Category: Melissa Maerz

HBO greenlights WWI miniseries 'Parade's End'

Parade End From "Band of Brothers" to "The Pacific," HBO knows its epic battles, and it's continuing that focus with "Parade's End," a five-part miniseries set during World War I, written by Tom Stoppard ("Shakespeare In Love"), and starring British actors Benedict Cumberbatch (of the BBC's "Sherlock") and Rebecca Hall ("Vicky Christina Barcelona").

Directed by Susanna White, who got an Emmy nod for another HBO war drama, "Generation Kill," the series is based four books by novelist Ford Madox Ford that were published during the 1920s.

The story follows a love triangle among a conservative English aristocrat (Cumberbatch), his wife (Hall), and a young suffragette.

Production on "Parade's End" is scheduled to begin in the fall. 

-- Melissa Maerz

Photo: "Parade's End" Credit: Penguin

'The Voice' recap: If looks could kill, we'd all be dead

Voice-Jeff-Emily_320 Remember when the tag line for "The Voice" was "Close your eyes. Open your ears"? Originally, the idea was that blind auditions would help the judges choose a talent without getting distracted by looks. But last night, as the battle-rounds stage of the competition came to an end, there was so much look going on, the judges could hardly tear their unclosed eyes away.  There was Casey Desmond's Little-Mermaid-gone-Gwen-Stefani hairdo, and Lily Elise's "8 Mile"-era Eminem hoodie, and Emily Valentine's "Sucker Punch" costume, and Curtis Grimes' 24-gallon cowboy hat, which he removed in a sweeping, rodeo-champion gesture just in time to give Emily a long, slow kiss at the end of their duet. And we're supposed to pay attention to the lyrics?

If this week of "The Voice" felt more like "Project Runway," we can't exactly blame the judges. During the first round of Team Adam, Carson Daly introduced Casey as a singer "who makes all her own clothes" and a "glam rocker with a love of fashion." "She's crazy-awesome rocker-techno!" explained her competitor, Jeff Jenkins, who battled Casey on Elton John's "Don't Let the Sun Go Down on Me." As Casey approached the stage, her friends in the green room exclaimed, "Oh! She looks so good!" But we couldn't see how good she looked: Her brow-high blue eye shadow and neon-pink lipstick were burning the words "Casey Desmond, Queen of the '80s" directly over our retinas.

Good thing Jeff stuck to a simple jean jacket, because we really, really wanted to love this big old Rock-afire Explosion bear of a country singer, whose mother died last year. Asked what Mama Jenkins might say about her son competing, he said sweetly, "You're doin' it, Bubba! You're making your dreams come true." Right then and there, our cynical blogger hearts grew three sizes.

We think Adam was pulling for him too. "I picked [Jeff] and immediately knew he was amazing, I didn't even need to think about it," Adam said. "Casey is ... interesting, because I was the only one to pick Casey." So, yeah, this one wasn't exactly a tough call. Though Christina conceded that Casey had "a great look," Jeff's golden voice won Adam over. Backstage, you could see his sister, crying her eyes out -– and a certain "Voice" recapper may or may not have gotten a little teary too. C'mon, Bubba! You're wearing us down!

Luckily, it was easy not to care quite so much about the next two competitors: Team Blake's Xenia and Sara Oromchi, the latter of whom lamented that if she stayed long enough in this competition she'd miss prom. (OMG! Bummer!) It's a good thing these two self-proclaimed "shy" women weren't competing in a personality-off, because even Blake seemed a little bored by them. "I picked you two because you both seemed like the most fashionable," he admitted as the two brunets, who both looked like they'd been plucked off an indie-rock-girl rack at Forever 21, practiced the Pretenders' "I'll Stand By You." Now, Blake insisted, the challenge was for them to show who they really are. (Hint: Stepford hipster-wives?)

Golly, how they tried to show who they were: Xenia purred through her best smoky Norah Jones jazz voice, while Sara tried (and occasionally failed) to show her range, reaching and stretching and grasping at the high notes. Sara definitely sounded like the stronger singer, but Adam wasn't convinced. "It was pitchy, and there were nerves flyin' around everywhere and notes that weren't being hit," he said of both contestants. Left with few options, Blake chose Xenia, who immediately consulted her winners handbook checklist. Tears shed? Check. Tears shed by little sister backstage? Check. Tears shed by judges? Well, not so much. But if no judges' dreams were fulfilled, at least Sara got to go to prom.

Team Christina's battle was even more confusing, and not only because Lily's outfit was so baffling: So, are we to believe that her gray hoodie was actually holding up her short shorts with some type of sweat-shirt suspenders? It's a good thing Christina wasn't expecting a pop-star home run this time out. "I'm not looking for perfection in this battle," she said, adding that passion and emotion were more important. And there was plenty of emotion pouring out of Lily in her yelling rendition of Kelly Clarkson's "Since You've Been Gone" -– but we're not sure what that emotion was. Anger?  Frustration? Hot-pants chafing?

Poor Cheri Oakley was no match, even though she wrote Reba McEntire's "Turn On Your Radio" and sings with a honeyed tone so lovely, she could've made that song a hit herself. Maybe her voice couldn't compete with Lily's spotlight-hogging zebra-striped shirt, nameplate gold necklace, giant hoop earrings, and even-more-giant stripper heels. Cee Lo noted that Cheri's voice was more controlled, but Christina, who's clearly a master of restraint, at least in terms of clothing (she wears as little as possible), was clearly impressed with Lily's style. "Lily, you surprised me!" she exclaimed. "All these days you've been hanging out in your sweats and your little sneakers, I really wasn't expecting you to come out like a little hot mama with your red shoes -- high heels -- and short shorts. You look pretty good!" Apparently, sounding pretty good wasn't an issue.

Yes, looks can be deceiving -– especially on the team that belongs to Cee Lo, a Marmaduke of a man who wears head-to-toe red outfits complete with red Crocs. Cee Lo wasn't giving any style tips this week, but his two competitors were still obsessed with each others' physical attributes. "Singing with Curtis is bittersweet, because we've been really close so far ... in the friend side of the competition," admitted Emily Valentine. And then, if you didn't catch that hint: "When Curtis is singing, it's hard not to lose yourself." And finally: "I sort of have a little crush on Curtis." D'ya think?

Pitting these two against each other was a little cruel, especially when they're singing Lady Antebellum’s secret late-night hook-up anthem, "Need You Now." "It's a love song, but the relationship is a little volatile, and that should come through in the song," Cee Lo explained. Hmmm, maybe pitting two lovebirds against one another in a fight-to-the-death finale is a good way to get that volitility out?

From the start, the duet was an awkward pairing: the tattooed pop-rocker against the country smoothie, capped off with an obviously staged kiss at the end -- and lots of Bob's-yer-uncle jokes from the judges. "One of you's going home -- not alone I guess!" quipped Carson.

"Cee Lo probably told y'all that he wanted y'all to duet, not do it," said Blake. (Somewhere, Blake's future children are crying, "Dad! Quit it with the bad jokes!")

Sadly, Emily got booted in favor of smoldering-baritone Curtis. Sigh! As "Thelma and Louse" taught us, cowboys are dangerous: They make smart ladies lose all their ambition. We would've liked to see Emily go further in this competition, but we fear that the kiss got the better of her. Next time, Emily, do as "The Voice" advises: Close your eyes, open your ears -- and close your mouth.

-- Melissa Maerz

Photo: Jeff Jenkins and Casey Desmond on "The Voice." Credit: Lewis Jacobs / NBC

Remember when the tagline for “The Voice” was “Close your eyes. Open your ears”? Originally, the idea was that blind auditions would help the judges choose a pure talent without getting distracted by looks. But last night, as the battle rounds stage of the competition came to an end, there was so much look going on, the judges could hardly tear their unclosed eyes away.  There was Casey Desmond’s Little-Mermaid-gone-punk hairdo, and Lily Elyse’s “Lose Yourself”-era Eminem hoodie, and  Emily Valentine’s tattooed pin-up girl costume and Curtis Grimes’ good-ol’-boy cowboy hat, which he removed in a grand, sweeping motion just in time to give Emily a long, slow kiss at the end of their duet. And we’re supposed to pay attention to the lyrics?

If this week of “The Voice” felt a little more like “Project Runway,” we can’t exactly blame the judges. During the first round of Team Adam, Casey Desmond was introduced as a singer “who makes all her own clothes” and a “glam rocker with a love of fashion.” “She’s crazy awesome rocker techno!” explained her competitor Jeff Jenkins, who battled Desmond in a rendition of Elton John’s “Don’t Let the Sun Go Down on Me.” As Desmond approached the stage, her friends in the green room exclaimed, “Oh! She looks so good!” But we couldn’t see how good she looked: her brow-high blue eye shadow and neon pink lipstick were already burning the words “Casey Desmond” directly over our retinas.

Good thing Jenkins stuck to a simple jean jacket, because we really, really wanted to love this big old country-singing Roc-a-fire Explosion bear, whose mother died last year. Asked what Mama Jenkins might say about her son competing, he said, “You’re doin’ it Bubba! You’re making your dreams come true.”

We think Adam was pulling for him, too. “I picked [Jeff] and immediately knew he was amazing, I didn't even need to think about it,” Adam said. “Casey is… interesting, because I was the only one to pick Casey.” So, yeah, this one wasn’t exactly a tough call. Though Christina conceded that Casey had “a great look,” Jeff’s golden voice won Adam over. Backstage, you could see his sister, crying her eyes out – and a certain “Voice” recapper may or may not have gotten a little teary too. C’mon, Bubba! You’re gonna soften our cynical blogger hearts until the joke-making function gets broken!

Luckily, it was easy not to care quite so much about the next two competitors:  Team Blake’s Xenia and Sara Oromchi, the latter of whom lamented that if she stayed long enough in this competition she’d miss prom. (Bummer!) It’s a good thing these two self-proclaimed “shy” ladies weren’t competing in a personality-off, because even Blake seemed a little bored by them. "I picked you two because you both seemed like the most fashionable," he admitted as the two brunette, who both looked like they’d been plucked off a rack of indie-rock-girl hangars at Forever 21, practiced the Pretenders’ “I’ll Stand By You.” Now, Blake insisted, the challenge was for them to show who they really are. (Stepford hipster-wives!)

Golly, how they tried: Xenia purred through her best smoky Norah Jones jazz voice, while Sara tried (and occasionally failed) to show her range, reaching and stretching and grasping at the high notes. Sara definitely sounded like the stronger singer, but Adam wasn’t convinced. "It was pitchy an there were nerves flyin’ around everywhere and notes that weren't being hit," he said. Left with few options, Blake chose Xenia, who immediately consulted her winners’ checklist. Tears shed? Check. Tears shed by little sister backstage? Check. Tears shed by judges? Well, not so much. But if no judges’ dreams were fulfilled, at least Sara got to go to prom.

Team Christina’s battle was even more confusing, and not only because of Lily Elyse’s strange outfit: so, are we to believe that her grey hoodie was actually holding up her hot pants with some type of sweatshirt suspenders? It’s a good thing Christina wasn’t expecting a pop-star homerun this time out. “I’m not looking for perfection in this battle,” she said, adding that passion and emotion were more important. And there was plenty of emotion pouring out of Lily Elyse in her yelling rendition of Kelly Clarkson’s “Since You’ve Been Gone” – but we’re not sure what that emotion was. Anger?  Frustration? Chafing from those too-short shorts?

Poor Cheri Oakley could not compete with Lily, even though Oakley wrote Reba McEntire’s “Turn On Your Radio” and sings with a cadence and tone so lovely, she could’ve made that song a hit herself. Or maybe it was that she couldn’t compete with Lily’s spotlight-hogging zebra-striped shirt, nameplate gold necklace, giant hoop earrings, and even giant-er stripper heels.  Cee Lo noted that Cheri’s voice was more controlled, but Christina, who’s clearly a master of restraint, at least in terms of clothing (she wears as little as possible, was clearly impressed with Lily’s style. "Lily, you surprised me!” she exclaimed. “All these days you've been hanging out in your sweats and your little sneakers, I really wasn't expecting you to come out like a little hot mama with your red shoes - high heels - and short shorts. You look pretty good!" Apparently, sounding pretty good wasn’t an issue.

Ah, but ultimately, looks can be deceiving – especially on the team that belongs to Cee Lo, a human crayon of a man who wears head-to-toe red outfits capped off with red Crocs. Cee Lo wasn’t giving any style tips this week, but his two competitors were obsessed with each others’, uh, physical attributes anyway. "Singing with Curtis is bittersweet, because we've been really close so far… in the friend Lewisside of the competition," admitted Emily Valentine. And then, if you didn’t catch that hint, she said, “When Curtis is singing, it’s hard not to lose yourself.” And finally:  “I sort of have a little crush on Curtis.” D’ya think?

Pitting these two against each other was a little cruel, especially when they’re singing Lady Antebellum’s “Need You Now.” “It's a love song, but the relationship is a little volatile, and that should come through in the song,” Cee Lo explained. Well,

'The Voice' recap: The battle of the underdogs

Voice-Julia-Raquel_320 Tuesday night's episode of "The Voice" should've been subtitled "Songs of Innocence and Experience." Every showdown found a newbie competing against someone who, by comparison, sang like a veteran rock star -– or at least lived like a veteran rock star, possibly by sleeping in her car. (We're not naming any names here, Rebecca.) Watching all four rounds was like seeing a team of professionals battle a team of fuzzy, mewling kittens. And those kittens delivered a violent beat-down every time.  

Throughout the night, the skinny and the teenaged and the nerdy triumphed over the big-voiced and the traditionally schooled and the old-enough-to-vote. During Round One, Christina picked 16-year-old Raquel Castro, a former child star who appeared in "Jersey Girl," to face off with 18-year-old Julia Eason, who looked like she earned new wrinkles every time someone referred to Raquel as "the youngest girl in this competition." 

It was a bit of a cruel joke for Christina to make these two duet on Rihanna's "Only Girl (In the World)," a song that reminds them, again and again, that there ain't room in this competition for the both of 'em. ("Want you to make me feel / like I'm the only girl in the world / Like I'm the only one that you'll ever love.") With her full, soulful voice, Julia was clearly the better singer, but she was no match for Raquel's giant anime-character eyes, which threatened to weigh down her tiny head and appeared to shoot truth-beams directly into Christina's brain, forcing her to erupt with spontaneous confessions. "Before a show, I literally sometimes want to puke or pee my pants!" Christina said in an attempt to make Raquel feel better. Well, OK … but Raquel clearly didn't suffer from the same nerves. After the energetic high-schooler fist-pumped, jazz-handed, and nearly tap-danced around stage, Christina chose her. By the time Julia did her walk of shame backstage, she was 5,000 years old.

Team Blake also matched an innocent with a not-so-innocent -– and guess which category the preacher's daughter who once wrote a song called "Crazy Chick" fell into? Preparing to sing "You Can't Hurry Love" by the Supremes, Christian bad-girl Serabee boasted that she could summon the Holy Ghost with her voice. "I have performed in front of 10,000 [people]," she insisted. Then, smiling slyly, she added, "I've got a lot of experience." (If there was a double entendre there, our pious ears certainly didn't hear it.) At first it looked like Serabee would squash the soft-talker Dia Frampton, a self-confessed stage fright sufferer and shy folk singer (she plays in the indie duo Meg & Dia). But maybe the Holy Ghost is a secret folkie, because when Sera opened up and unleashed her inner Diana Ross, growling her way through the song, the judges weren't having it. Blake condemned Sera for over-singing and seemed to choose Dia just to punish her. Looking at Sera, Cee Lo simply said, "That was bizarre." Coming from a man who wears giant rainbow-colored peacock feathers on stage, that means something.

Next up was Team Levine with a David vs. Goliath battle that was really more David vs. David. The song choice felt like another mean punchline: Radiohead's "Creep," as performed by Rebecca Loebe, aka The Girl Who Sleeps in Her Car, and Devon Barley, a gawky, bespectacled med student who's BFFs with his parents. "I feel like this song's about not necessarily fitting in ... and that's sort of where I am in my life," confessed Devon. But after being coached by Adam to "access [his] inner freak," he stole the soaring choruses. If Devon didn't know how to rock, he looked like he'd at least studied rocking, and boy, were his parents proud. "Good job, buddy!" his father exclaimed backstage, giving Devon a pat on the back. "Good job!" Daa-aad! You're embarrassing him!

Last up was Team Cee Lo – or as the judges will forever remember this match-up, Team OMG So Freaking Cute!!! Watching former Mickey Mouse Club member Kelsey Rae share the microphone with twin sisters Tori and Taylor Thompson (one of whom may have a slight pitch problem, though her sparkling white teeth distracted us from it), we wanted to hire some lol cats to provide live commentary. Midway through Natasha Bedingfield's perky pop hit "Unwritten," Kelsey even playfully tapped one of the twins on the shoulder (Hey you! Apple-cheeked California girl!), and the twin shot back a faux-surprised over-the-shoulder look (Who? Little ol’ me?) before they tag-teamed their way into the chorus, complete with synchronized shimmying. "That was adorable!" Cee Lo gushed. "Whose idea was that?"

Adam agreed. "I can't pick! It was just too cute!" he confessed. "There's so much cuteness going on!"

But Cee Lo's mind was already made up. Nodding to the twins, he said, "You guys have an innocence that's so charming and so sweet, you can't help but be swept away by it."

Sadly, that innocence will get them to the next round, when they'll no doubt be destroyed and humiliated by one of the stronger singers in this competition. Let's hope they don't leave the stage sobbing their eyes out, needing a bear hug from their coach. Then again, we feel guilty for saying this, but: Awww, that would be so cute!

RELATED:

'The Voice' recap: Javier and Beverly take the lead

'The Voice' recap: Contestants duke it out in the boxing ring

Is 'The Voice' more like a musical game show than a talent show?

-- Melissa Maerz

Photo: Julia Eason and Raquel "Jersey Girl" Castro. Credit: Lewis Jacobs / NBC.

Mark Burnett brings 'The Bible' to the History channel

Bible Behold, the man who brought you "Survivor," "The Voice," and "Are You Smarter than a Fifth Grader?" has found religion: executive producer Mark Burnett is bringing the new docudrama "The Bible" to the History channel, the network announced Tuesday. The five-part, 10-hour series will cover the Good Book from Genesis to Revelation, using CGI to re-create famous stories including Noah's Ark and the Resurrection of Jesus. Also, he'll pit the Bible's most famous characters against each other to see who can walk on water faster and who can sing Lady Gaga songs best.

Only kidding about that last part. But maybe it's no coincidence that so many "Survivor" contestants claimed to have Jesus watching over them this season. We're pretty sure Jesus is more of a "Voice" fan, but we'd love to see Jeff Probst snuff out Sodom and Gomorrah's torch, declaring, "Your tribe has spoken."

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'Survivor' recap: And the winner of 'Survivor' is ... Boston Rob

'Survivor' post-game: Matt Elrod talks about 'Avatar'-like swims

-- Melissa Maerz

Photo: King James Bibles. Credit: Azusa Pacific University

One year after 'Lost' finale, Hurley, Ben and others live on with new shows

Hurley Today is the first anniversary of the "Lost" finale, and some people are still mad about it. (Check out the Twitter hashtags #WeHaveToGoBack, #GetOverIt, and #TheyWereDeadTheWholeTime for proof.) But the show's creator, Damon Lindelof, still feels a little wistful about the long-lost Dharma days. "For all you castaways -- 815 flies forever," he recently tweeted. "Sixteen tons and I got Lost. This May 23, I raise my forty to those gone, but never forgotten."

The "never forgotten" part is obviously true -- but maybe that's because they're not really gone. "Lost" alumni are already dominating the networks' upcoming fall and midseason schedules.

Fans will find Jorge Garcia (Hurley) on Fox's "Alcatraz," a sci-fi series from "Lost" executive producer J.J. Abrams and writer Elizabeth Sarnoff. Michael Emerson (Benjamin Linus) will star in CBS's crime thriller "Person of Interest," which also comes courtesy of Abrams, along with "Lost" alum Bryan Burke.

Nestor Carbonell (Richard Alpert) appears to be wearing his "Lost" guyliner in the CW's "Ringer," which stars Sarah Michelle Gellar in a double role, playing twins. Henry Ian Cusick (Desmond) will be in ABC's political drama "Scandal," from Shonda Rhimes and Betsy Beers ("Grey's Anatomy"). And Rebecca Mader (Charlotte) pops up in ABC's "Bosom Buddies" revamp, "Work It."

As for that magical polar bear, we hear he's still struggling to find work. There just aren't enough good roles for middle-aged bears these days.

-- Melissa Maerz

Photo: Jorge Garcia, who played Hurley on "Lost," returns in the sci-fi series "Alcatraz" on Fox. Credit: Dimitrios Kambouris / Getty Images

Fall TV season: Are witches the new vampires?

Secret-circle-coven Guys with fangs are so last year. This fall, witches are taking over. You'll find them on HBO's "True Blood," where Sookie will face down a coven this season. They'll be casting spells on their fellow high school students in the CW's "The Secret Circle," a drama from "The Vampire Diaries" creator Kevin Williamson. A particularly wicked one shows up in ABC's "Once Upon a Time" to place a curse on the town of Storybrook. Plus, with NBC's mystery "Grimm" riffing on various fairy tales, Hansel and Gretel's friend with the black pointy hat might soon join the others.

So where did all the soft-hearted, sharp-toothed Edward Cullens go? Since women generally watch more television than men, the networks are greenlighting more female-skewing shows for fall, including ensemble dramas lead by female characters (ABC's "Pan Am," NBC's "The Playboy Club," ABC's "Good Christian Belles") to comedies anchored by actresses (Christina Applegate's "Up All Night" and Whitney Cummings' "Whitney" on NBC, Zoey Deschanel's "The New Girl" on Fox). And viewers seem to like bad girls best: CBS' "2 Broke Girls," starring an insult-slinging Kat Dennings, tested better than any comedy or drama in CBS history, and two of the season's most highly anticipated shows, "Good Christian Belles" and ABC's "Apartment 23," originally had titles that featured a word that rhymes with witch. For networks seeking female viewers and mean girl heroines, witches offer the perfect double threat.

Plus, for advertisers seeking younger viewers, there's that whole built-in audience of goth girls, who'll no doubt love to watch "The Secret Circle" hero Thomas Dekker -- or as some might call him, the Man-Witch. Teenage girls have always loved witches -- during the '90s, they flocked to "Charmed," "Sabrina, the Teenage Witch," "The Craft" and Winona Ryder's version of "The Crucible" -- and it's easy to see why: Those stories verify the feeling that high school is filled with total monsters, that popular girls are casting spells on their hangers-on, that if some pale, creepy kid with long fingernails gets close to you, you'll just die.

TV witch photos: The funny, the spooky and the ugly Still, while witches are somewhat timeless (there's a reason each one is, like, 10 billion years old), they also seem particularly attractive to a generation of girls drawn to the tough-minded, self-sufficient heroines like Katniss of the book and coming film "The Hunger Games" or the arrow-slinging killer in "Hanna." At a time when parents have their kids under constant supervision, through Facebook and FourSquare and cellphone check-ins, "The Secret Circle" offers a world in which rather than being hyper-managed by parents and teachers, young women can literally control everything around them with the only counsel coming from a book of spells. It's no accident that right before the heroine of "The Secret Circle" discovers that she's a witch, her mother dies, leaving her to make her own decisions.

No doubt these stories appeal to adults too. And that's especially true on "True Blood," on which the witches apparently wield the power to make Eric's shirt disappear.

-- Melissa Maerz

Upper photo: "The Secret Circle." Credit: CW. Left photo: Actors who play TV witches: Katerina Graham, Melissa Joan Hart, Elizabeth Montgomery and Kevin Alejandro. Credits: CW / ABC / Nick at Nite / HBO

New Fall TV Season: The CW appeals to young people (and that includes Snooki)

Snooki Buffy's back! Sarah Michelle Gellar reunited with the network where she slayed her first vampire on Thursday, presenting her new show “Ringer” during the CW’s presentation of its fall schedule in New York. And judging by the Facebook comments that flashed on the screen before a preview clip from the series aired, Gellar’s fans were pretty psyched. As one girl so eloquently stated: “OMG! OMG! SMG!”

Right now, the CW is banking on that excitement to give it a boost from last year. The freshman entries it unveiled back then, “Nikita” and “Hellcats,” never quite became hits. (“Nikita” will get another chance next season, but “Hellcats” has already been canceled.) But the network still pulls in plenty of women and viewers 18-34, especially with “Gossip Girl” and “90210,” and this year it’s using those shows as lead-ins for more original programming, starring some familiar faces. Gellar’s following  “90210” on Tuesday nights with “Ringer,” a thriller about a woman who hides from her killer by posing as her own twin sister. And Rachel Bilson of “The O.C.” will follow “Gossip Girl” on Monday nights with “Hart of Dixie,” a comedic drama about a New York City doctor who starts a practice in small-town Alabama (think “Everwood” meets “Sweet Home Alabama”). Meanwhile, Snooki and Kim Kardashian will pop up during the Wednesday night “America’s Next Top Model”-anchored reality block with “H8R,” where they’ll face off with the regular folks who can’t stand them and try to win over some fans. Celebrity charity work will be cited, and if that doesn’t work, tears may be shed.

Appealing to more young viewers was clearly on the minds of CW executives Thursday as break dancers head-spun on stage and party-rock group LMFAO sang a song called (yes) “Party Rock Anthem.” Rob Tuck, the CW’s executive vice president of national sales, even gamely danced onto the stage in an LMFAO-style gold jacket and a giant robot mask. And Tyra Banks showed up, both to introduce a forthcoming all-star version of “America’s Next Top Model” (which encourages the models to dance and act) and to praise incoming CW President Mark Pedowitz, who’ll take over the fall schedule, replacing 10-year chief Dawn Ostroff. “I love Mark,” said Banks. “He says, ‘Tyra, I’m gonna be real for you. For real, for real.’” For real, Tyra?

TVupfrontpromo2con Two of the CW’s most successful show runners remained loyal to the network during the fall season:  Josh Schwartz of “The O.C.” brought in “Hart of Dixie,” and Kevin Williamson of “Vampire Diaries” will helm “The Secret Circle,” which follows “Diaries” on Thursday. (“Nikita” and “Supernatural” round out the schedule on Friday.) Based on a series of novels penned by “Vampire Diaries” scribe L.J. Smith, the series focuses on a teenage girl (Brittany Robertson of “Scream 4”) who moves to the town of New Salem, where she discovers that she’s a witch. Set in a very lush green town that looks suspiciously like the backdrop for “Twilight,” the show finds her battling mean girls who literally form a coven with the power to wield good or evil. And you thought your high school was bad.

“One Tree Hill,” which is approaching its final season, will hold until midseason, when the CW will expand its reality programming with two series: “The Frame,” a “Big Brother”-like competition that puts contestants under 24-hour surveillance while they complete challenges, and “Re-Modeled,” a Bravo-style makeover show for modeling agencies in small towns. The crowd’s response to these series felt tepid compared to applause that “Ringer” warranted, but earlier in the presentation, Sarah Michelle Gellar remained upbeat about the whole schedule, insisting that she was glad to join the network that she watches most herself. “Maybe I can finally get some ‘Gossip Girl’ spoilers,” she joked. OMG! OMG! SMG!

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The CW's fall lineup, the return of Sarah Michelle Gellar

The CW renews 'One Tree Hill,' 'Nikita,' cancels 'Hellcats'

-- Melissa Maerz

Photo: Snooki. Credit: Elisabetta Villa / Getty Images.

'The Voice' recap: Javier and Beverly take the lead

Bev Tuesday night during the second battle round of "The Voice" the coaches had a message for the contestants: Less is more, especially when it comes to hair.

Is it a coincidence that the two front-runners in this competition -- velvety-voiced Javier Colon and raspy rocker Beverly McClellan -- are both bald? Or is Cee Lo sending mind-control beams into the other judges' brains, forcing them to vote for his fellow cue balls? Clearly, Adam Levine has fallen under Cee Lo's spell. At one point he seemed almost offended by the folically rich showdown between big-afro'd Tje Austin and plentifully bearded Nakia on Team Cee Lo. "So much hair!" Levine exclaimed. "So much hair flyin' around!"

If overly wild coiffure wasn't going to win anyone over, overly wild voices weren't either. During the practice rounds, the judges spent most of their time trying to get contestants to simplify their performances – which meant less gospel-ready vocal runs, less forehead-vein-popping power-singing, less time spent ascending from the upper register into an upper-upper register that only special hummingbirds can hear, less jumping around stage, waving one's arms upward in a "make some noise" gesture just to get the judges' attention.

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NBC picks up 'Smash,' 'Prime Suspect,' 'Up All Night,' 'Whitney'

Messing NBC has picked up "Smash," "Prime Suspect," "Up All Night," and "Whitney," which means Debra Messing, Maria Bello, Christina Applegate, and other leading ladies are tied to series orders from the network for the fall.

Based on a concept by Steven Spielberg, the musical comedy "Smash" focuses on the cast (including Debra Messing and "American Idol" alum Katharine McPhee) of a Broadway musical about Marilyn Monroe. With a pilot written by  Spielberg and Theresa Rebeck ("Law and Order: Criminal Intent"), the series sounds like an all-grown-up version of "Glee."

Adapted from the acclaimed British procedural, "Prime Suspect" finds Maria Bello stepping into the role that Helen Mirren made famous, acting as a female detective who's investigating a murder in a mostly male precinct. Investigating crime and breaking glass ceilings ensue.

"Up All Night" is a single-camera comedy about a dry-witted working mom (Christina Applegate), her stay-at-home husband (Will Arnett), and her meddling parents. The series also features two "Saturday Night Live"-ers: Maya Rudolph co-stars and Lorne Michaels is a co-executive producer.

"Whitney," which is inspired by the stand-up of comedian Whitney Cummings, follows a young couple dealing with the highs and lows of monogamy. Cummings wrote the pilot and Andy Ackerman - the man behind "Perfect Couples," that other show about the highs and lows of monogamy - directed it. 

NBC will present its fall schedule during a presentation in New York on Monday.

--Melissa Maerz


Photo: Debra Messing. Credit: Wireimage.com.

Keith Olbermann taps Michael Moore, Ken Burns, Richard Lewis for ‘Countdown’

Olbermann Keith Olbermann has enlisted a motley crew for his nightly Current TV show "Countdown with Keith Olbermann": director-slash-agitator Michael Moore, comedian Richard Lewis and documentary filmmaker Ken Burns have all signed on as contributors before the show's launch on June 20.

"I'm delighted and honored that so many of my friends -- who are not coincidentally among the top progressive and entertainment voices in the country today -- will be joining me as contributors to 'Countdown' on Current," Olbermann said in a statement. "I hope these talented individuals, and the others we are to announce in these weeks before the premiere on June 20, will give viewers a sense of the strength and depth of the franchise we're assembling."

Which leads us to wonder: What is Burns doing with this provocateur crowd?

Burns has never hidden his political beliefs -– he once gave a speech called "Why I Am a Yellow Dog Democrat" –- but his PBS series usually make subtler points than Olbermann, a man whose own PR team calls him "one of journalism's most provocative and outspoken voices." Sure, Burns will rally for the national parks, but it's hard to see him calling some national-park-hater "The Worst Person in the World."

Then again, Burns did make that "Baseball" series for PBS, and we all know how Olbermann feels about that subject. If Burns can spare a little rage for Olbermann's favorite teams, we'd love to see these two throw down.

RELATED:

Keith Olbermann will debut new "Countdown" on Current TV

-- Melissa Maerz

Photo: Keith Olbermann. Credit: Peter Kramer / Associated Press

'The Voice' recap: Contestants duke it out in the boxing ring

Voice Boy, when “The Voice” sets up a battle of the bands, it takes the "battle" part seriously. On Tuesday night, Christina, Blake, Adam and Cee Lo literally put their singers in a boxing ring, challenging them to a duet that only one of them will survive.

And just in case you didn’t catch that metaphor, Christina’s team was more than happy to lay it all out for you again and again. Singing Beyonce’s “Single Ladies (Put a Ring on It)” together, Tarralyn Ramsey insisted that she was handling her performance “kinda like a fighter,” while Frenchie Davis dissed Tarralyn, claiming she “attacks” everything she sings. Plus, there was that scene where Frenchie sucker-punched Tarralyn in the face.

Only kidding about that last part. But we think Frenchie totally could’ve taken Tarralyn if things had come to a good old-fashioned hold-my-earrings brawl. Even Christina sensed it.  “Uh-oh, is there tension in the room right now?” she said before the battle. “Do I need to put on stripes and become a referee?”

Yep, none of the judges was stingy with the sports analogies. “I feel like I was watching ‘Rocky,’” said Blake of the standoff. “Frenchie’s like Apollo. She’s just beating the crap out of her, and then right at the last, [Tarralyn] hit that note and it’s like Rocky came in and cut it right at the last minute and knocked her out.” But no such luck for Tarralyn: Christina chose Frenchie. Maybe because she was scared of getting beat down if she didn’t.

Continue reading »

Will comic book hero Stan Lee turn into a zombie for 'Walking Dead'?

Lee Will Stan Lee cry out for some delicious entrails on "The Walking Dead"? According to Robert Kirkman, the creator of "Walking Dead," it's a possibility.

"There may be some fun cameos for comics fans popping up in the second season," Kirkman tells the A.V. Club. "I don't wanna call these people out; it might annoy them. Honestly, Stan Lee asked to be a zombie on the show -- that's possible."

If Lee showed up to gnaw a bloody shin-bone or two, "Walking Dead" could shape up to be a fanboy's dream next season. A few months back, Kirkman revealed that he was in talks with Stephen King about co-writing an episode of the show with King's son Joe Hill, the author of horror books "Heart-Shaped Box" and "Horns." (Frank Darabont is the executive producer of "Walking Dead" and has directed three films based on King's work. King told Entertainment Weekly that Darabont "has expressed enthusiastic interest for season two or possibly three.") And recently, Kirkman suggested that he's still trying to make it happen.

Sadly, Kirkman did not confirm rumors that Charlie Sheen would appear on the series. ("I wish!" he said.) But we're still hoping he'll, er, throw us a few bones. Are there any other famous people who are willing to look like death warmed over? We hear Taylor Momsen might be available.

-- Melissa Maerz

Photo: Stan Lee. Credit: Frederick M. Brown / Getty Images

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