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'Bones': He pulls, she pushes

Bones290 Female forensic scientists, the geek goddesses of crime procedurals, nail the bad guys, but rarely get their man: the square-jawed partner. Though it’s hardly an original conceit, the unconsummated romance between forensic anthropologist Temperance “Bones” Brennan (Emily Deschanel) and FBI special agent Seeley Booth (David Boreanaz) on “Bones” has worked its way under viewers’ skin.

Week after week, “Bones” serves up icky cadavers for Brennan and her crew of oddly endearing “squints” (so named by Booth, because they are always looking through microscopes). They examine corpses to determine the cause of death and the identity of victims but the more compelling mystery of the show is why brainy Brennan and brawny Booth haven’t turned their stakeouts into make-outs. Their crackling, screwball comedy-inflected chemistry promises a fully fleshed-out partnership, despite their oft-examined psychological scars.

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'Bones': Why stakeouts don't turn into make-outs

BonesFemale forensic scientists, the geek goddesses of crime procedurals, nail the bad guys, but rarely get their man: the square-jawed partner. Though it’s hardly an original conceit, the unconsummated romance between forensic anthropologist Temperance “Bones” Brennan (Emily Deschanel) and FBI special agent Seeley Booth (David Boreanaz) on “Bones” has worked its way under viewers’ skin.
Week after week, “Bones” serves up icky cadavers for Brennan and her crew of oddly endearing “squints” (so named by Booth, because they are always looking through microscopes). They examine corpses to determine the cause of death and the identity of victims but the more compelling mystery of the show is why brainy Brennan and brawny Booth haven’t turned their stakeouts into make-outs. Their crackling, screwball comedy-inflected chemistry promises a fully fleshed-out partnership, despite their oft-examined psychological scars.

Bookmark it:  Digg It!    Del.icio.us!
Read Full Story Read more 'Bones': Why stakeouts don't turn into make-outs


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Mary McNamara is a Los Angeles Times TV critic who tracks "Grey's Anatomy," "The Sopranos" and "House."

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