'So You Think You Can Dance': Catching up with Adam Shankman
Choreographer, director and producer Adam Shankman joined "So You Think You Can Dance" this season as its third full-time judge. We caught up with him between the top 18 and top 16 performance episodes to talk about his role on the show, the Oscars and those other dance shows.
Where do you fit in between Mary Murphy and Nigel Lythgoe? What do you offer as a judge that they don't?
"So You Think You Can Dance" is not really my day job, and I do have an outsider's
perspective. I think that I am a person who hires dancers a lot, and so
I bring the perspective of a prospective employer. We all share one
thing -- we're all professional dancers, so I happen to be the guy who
actually hires them. So I bring that outsider eye.
Will you choreograph this season?
I
have been staying away from that, but I have now started making
inquiries -- I am kind of looking into the possibility of choreographing
something for the show that's noncompetitive.
What do you want to see more of this season, especially compared to last season?
Last
season it was such an even playing field there was a lot of
consistency. This year there's not a lot of consistency: The casting
theory was taking great people from multiple genres. I'd like them to
shed the notion of "competition," if possible, because that's creating
tension. Obviously, it's a competitive show, but if the dancers relax into
choreography they'll perform better.
Like how?
This is
rough because some of the responsibility falls onto the choreographers. For instance, this is so technical, but last week Jakob [Karr] chaînés into a
switch chaînés, and it felt incredibly unwaltz-like. It felt like a
competition move and took me out of the dance. It wasn't Jakob's
fault -- it was in the piece. And in Jamal Sims' piece, they were just
overperforming it, and it took them out of the character. Everything was
just too giant.
When you do criticize the choreography, do
you think it's clear to the voting audience when you're critiquing the
choreography as opposed to the dancers?
It's complicated because
this isn't a choreography competition, but every once in a while
choreographer will latch onto an idea that is very presentational but
doesn't showcase the dancing. It's very hard to communicate that to
the audience without saying, "Well, the dancing was good, but the
choreography was weird." It's a complicated thing, and honestly, as it's
happening, there's a writer in my head trying to choose my words very
carefully because I don't want to affect the outcome by what I say.
What was "controversial" about Pauline Mata and Peter Sabasino's "Starry Night"-inspired dance by Wade Robson?
See
above: I couldn't critique the dancing based on the concept and the
choreography. There were sections where they literally weren't doing
anything where I could judge their dancing from a competitive
standpoint because it was so, to my mind, overconceived. I had no idea
what to say about the dancing. I didn't want to critique Wade, but I
didn't know what to say about Pauline and Peter because to my mind they
weren't competing. They were executing.
What have been the biggest surprises so far this season?
Legacy
[Perez] last week. He sprung from nowhere, and before I'd never seen
him dance in any kind of way that links thought and step and character
and story. Stacey Tookey winked at some of the stuff he could do, but
she didn't exploit it. The ship just kept on its natural course. I
also think that the choreographers and Kevin are going to have to [Hunte] do
something very special to deal with Karen [Hauer]. She has the same
energy as Jennifer Lopez. She has a confidence and an ownership -- if she
sat on stage and forgot every step I don't know if I'd notice. She
just owns everything she does on that stage.
I wonder how she'll handle a dance where she'll have to muffle her sex appeal.
It'll
be some soft contemporary piece or a slow waltz, something where you'd
have to withhold. Everything else is about explosion and showmanship.
I have a feeling that she's going to tackle it fine. It's very
interesting because technically and physically she's not capable of
doing what Jakob can do, but she has a crazy amount of It Factor. She's
a star. She has something that moves far past this show.
Do you watch other dance shows? What's special about "SYTYCD"?
Yes,
I do. I think what we have a greater intrapersonal experience. We
really go into the emotional and personal challenges of our contestants,
whereas the other big dance show is celebrities who are dancing for
charities. These kids come from nothing and are dancing for their
lives. For some of the kids, dance is what got them off the streets and
out of harm's way in terms of gunplay, or people who are sleeping in their dance studios because they're so poor they're doing janitorial
work to pay for their dance lessons. This is a celebration of
ultra-talent; the other one is an against-the-odds curiosity.
What music have you been dancing to lately?
This is an embarrassing question because I'm such
a 15-year-old girl! I am listening to two totally disparate weird
things. Two days ago I just downloaded B Angie B's cover of "I Don't
Want to Lose Your Love" and the other one is Britney Spears' "3."
What else are you working on?
I'm producing three movies, and I do an enormous amount of charitable work, and I'm producing the Oscars.
That should be fun, with Alec Baldwin and Steve Martin signed on to host.
That is a great source of pride: They're great friends of mine, and
talking them into it was not the easiest thing in the world. The greatest thing for me is that this year is the 20th anniversary of the
year that I danced on the Oscars, and that was the last time I was there,
just as a chorus boy. It just shows what you can get from dance with a
little ambition and without dropping the ball.
-- Claire Zulkey
Related posts:
Steve Martin and Alec Baldwin will team as hosts of the Oscars
'So You Think You Can Dance': Tapping out
See all "So You Think You Can Dance" posts here!
Photo: Michael Williams / Fox



I love him as a judge! I'm so glad he's there every week now. For my SYTYCD thoughts, check out my blog: http://toointerestingfortwitter.blogspot.com
Posted by: Kristal | November 10, 2009 at 04:18 PM