to her by the Cortexiphan and why she was given them in the first place. Plus we saw the true purpose of a few early “Fringe” cases like the were-porcupines. Everything was connected, and it all built from one of the oldest concerns of dabbling in Fringe Science: playing God.

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‘Fringe’ Friday: Show runners talk Walter, Bell, Season 4 finale

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Tonight the fourth season of “Fringe” comes to a close. I got the opportunity to watch the finale a bit early, and I can honestly say it does not disappoint. It’s a conclusion that could easily have been the ending of the series, but also drums up excitement for what the fifth and final season of “Fringe” will bring.

Show runners and executive producers J.H. Wyman and Jeff Pinkner took a few minutes out of their hectic Friday to chat with me about the ending of this chapter and the roads that brought “Fringe” there.

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‘Fringe’ recap: Surprise, surprise

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“Fringe” has always been fantastic at season finales, mostly because the show seems to enjoy making massive changes from one year to the next. At the end of Season One, Olivia first visited the other side, traveling to the parallel universe to first meet William Bell. Season Two concluded with Olivia trapped as Walternate’s prisoner while Fauxlivia took her place. Then last year, Peter climbed into the machine and ended up far in the future. Each finale has been more daring than the last, and “Brave New World” has already had more surprises than any other season closer, and that’s only the first half. 

Season Four came out of nowhere. When Peter activated the machine, he erased himself from history and rebooted the universe. “Fringe” restarted, introducing us to new versions of all the characters we’d come to know. They were still the same people, but without Peter, their lives had taken different paths. It was a crazy risk that paid off. Season Four has been the finest year of “Fringe.” The writing, the acting, the themes. And it has all been building to this.

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‘Fringe’ recap: Closing the door

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Three years ago, the first season of “Fringe” ended with Olivia stepping into a parallel universe. She was promised a meeting with the elusive William Bell, the president of the mysterious Massive Dynamic Corp. (back when it was Massive Dynamics). That moment revealed the central concept of the show: There are two worlds, identical in countless ways but also vastly different. Now as we head into the end of the fourth season, “Fringe” slams the door between those two universes, but not before getting in a few emotional goodbyes.

Everything stems from David Robert Jones’ secret plan. Jones has been our big bad the entire season. He’s been growing new shape-shifting super soldiers and stealing precious minerals. He’s creating human/animal hybrids by the pair and loading them into boats. Walter connects the mad scientist dots and in a dream realizes that Jones’ endgame involves collapsing the two universes together into a second big bang that he can safely ride out and then rewrite the laws of physics. Not too shabby as far as evil plans go.

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'Game of Thrones': Richard Madden talks Robb Stark's romance

'Game of Thrones'

"Game of Thrones" isn't a show heavy with romance. On this epic fantasy series, beating hearts are usually cut out and thrown into the fire. But if there's one character close to a romantic lead, it's Robb Stark, the eldest son of Eddard Stark (who got beheaded last season).

Scottish actor Richard Madden is the man in the leather and furs, leading the men of the north of Westeros into battle against the Lannister clan. And to hear him tell it, pretending to be a medieval leader on the HBO series isn't far from actually being one. At least when it comes to the smell.

Have you started to experience the intense fandom of "Game of Thrones"?

A: Not so much. I look quite different than I do when I'm on the show, I think. So people will go, "Is that? No, not really. That guy's much bigger on the show."  I'm cleaned up. My hair is a bit shorter, and I'm not in fur and leather and armor. So I'm a little smaller. This press tour is nice. I went down to Brazil and Mexico, and the people there know the show so well, it's kind of overwhelming.  I take that as a compliment to all the hard work everyone on the show does.

CHEAT SHEET: Who's who in 'Game of Thrones' Season 2

So classic European medieval fantasy translates well all over the world?

The books have their following in so many countries, and I've been asked all over: Why has it worked? I think it's because it's about human beings in their most raw form. We're in this fantasy world, but it's almost like trickery what George does with these fantasy elements. You see with Cersei in one episode, she blows off what's happening up at The Wall. The people in this world are like, "Fantasy, whatever." The people that are on the same page as those characters get pulled into it, because the fantasy is becoming real for these people. Magic is becoming real for these characters as well. That's why a nonfantasy audience becomes engaged, because it's just a political drama, really, and these magical elements are coming in and nudging from the sides.

Were you a fantasy fan before this show?

I'm a sci-fi guy. But I like fantasy too.  If I wasn't in this show, I'd still watch it. You get to see what drives people, whether it's power or lust or just plain greed or justice or raw honesty in doing the right thing. I think it's the kind of things people from any country can relate to -- these aspects of human nature. I think that's what the show manages to capture. It's why there's no stereotypical heroes or villains in this; everyone has all those aspects, just like me or you.

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'Game of Thrones' recap: 'Leave her face; I like her pretty'

Sansa Stark (Sophie Turner) in "Game of Thrones"

This post has been corrected. Please see note at bottom for details.

At this point, I think it's fair to say that Joffrey is, hands down, the most hateable character on television. You're welcome to add your counterpoint in the comments, but after seeing him gleefully order his knights to strip Sansa Stark and and beat her like a piñata in front of the entire royal court, I can't remember the last time I yearned for the death of a fictional character so fervently.

Sansa's "punishment" for her brother's recent military victory is cut short by the arrival of your hero and mine, Tyrion Lannister, whose booming voice shames pretty much everyone in the room for their tacit participation in the torture of a 12-year-old girl. Joffrey reacts like a spoiled child who's just been scolded for smashing his toys together, and after Tyrion speculates that Joffrey's cruelty might be fueled by sexual frustration, he dispatches two prostitutes to the young king's bedroom. Unfortunately, the moment Joffrey learns who sent them he sees an opportunity to both resume the sadistic fantasy Tyrion so rudely interrupted and flip his uncle the finger, so he forces one of the women to torture the other with an escalating series of objects while he sits in a chair and smiles.

That video of Joffrey getting slapped on loop for 10 minutes straight is right here, by the way, just in case you need it.

CHEAT SHEET: Who's who in Season 2

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‘Fringe’ recap: In the year 2036

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Is there any other network drama on the air as daring and inventive as “Fringe”? Normally, the great, bold moves are reserved for cable. Even the big hitters of network creativity like “Lost,” “Twin Peaks,” and “the X-Files” had their formulas. You would have to get away from the big four channels to find risks like a musical episode of “Buffy” or the “Xena: Warrior Princess” where the actors played the show’s writers and producers.

“Fringe” takes risks. Risks on top of risks. It’s one thing to jump 24 years into the future for an episode. It’s something else to jump 24 years into the future and end on a cliffhanger. Television audiences notoriously want answers, or at least the promise of answers. “Letters of Transit” gives a lot of things (a fully developed world, compelling new characters, and a thrilling adventure), but it doesn’t even pretend that it’s going to give you answers. “Letters of Transit” is another excellent example of what “Fringe” does best: changing the perspective, and it’s a great example of why “Fringe” deserves a fifth season.

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'Fringe' Friday: Back to the future

If you have ever loved "Fringe," you need to watch this week’s episode, "Letters of Transit."

"Fringe" always likes to have a little fun as it gets closer to the end of the season. In year two, we got "Brown Betty," Walter’s pot-induced journey into the world of musical film noir. Then last season we were treated to an animated view inside Olivia’s crowded brain with "Lysergic Acid Diethylamide." This year it’s "Letters of Transit," where (spoiler alert!) "Fringe" takes us to the year 2036.

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'Game of Thrones' recap: Power plays in the Seven Kingdoms

"Game of Thrones""Game of Thrones" was recently picked up for a third season, which means that the events of "Storm of Swords" will indeed make their way to the small screen, possibly over multiple seasons. If you've enjoyed the shocking twists and turns of the show but haven't read the books, allow me this spoiler-free teaser of George R. R. Martin's third novel: You ain't seen nothing yet.

Back in the episode I'm actually recapping, Jon Snow returns from the woods with the horrifying truth about why Craster doesn't seem to have any male children: He sacrifices the infants to a mysterious creature in the woods, possibly a White Walker. Even worse, Lord Commander Mormont totally knows all about it and turns a blind eye, because Craster's strategic advantage to the Night's Watch is too important to let a little thing like infanticide get in the way. Not an easy thing for a son of Ned Stark to swallow, but one that will probably serve him well.

The goldcloaks that came hunting for Gendry last episode return as promised, except this time they've got significantly more men (and swords). Yoren tells them yet again where they can stick their orders from the queen, but the sudden onslaught of professional soldiers goes poorly for the ragtag group of failed criminals and children, claiming the lives of Yoren and several randos. The queen's men demand to know which one of them is Gendry, so Arya points at a corpse, and they believe her. Problem solved, I guess? The remaining stragglers, including Arya, are taken as prisoners to Harrenhal castle, which we are told is haaaaunted.

CHEAT SHEET: Who's who in 'Game of Thrones' Season 2

Catelyn goes to treat with Renly, who now has around 100,000 soldiers at his command, and arrives just in time to see the vaunted Ser Loras suffer a rare defeat at a tournament. The helm of the mysterious victor is removed to reveal … a very large woman named Brienne. The crowd reacts to the sight of an able female warrior in roughly the same way they would a circus freak, but Renly seems pleased and grants her request to become his personal bodyguard. 

Later, in the royal bedroom, Renly's secret lover Loras reminds the king that the king's actual bride -- Loras' sister, Margaery -- remains untouched two weeks after their wedding, and people are starting to talk. Renly finally attempts to perform his marital duties, but when she arrives in his room and disrobes, he looks at her like an ill-prepared student thinking really, really hard about a math problem and pulls away, blaming the wine. Margaery is no fool, and offers to call her brother in to "get him started" without missing a beat. Gay or no, Renly needs to knock her up as soon as possible for political reasons, and if that means a three-way with her brother, then so be it. 

Theon's homecoming remains icy, as his father still regards him with disgust and openly favors his sister Yara, giving her command of 30 longships for their upcoming invasion plans while Theon gets one piddling boat to attack a bunch of fishing villages. The nasty twist is that they're not sailing after the Lannisters, but rather heading back to the North to lay siege to the holds protected by Winterfell while Robb's soldiers are at war in the south. Theon has a conflicted moment where he writes Robb a letter of warning, but ultimately burns it, choosing the rejection, disdain and incessant ocean metaphors of his blood relatives over the closest thing he has to a brother.

The MVP of this episode, like most episodes, remains Tyrion Lannister, who continues to remove his adversaries from the chess board of the royal court with ninja-like political acumen. This time around, he plants three very different plots in the ears of Littlefinger, Varys and Grand Maester Pycelle, and waits to sees which one makes its way back to Cersei. The ruse reveals Pycelle as the weakest link, which lands him in a Black Cell, and also irks Littlefinger, who only enjoys elaborate manipulations when he's pulling the strings.

Varys, however, seems oddly proud of Tyrion's deft maneuvering, and poses a riddle toward the end of their conversation that encapsulates the overarching theme of "Game of Thrones" quite neatly: A king, a priest and a rich man encounter a sellsword (read: mercenary), and each of them commands him to kill the other two. Who lives and who dies? "Power resides where men believe it resides," says Varys. "It's a trick, a shadow on the wall." 

Is Stannis more powerful because he possesses the best legal claim to the throne, or does Renly's popularity and superior forces render that moot? Does real power derive from birthright, the favor of the gods, the love of the common people, or simply the edges of swords? The answer to that question -- or rather, the one that most people choose to believe -- will likely mean the difference between life and death as factions splinter and more conflicted "sellswords" like Theon Greyjoy are asked to pick sides.

Who do you think possesses the real power in the Seven Kingdoms? Let us know in the comments.

The sex and violence tally:

Bare breasts: Renly and Loras provided a rare double dose of bare male chests (and some suggestive pawing at the drawstrings of pants), followed by four from the ladies: a full-frontal look at Margaery Tyrell during her doomed seduction, and a brief glimpse at Grand Maester Pycelle's bed-warmer.

Fatalities: Yoren and Lommy die at the hands of Ser Amory Lorch and his men during their attack on the Night's Watch recruits, along with several other unnamed men on both sides.

Extra credit book report:

Theon's sister was originally called "Asha" in the novels, but she's known as Yara on the show, likely because of how similar it sounds to Osha, Bran's wildling friend. The love affair between Renly and Sir Loras was never explicitly acknowledged in the books, but it's never been more explicit (or kinky) than in this episode, when Margaery suggests that Renly imagine her as her brother when they have sex, or even invite him to join in. 

RELATED:

Full Show Tracker coverage of 'Game of Thrones'

'Game of Thrones' Season 2 premiere hits series high

-- Laura Hudson

Photo: Peter Dinklage is Tyrion Lannister in "Game of Thrones." Credit: HBO

‘Fringe’ recap: Fathers and Sons

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"Fringe" was built on the concept of two parallel universes. Season One hinted at the possibility until the finale when Olivia finally crossed over. Season Two built on that with Shape Shift Super Soldiers and the war between the two sides. In Season Three we spent a lot more time “over there,” seeing how the alternate Fringe Division operated, and Season Four got a bridge where characters could travel back and forth easily. The writing staff continually comes up with new and clever ways to explore that duality, but this week we got something new: a crime that happened simultaneously in both universes. The two worlds are becoming more and more entangled, which seems to be the endgame for the villainous David Robert Jones.

The investigation kicks off after an average yelling CEO is levitated then slammed down on a conference table with the force to shatter all the bones in his lower body. CEO of Aartz Holdings. Not to be confused with Leslie Arzt, the unlucky science teacher from "Lost." While examining the bodies, Peter notices bruises that are consistent with seat belts, which leads to the discovery that the man’s doppelganger in the other universe died at the same moment in a plane crash. Walter doesn’t know how it is possible or who caused it, but at this point, they should just start assuming David Robert Jones is to blame right off the bat. 

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