Category: FX

Charlie Sheen is a hit at Fox party: 'I'm not crazy anymore'

Charlie Sheen showed his charming side at a Fox party for his new series "Anger Management"
Charlie Sheen fired up a cigarette in the back of a huge mansion in Pasadena, flashing a sheepish smile tinged with befuddlement. Moments earlier, he had been surrounded by a throng of reporters bombarding him with questions on topics including his personal life and earth-scorching meltdown last year and the status of "Anger Management," his upcoming series on FX.

"Man, it's a bit nutty," he said, puffing with a bit of a gleam in his eye. "I'm just a white guy from Malibu who dropped out of high school. I'm amazed that there's still all this interest in what's going on."

Of course, Sheen knows deep down he's not just a "white guy from Malibu." He's the "warlock" with "tiger blood" coursing through his veins, the guy whose drug-and-sex-soaked antics wreaked havoc on his family life, his career and his reputation while costing him his high-paying starring role on CBS' "Two and A Half Men." Video of his wild-eyed rants, in which he lashed out at his bosses while declaring he was "winning," were revived during the holidays as one of the top news stories of the year.

Photos: Fox's all-star party

But the Charlie Sheen who appeared at the Fox party Sunday for the Television Critics Assn. medias tour bore no resemblance to the 2011 model. Wearing glasses and looking trim, Sheen was matinee-idol handsome, looking healthier and clearer than he had in years. He was mobbed by reporters almost as soon as he walked into the Castle Green house. Although numerous other stars such as Keifer Sutherland and the cast of "Glee" attended, Sheen easily attracted the biggest crowd.

It was his first public appearance since September, when he allowed himself to be lovingly lashed and humiliated during his roast on Comedy Central. Though he seemed to embrace the vicious humor, he appeared a bit uneasy afterward and declined to speak to reporters.

But at the Fox party, Sheen was effortlessly charming, self-deprecating, patient and forthcoming, even though the swarm of reporters and photographers was so relentless that a bodyguard had to keep moving them back. Anyone who wondered why FX would want to do a series with a performer who has drawn more than his share of unsavory headlines in recent years would have had their doubts answered: Despite his notoriety and troubles, Sheen's considerable star power is undimmed -- and may have brightened with his fiery shenanigans.

And he maintained that his worst days are behind him. "Well, I'm not crazy anymore," he said to reporters when asked if he was a different person than last year. "That was an episode. I'm a different person than I was yesterday!" Asked whether he would leave the outrageous antics on screen, he offered, "Let's just say I have a mellower plan."

In a quieter moment after the reporters departed, Sheen said, "I find it really strange now when someone comes up to me in the supermarket and says, 'Winning!'" He said he realized he was one of the most famous people in the world last year, noting that one popularity measure concluded that 3 billion people knew about him ("That's half the planet"), and that he had little concept of how much of a cultural impression he was making at the time.

"I know I used it a lot and abused it a lot," he said.

These days, he said, he's spending more time with his kids and family, and has cut down on his tweeting: "To tweet while sitting at home watching a ballgame isn't very exciting."

Joined at the party by star sitcom producer Bruce Helford ("Roseanne," "The Drew Carey Show"), Sheen's main purpose at the party was to promote "Anger Management," which shares the title but little else with the 2003 Jack Nicholson-Adam Sandler comedy. The show is in early development; Sheen will play an anger-management specialist, but so far little else has been determined.

Said Helford, "Everyone in the world has called and wants to be on the show. They want to be a patient."

Helford, who is an executive producer of the show, and Sheen had high praise for FX and John Landgraf, who heads the network. Sheen said he was a fan of several of the cable channel's series, including "Sons of Anarchy" and "Louie." He said his series would probably premiere in the summer and would be a multi-camera show filmed before a live audience.

Sheen told reporters that working on the new series was already a more gratifying experience creatively than his previous series, "Two and a Half Men": "It's exciting to be in a situation where the people I work with are excited about my input. That hasn't happened in a long time. But I still know my strengths and weaknesses," adding that he looks to Helford to guide him.

Still, he was mostly gracious about "Two and A Half Men," though he said he felt that killing off his character (he was stuck by a subway train) was "a little mean-spirited." Ashton Kutcher, who replaced him on the show this season, is "doing a good job. But it's a different show now," he said.

He added that he thought Kutcher's introduction on the show (Jon Cryer, who played Sheen's brother, drops the cremated ashes of Sheen's character as Kutcher appears outside, wet and naked) "was one of the great TV moments of all time. That's how the show should have ended ... and then 'to be continued.'"

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-- Greg Braxton

Photo: Charlie Sheen at his Comedy Central roast in 2011. Credit: Allen J. Schaben / Los Angeles Times

Sizing up 2011's rookie TV series

“New Girl” Zooey Deschanel, with Jake Johnson

As the 2011 TV season tips into 2012, cable shows such as “Homeland” and “American Horror Story” have aired their explosive climaxes, while network newbies that survived the fall are just about halfway through their premiere seasons. Here’s a look at six series that showed early promise and how they’re living up to expectations.

New Girl” | Fox

The premise: Jess (Zooey Deschanel), an attractive but socially awkward woman in her mid-20s, moves in with three single guys after she splits with a philandering tool of a boyfriend.

The vibe: Hipster comedy that avoids coming off as hipper-than-thou.

References: “That Girl,” “Three’s Company,” “Friends,” “(500) Days of Summer”

Sample line: “Pink wine makes me slutty.” — Jess, having a night out with the guys to lift her spirits

Casting call-out: Cece (Hannah Simone), Jess’ best friend, exudes Grrrrl Power in the man cave Jess now calls home.

Performance/prospects: Averaging 8.2 million viewers per episode, “New Girl” will be back for a second season. The big question is will “New Girl” start feeling old?





“Up All Night” | NBC

The premise: Yuppie power couple Chris (Will Arnett) and Reagan Brinkley (Christina Applegate) trade Jell-O shots and last calls for baby formula and middle-of-the-night feedings when newborn Amy comes along.

The vibe: Modern love and marriage. And baby makes comic relief.

Referencing: “Mad About You,” “Mr. Mom,” “The Oprah Winfrey Show”

Sample line: “He just doesn’t understand. I just had a baby. I mean underneath this, I have a girdle and two pairs of Spanx on.” — Reagan to Ava, after accepting her well-meaning friend’s gift of a red thong

Casting call-out: Maya Rudolph in Oprah mode as Reagan’s friend/boss Ava, who seems to spend as much time at the Brinkleys’ house as she does at the television studio.

Performance/prospects: With what might be described as “tweener” ratings (averaging 5.75 million viewers per episode), the series was picked up for a full season in October. Whether this baby makes it to Season 2 … stay tuned.




“Homeland” | Showtime

The premise: Having gone missing for eight years in Iraq, Marine Sgt. Nicholas Brody (Damien Lewis) is rescued and returned to the U.S., where CIA agent Carrie Mathison (Claire Danes) suspects he has been “turned” by the enemy and tracks his every move. An overwhelming sense of paranoia and claustrophobia ensues.

The vibe: “Big Brother” meets “Nurse Jackie,” only Nurse Jackie is a pill-popping CIA agent with bipolar disorder.

References: “24,” life in these United States since 9/11

Sample line: “He’s lying!” — Agent Carrie, after Sgt. Brody aces a polygraph test in which he was asked if he had ever cheated on his wife. And she would know.

Casting call-out: Brody’s best friend and fellow Marine, Mike Faber (Diego Klattenhoff), who stood in as the man of the house while his buddy was in captivity — in more ways than one.

Performance/prospects: With its growing audience and critical acclaim, get ready for another season of white-knuckled viewing in 2012.



Once Upon a Time” | ABC

The premise: Fairy tale characters, including Snow White (Ginnifer Godwin) and the Evil Queen (Lana Parrilla), are cast out of their idyll to the fictitious small town of Storybrooke, Maine, where they lose their memories and their supernatural mojo.

The vibe: Complicated storytelling and nostalgia for simpler times.

References: “Walt Disney’s Wonderful World of Color,” “Twin Peaks”

Sample line: “Where are we going?” “Somewhere horrible, absolutely horrible.” — an exchange between Snow White and the Evil Queen, just before the denizens of the world of make-believe are transported to contemporary America

Casting call-out: Emma Swan (Jennifer Morrison), long-lost biological daughter of Prince Charming and Snow White, who leaves home and moves to Storybrooke at the urging of a mysterious, precocious boy named Henry Mills (Jared Gilmore).

Performance/prospects: With viewers numbering in the 10 million range, it looks like lightning should strike twice for “Once” and fans can expect a second season.



 

“American Horror Story” | FX

The premise: Cheating husband Ben Harmon (Dylan McDermott) uproots his wife, Vivien (Connie Britton), and daughter, Violet (Taissa Farmiga), from Boston to live in L.A., where they move into a haunted house that they bought for a song. Suspended disbelief (especially on the great real estate deal part) ensues.

The vibe: Tennessee Williams throws a shower for “Rosemary’s Baby.”

References: “Saw” franchise, “Don’t Look Now,” “The Amityville Horror” (1979 version), “Poltergeist”

Sample line: "Is everybody crazy?” — Ben to Vivien, after a drop-in from a poisonous cupcake-bearing neighbor (see below)

Casting call-out: Neighbor Constance, played to the hilt by Jessica Lange channeling Blanche DuBois.

Performance/prospects: Nearly 3 million viewers per week have bought in to the ghosts and goblins that populate the series, and its fans are rabid. FX is hoping it scares up more of them come fall.





“2 Broke Girls” | CBS


The premise: Working girl Max (Kat Dennings) and newly destitute heiress Caroline (Beth Behrs) forge a friendship and dream of starting a cupcake business while working in a Brooklyn diner. Oh, and they share a tiny apartment with Caroline’s horse, Chestnut.

The vibe: “Two and a Half Broke Girls.” Bawdy and naughty.

References: “Alice,” “The Simple Life”

Sample line: “I forgot you’re Equestrian Barbie. You came with a horse.” — Max to Caroline, after Chestnut pokes his head through the back door of Max’s apartment

Casting call-out: ”Saturday Night Live” original cast member Garrett Morris dispenses free advice as the diner’s cashier, Earl.

Performance/prospects: A huge hit for CBS in terms of viewers and the ages 18-to-49 target demographic. The girls will be back for another season of sass while they scrimp and save for that cupcake start-up.

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2011 favorite TV guest stars

2011 best TV meltdowns: From 'winning!' to whining

2011's most gruesome TV Deaths

 

— Wes Bausmith

Photo: Zooey Deschanel and Jake Johnson in "The New Girl." Credit: Greg Gayne/Fox

2011 Best TV Meltdowns: From 'winning!' to whining

Charlie sheen meltdowns 2011
Life can be stressful for Hollywood entertainers and personalities. The strain obviously took its toll on several who lost their composure, control and dignity, making for some of the most unexpected and memorable celebrity meltdowns of 2011.

CHARLIE SHEEN: Probably no other celebrity will be more scrutinized in 2012 than Charlie Sheen, who staged the mother of all meltdowns this year that eventually cost him one of the most high-paying jobs in Hollywood. Sheen took to the airwaves early this year to blast his bosses at CBS' "Two and a Half Men" after production on the series paused following his stint in rehab. He called executive producer Chuck Lorre "a clown" and referred to him as "Haim Levine" -- which some interpreted as an anti-Semitic slur on Lorre's last name. He appeared on numerous talk and radio shows bragging about having "tiger blood,"  compared himself to a warlock and constantly said he was "winning." Fired from the show, Sheen became calmer later in the year, endured a Comedy Central roast and even got a new job -- a comedy on FX called "Anger Management" that is slated to premiere in 2012. No doubt many will be watching Sheen to see how he follows his explosive 2011 fall.

 

KIM KARDASHIAN and KRIS HUMPHRIES: Well, they said it wouldn't last -- and it didn't. The queen of all celebutantes, Kardashian seemed to have everything: fame, wealth, a strong family and a hit reality show show on E!, "Keeping Up with the Kardashians." But what she really wanted was a husband. Her dream seemed to come true when her courtship with basketball player Kris Humphries led to a lavish "fairy tale" wedding in November which cost a reported $10 million and warranted a two-night prime-time special. But the fairy tale crashed and burned 72 days later when Kardashian filed for divorce citing "irreconcilable differences," provoking an outcry from fans who felt the entire event had been staged for profit. The backlash startled Kardashian, who said she really had been in love with Humphries--a claim she likely made about singer and former flame Ray J when they made the sex tape that launched her "career."  

 

CHRISTINE O'DONNELL: Former U.S. Senate candidate O'Donnell had just wanted to promote her new book when she appeared in August on CNN's Piers Morgan show. But the interview became tense when Morgan began pressing her about whether she supported gay marriage. Even after she bristled, Morgan pressed on, asking her what she felt about the "don't ask, don't tell" credo in the U.S. military. When she accused him of being rude, Morgan said, "I think I'm being charming and respectful." But the damage was done -- one of O'Donnell's advisors off-camera told her to leave, and the Delaware Republican took off her mike and walked off. Morgan said later it was his first walk-off in 25 years of doing interviews.

 

KAT VON D: Live morning TV can be extremely unpredictable. Take the case of "Good Day L.A." on Fox 11. In July, Kat Von D, the tattoo artist who got engaged to Jesse James soon after his breakup with Oscar-winning actress Sandra Bullock, was scheduled to appear on the show to promote her TLC reality series, "L.A. Ink." But Von D, who had previously announced that the couple had split,  stormed off the set right before she was supposed to go on. Von D fled the station when she was introduced with a clip from the show in which she surprised James by showing him her new tattoo, a picture of him as a youth. Her abrupt departure perplexed the show's anchors -- producers said that her only request for the planned interview was that Bullock not be mentioned. Von D tweeted moments after her exit: "Dear Good Day L.A., Thanks for the waste of a perfectly good morning. Lack of compassion and respect for each other never fails to disappoint me." 

 

KTLA'S HENRY DICARLO: KTLA weatherman Henry DiCarlo joked that he hadn't had coffee or breakfast the December morning when he erupted during a live report in what later became known as "Henry's hissy fit." DiCarlo had been at Union Station around 6 a.m conducting a live report for Toys for Tots. When he then started his weather report, a full screen graphic appeared and DiCarlo was heard to say, "You know what, it's so interesting. I'm in the communications business and it seems like there's so little communication. When you send a weatherman out to do the weather but you also want him to do a story, you might want to give him a little extra time." He became more frustrated, said someone else in the studio would handle the weather and stormed off -- a moment captured by cameras. DiCarlo explained a few days later that he had been planning to do a four-minute segment, but the producer in the studio started yelling at him through his earpiece about 35 seconds into the report. "It doesn't matter when the circumstances were -- it wasn't a pretty sight for me to act like that, and I get that," he said. But he didn't actually apologize for the outburst, telling his colleagues: "But personally,  you guys have seen much worse from me, so I didn't think I was that bad."

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2011's Most Gruesome TV Deaths

Robert Lloyd's Top New TV of 2011

Mary McNamara's Top TV of 2011

--Greg Braxton

Photo: Charlie Sheen in September 2011. Credit: Allen J. Schaben / Los Angeles Times.

2011's most gruesome TV deaths: The good, the blood and the ugly

On TV in 2011, the blood flowed on series such as "Boardwalk Empire" and "Breaking Bad"
The year 2011 may have been a groundbreaker -- as well as a neck-cruncher and arm-smasher -- when it came to showing TV characters being offed in creative, gruesome ways. The blood flowed not only on CBS procedurals such as the "CSI: Crime Scene Investigation" franchise and "Bones," but on prestigious series such as "Boardwalk Empire" and "Breaking Bad." Some of the carnage was so extreme that even viewers who are usually strong of stomach found themselves covering their eyes during several of these horrific scenes.

1. "Breaking Bad," "Face Off": Drug kingpin Gustavo Fring (Giancarlo Esposito) caused a lot of mayhem for enemies -- and friends-- on the AMC drama. But Gus really went out with a bang in the season finale when he was blown up in a bomb explosion in a nursing home. The blast tears half his face off, but he still has enough sense of style to straighten his tie before collapsing.

"Breaking Bad" runner-up -- "Box Cutter": Gus slashes the throat of an accomplice with a box cutter.

2. "Game of Thrones," "A Golden Crown:" A drunken Viserys (Harry Lloyd), who is jealous when his pregnant sister Daenerys (Emila Clarke) becomes popular with the Dothaki tribe, pulls a sword on her and threatens to cut out her child if her husband, Khal Drogo (Jason Momoa), does not conquer the Seven Kingdoms and win him a crown. Khal responds by giving him a true "golden crown," pouring a cauldron of molten gold on his head.

"Game of Thrones" runner-up -- "Cripples, Bastards and Broken Things":  Ser Gregor Clegane (Conan Stevens) pierces the neck of an opponent during a jousting match.

On TV in 2011, the blood flowed on series such as "Boardwalk Empire" and "Breaking Bad"
3. "Boardwalk Empire," "Gimcrack and Bunsum": Gangster Jimmy Darmody (Michael Pitt) holds down a veteran of the American Indian wars who had earlier struck him with a cane, as accomplice Richard Darrow (Jack Huston) scalps him.

"Boardwalk Empire" runner-up "Gimcrack and Bunsum": Sheriff Eli Thompson (Shea Whigham) loses control and kills a man by bashing his head in with a wrench.

4."Dexter" -- "Get Gellar": Dexter and Miami Metro homicide detectives discover the body of a professor who has been killed by a serial murderer staging religious slayings. The body, which is on the stage of a lecture hall, has been drained of blood. When the detectives start to investigate, they trip a booby trap that opens up a huge container above them and rains blood and guts all over them.

5. "Sons of Anarchy"-- "Fruit for the Crows": Outlaw motorcycle gang member Juice (Theo Rossi) shoots an attacker point blank in the face several times, shattering the man's skull.

What were your favorite TV deaths of 2011? Tell us in the comments below.

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Robert Lloyd's Top New TV of 2011

Mary McNamara's Top TV of 2011

-- Greg Braxton 

Upper photo: Gustovo Fring (Giancarlo Esposito) puts on plastic garments before slashing the throat of an accomplice in "Breaking Bad.' Credit: Ursula Coyote / AMC

Lower photo: Michael Pitt, left, and Richard Easton in "Boardwalk Empire." In a scene from the episode, Pitt's character holds Easton's character down as he is being scalped. Credit: Macall B. Polay

Ryan Murphy discusses the future of 'American Horror Story'

Ryan Murphy discusses the American Horror Story finale

If you watched Wednesday's first-season finale of "American Horror Story," which the network said brought in 3.22 million viewers, you're probably wondering what's in store for Season 2 — especially considering how things ended for the Harmon family and their supporting characters.

Well, stop thinking of the possibilities. It'll all start fresh. 

"Next year on the show — every season of the show — will be a different haunting," series creator and executive producer Ryan Murphy said, speaking to press Thursday about the finale. It will also bring a different home (or building) to haunt.  A new set of characters, too. And, just as the debut demonstrated, each subsequent season will have a beginning, middle and end.

But if you've grown particularly attached to Constance's Southern charm or Dylan McDermott's bare body parts, there is a small glimmer of hope. 

"Some of them will come back," Murphy said. "I'm in talks with several of them. There will be familiar faces ... but they will be playing completely different characters and creatures and monsters." While Murphy wouldn't reveal who might be returning, he said more details on the cast and storyline are likely to come in February.

He went on to add the idea of an "anthology" show was the scheme from the beginning: "It's an interesting way to tell a horror show," he said. 

As for the true crime aspect of the show, it's not going anywhere, Murphy assured.

"I'm really interested in serial killing stories or true crime stories or prison stories, so that's the thing," he said.  One creature you're not likely to see, though, is quite popular these days.

"I wouldn't do a season about vampires," Murphy said. "But everything else is fair game. What we're planning now is very different from the California house approach."

How things came to a close for that California house and its inhabitants in the finale has drawn polarizing reactions. And Murphy, who waxed briefly on what he views as the recent fascination with finales, isn't too worried that he's alienated viewers by doing away with characters they've journeyed with for a season.

"I didn't think about that," he said. "I love those characters, and I sort of mourned them. I will miss them. But I think as you see in the second season, some of them will be returning. Aspects of the show, mysteries and love stories will all be there in the second season, albeit with new actors and characters."

But, hey, for sanity's sake: Why didn't Vivian (Connie Britton), after all her talk about wanting Ben (Dylan McDermott) to leave the house and make a life with the baby, not save/warn him before his hanging? Was it simply a matter of not being able to appear in time?

"I don't know," Murphy said. "There are no rules in the ghost world. I think she was probably in the bathroom curling her hair."

 

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'American Horror Story' scares up a second season

TCA 2011: The promises of Ryan Murphy on 'American Horror Story'

TCA 2011: Connie Britton 'scared to death' by 'American Horror Story'

— Yvonne Villarreal

twitter.com/villarrealy

Photo: Jessica Lange, left, as Constance in "American Horror Story." Credit: FX.

Year in Review: Mary McNamara's top TV of 2011

Game of thrones Emilia Clarke Jason Momoa
For all the shows that premiered this fall, it was not a stellar season. Fortunately, the television landscape has many datelines, so, taken overall, it was a very good year. And here’s why:

“Game of Thrones”: HBO proved that nothing beats epic fantasy when it’s rooted in good story and great performances, which this show most definitely is. No doubt the dragons will be fun too, but with Peter Dinklage’s Tyrion and Emilia Clarke’s Daenerys, even dragons are just icing.

Margo Martindale on “Justified”: FX’s lyrical, Elmore Leonard-inspired drama about a U.S. marshal returning to his hometown to clean up a few messes took on epic and revolutionary proportions when creator Graham Yost introduced Mags Bennett (Martindale), a back-country mob boss the likes of which have never been seen. Martindale rightly won an Emmy for her astonishing performance, but it would have been better if she had won another season — for reasons that confound me, Yost chose to kill off Mags in the season finale. I may forgive him; I haven’t yet.

“Downton Abbey”: Julian Fellowes crossed “Upstairs, Downstairs” with his own “Gosford Park” to herald a new and glorious age of PBS period drama.

“Homeland”: Wrangling Claire Danes and Damian Lewis as two of the most complicated characters on television (not to mention the ever-mercurial Mandy Patinkin), Howard Gordon and some of his “24” team turned an Israeli hit into the first show to successfully mirror midwar America.

Al Jazeera: During this year’s rebellions in the Mideast, Americans found themselves glued to their laptops to watch on-the-ground coverage from Al Jazeera English. For a time, many lobbied to find it a permanent American home, which would be a very good thing.

Ted Danson in “Bored to Death” and “CSI”: It’s difficult to imagine another actor who could juggle the quaint-ish HBO comedy and the CBS behemoth at all, let alone with such agility. I am not a huge fan of either show but watch both for the pleasure of seeing a man so utterly in control of his craft.

AMC and “The Killing”: Veena Sud’s murder-mystery stumbled as it soared, and outraged fans and nonfans alike with its non-finale season finale. But around here, we give points for trying, and AMC continues to do just that, accepting its failures (“The Prisoner”) as down payment for its successes (“The Walking Dead”). Sud took on TV’s most popular and predictable genre and, for better and worse, made it her own. Also Mireille Enos is now officially a star, and that has to count for something.

“Parks and Recreation” and “The Middle”: Two wonderful shows that have been living in the shadows of “The Office” and “Modern Family,” respectively, finally seem to be getting the recognition they deserve.

“Louie”: Louie C.K.’s angsty, semiautobiographical FX comedy defines adult comedy — outrageous, sentimental, big-hearted, brave and true. And that duckling-in-Afghanistan episode just about killed me.

The not-so-best

Having recently endured, through circumstances beyond my control, back-to-back viewings of “Jack and Jill” and the latest “Twilight” movie, I cannot bring myself to use the word “worst” in connection with anything I have seen on television this year. But here are a few of the biggest disappointments (none of which, I am happy to add, involved Al Pacino).

OWN: I’m not certain what I expected from the new Oprah Winfrey Network, but I know it was more than a bunch of whiny reality series. When Rosie O’Donnell is your biggest draw, things are not up to the Oprah standard.

And the cable networks’ coverage of the jumpy Dow. Look, here we all are, alive and well, the four horsemen of the Apocalypse nowhere in sight, despite all the rumors to the contrary during that horrible week in August when the Dow bounced around and all the business pundits seriously lost their minds. Did none of you ever hear about Orson Welles and his “War of the Worlds” radio broadcast?

For more, here's an essay on TV in 2011.

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Mary McNamara's Best of 2011 in TV

Year in Review: Robert Lloyd's Top New TV of 2011

— Mary McNamara

Photo: Jason Momoa and Emilia Clarke in "Game of Thrones. Credit: Helen Sloan/HBO.

Year in Review: Robert Lloyd's top new TV for 2011

Fred Armisen Carrie Brownstein Portlandia
Thirteen favorite things new to TV in 2011, in 10 entries.

"Enlightened" (HBO): Mike White and Laura Dern’s numinous, luminous comedy on the difficulties of spiritual reform.

"Portlandia" (IFC): Site-specific countercultural sketch show, from an “SNL” stalwart and an alt-rock rock star, examines the attitudes of doing right.

"New Girl" (Fox): Zooey Deschanel stays up on the tightrope her costars keep taut.

"Downton Abbey" (PBS): Julian Fellowes’ post-Edwardian upstairs-downstairs, country-house comedy-drama is a digest of British literary and TV traditions.

"Homeland" (Showtime) / "The Killing" (AMC): Hazy mysteries trap the attention of troubled, talented female investigators (Claire Danes and Mireille Enos, respectively, as good as can be but better).

"Mildred Pierce" (HBO): Todd Haynes’ languorous, detailed adaptation of the James M. Cain novel is lifelike and larger than life.

"The Hour" (BBC America) / "Page Eight" (PBS): Hugely satisfying British thrillers; the first jumps like an Aston Martin, the second purrs like a Rolls.

"Boxing Gym" (PBS): A little symphony in pugilistic percussion from Frederick Wiseman, 81.

"George Harrison: Living in the Material World" (HBO) / "Woody Allen: A Documentary" (PBS): Great big films about artists easy to take for granted.

"Wilfred" (FX): Brainy low humor with a sweet streak as awesome Jason Gann (in a dog suit) leads Elijah Wood hectically toward the light.

A low point: After 45 years, Jerry Lewis is clumsily cashiered as the public face, and telethon host, of the Muscular Dystrophy Assn.

For more, here's an essay on TV in 2011.

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The year in television essay: Robert Lloyd

-- Robert Lloyd

Photo: Fred Armisen and Carrie Brownstein putting a bird on it in "Portlandia." Credit: Scott Green/IFC.

SAG Awards: TV surprises and snubs

Melissa McCarthy of "Mike and Molly" and Showtime drama "Homeland" were surprisingly among the missing when the nominees for the 18th Screen Actors Guild Awards were announced
Melissa McCarthy of "Mike and Molly" and the Showtime drama "Homeland" were among the huge raves of the TV season, but both were surprisingly among the missing when the TV nominees for the 18th Screen Actors Guild Awards were announced.

McCarthy scored an upset in September when she won an Emmy for lead actress in a comedy series for the CBS sitcom, but on Wednesday she was left out of SAG Awards' outstanding performance by a female actor in a comedy series category (though she did get a movie nod for "Bridesmaids"). Those nominees include Julie Bowen and Sofia Vergara ("Modern Family"), Edie Falco ("Nurse Jackie"), Tina Fey ("30 Rock") and Betty White ("Hot in Cleveland").

Other prominent actresses that were omitted included Amy Poehler ("Parks and Recreation"), Zooey Deschanel ("New Girl"), Laura Linney ("The Big C"), Laura Dern ("Enlightened") and Christina Applegate ("Up All Night").

 PHOTOS: SAG Awards top nominees

Meanwhile, Ed O'Neill and Jesse Tyler Ferguson were the only adult cast members of "Modern Family" who did not score an individual SAG nod. In addition to Bowen's and Vergara's nods, Eric Stonestreet and Ty Burrell were nominated for outstanding performance by a male actor in a comedy series. O'Neill and Ferguson were included in the comedy ensemble nomination for "Modern Family."

Also missing among major actors in the comedy categories were Jim Parsons ("The Big Bang Theory"), Neil Patrick Harris ("How I Met Your Mother") and Louis C.K. ("Louie").

"Homeland," starring Claire Danes ("Temple Grandin"), Damian Lewis and Mandy Patinkin, has been one of the critical highlights of the season, but the show and its performers were left out of the nominations.

A major surprise in the drama category was the nomination of Patrick J. Adams in USA's "Suits." Lewis beat out more well-known performers, such as Hugh Laurie ("House") and Kelsey Grammer ("Boss").

Who do you think should have been nominated? Vote in the poll below or let us know in the comments.

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The complete list of nominees

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-- Greg Braxton 

Photo: Damien Lewis and Claire Danes in "Homeland." Credit: Kent Smith / Showtime

TV actors take on drama and comedy

Dramedy_actors

Actor Garret Dillahunt is solemn as he reflects on his acting career, picking at the knee of his jeans as he composes his thoughts on his road from "Deadwood," where he played a throat-slashing geologist who preyed on prostitutes to his turn as the boorish patriarch on the Fox comedy "Raising Hope." And yet his seriousness is offset by the fact that, minutes earlier, he goofily strolled into the dressing room  on the Chatsworth set of "Raising Hope"--for the interview--on a scooter.

It's the sort of light-switch shift that has worked in the 46-year-old actor's advantage in moving from comedy to drama and back again.

"It's just what I wanted to do," Dillahunt said. "A good thing about doing this for a while is that it becomes your thing--you get a reputation for being versatile. I like the thought that people might think of me for a wide roster of roles. Even if it's a mistake, I like having the shot."

Being a skilled actor in one performance arena is already a difficult endeavor. But the rise of cable television,and the big four networks becoming less cookie-cutter, has provided actors an opportunity to play against type and branch out into other genres.

Bryan Cranston went from a buffoonish dad on "Malcolm in the Middle" to a cancer-stricken, meth-producing dad on AMC's "Breaking Bad." John Goodman's surly role as Dan Conner on the long-running sitcom "Roseanne" has since been followed by more serious turns, including his role on HBO's "Treme." And there's many actors like them, known for one role in one genre and trying to branch out: Kelsey Grammer, Ted Danson, and Edie Falco, to name a few.

Continue reading »

Bringing the pain: Top TV dramas have a blood thing going on

A savage scene in "Breaking Bad"

Many of TV's most popular series, such as "The Walking Dead," "True Blood" and "Dexter," are known for high drama and high body counts. Spatter and gore are essential — and expected — parts of their DNA.

But extreme, sometimes unflinching acts of graphic, stomach-churning violence have also been spilling over into an unexpected arena: TV's elite dramas. "Breaking Bad," "Boardwalk Empire," "Sons of Anarchy" and other shows praised for their complex plots and high production values have lately displayed a new level of savagery.

For more on this trend, read this feature and let us know what you think.

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— Greg Braxton

Photo: Gustavo Fring (GIancarlo Esposito) dons plastic overalls as he prepares to slash the throat of an accomplice with a box cutter on AMC's "Breaking Bad." Credit: Ursula Coyote/AMC.

 

 

 

'American Horror Story' scares up a second season

American horror story
"American Horror Story," the new FX drama about a troubled family that moves into a house where strange things happen, got a trick-or-treat surprise for Halloween: It got renewed for a second season.

The series, which was created by Ryan Murphy and Brad Falchuck ("Glee"), has been on track to become the highest-rated first season of any FX series, said FX Networks President and General Manager John Landgraf.

The drama, which stars Connie Britton, Dylan McDermott and Jessica Lange, will "be scaring FX's viewers to death for many years to come," said Landgraf.

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— Greg Braxton

Photo: Dylan McDermott, Jessica Lange and Ryan Murphy at a premiere event for "American Horror Story." Credit:  Chris Pizzello/Associated Press.

 

FX renews 'Sons of Anarchy' for a fifth season

FX renews biker drama 'Sons of Anarchy' for a fifth season

FX has renewed "Sons of Anarchy" for a fifth season — Kurt Sutter, where's the profanity-laced celebratory tweet??

The network has ordered 13 new episodes of the biker drama. Now in its fourth season, "Sons of Anarchy" has averaged 5.8 million viewers since its impressive Sept. 7 premiere, according to the network. 

“Everyone at FX is very grateful to Kurt Sutter, his many writing, directing and producing collaborators and his masterful cast for making such a compelling and beautifully crafted show,” network President John Landgraf said in a statement. “It is no small challenge to bring the themes of a great, ancient play like Hamlet into a wholly original television setting and to tell this complex story in a way that is both riveting and accessible to a broad audience. The fans know how beautifully 'SOA' meets this challenge, and we thank them for their loyal and passionate viewership.”

Seven new episodes remain in the current season.

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'The Amazing Race' recap: A day at the beach

— Yvonne Villarreal

twitter.com/villarrealy

 Photo: The cast of "Sons of Anarchy" in an episode from the current season. Credit: FX

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