Pop & Hiss

The L.A. Times music blog

Category: Retail

The Adam Lambert brouhaha resulting in a sales winner

November 25, 2009 | 11:57 am

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As evidenced by Miley Cyrus just a few months ago, a little controversy rarely hurts in the sales department. Adam Lambert is on track to beat retail expectations for his RCA release, "For Your Entertainment," according to early returns compiled by keeper-of-the-charts Billboard Magazine.

The artist appeared on the "The Early Show" this morning on CBS, noting that some of his more aggressive moves on his American Music Awards appearance weren't all rehearsed. "The song lyrically is sexual, and I was just performing the lyrics of my song," Lambert said. "I think in the future I will probably make a little bit more of an effort to stay consistent with what I do during rehearsal to what I do during the show. That's something I'm learning now, and that way if anyone has a problem with what I'm doing, it can be explored during rehearsal."

But all the chatter and debate isn't stopping people from picking up his first post-"American Idol" release. Billboard writes that "For Your Entertainment" should sell at least 225,000 copies when it debuts on next week's chart, and could possibly move more with post-Thanksgiving shoppers invading retailers. Lambert's promo tour continues tonight with an appearance on the "Late Show With David Letterman."

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'It Might Get Loud' director Davis Guggenheim stands behind digital distribution

November 3, 2009 |  6:13 pm

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Director Davis Guggenheim tracked three generations of guitar virtuosos in his "It Might Get Loud," focusing on the philosophies behind the sounds of Jimmy Page, the Edge and Jack White. Sound in the film is paramount.

Yet when "It Might Get Loud" is released on home video, it won't be with a giant Blu-ray or HD push that advertises the latest in high fidelity. Instead, the film will be distributed digitally by Apple's iTunes store, which will sell "It Might Get Loud" exclusively from Dec. 8 through Dec. 22.

"I used to think that the quality of downloading music on iTunes was a barrier for me," Guggenheim said. "I just didn’t think it would be good enough. But in the last year, I’ve put 75 movies on my laptop … There are some movies you need to see in a theater or see on Blu-ray. I think for some fans that’s important. I think some people will need to see this on Blu-ray, but some will need to see it on a Tuesday night at 11 p.m. on iTunes. I don’t think it’s an either/or thing." 

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Supergroup Them Crooked Vultures joins crowded Nov. 17 release date

October 22, 2009 |  2:47 pm

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Rock 'n' roll supergroup Them Crooked Vultures has penciled in Nov. 17 for the debut of its self-titled debut album, a release date that's quickly shaping up to be quite the busy one. Them Crooked Vultures comes complete with an all-star lineup of Dave Grohl, Joshua Homme and John Paul Jones.

The act has been busy on the road, having appeared at the Austin City Limits Festival in early October. Yet a Los Angeles date remains elusive. In December, Them Crooked Vultures will head to Europe, and will then play Australia in January. The act has already hit such major American cities as New York and Philadelphia, and a press release teases more tour dates in the near future, yet does not hint at more North American appearances.

Early reviews have been raves, including the debut appearance of the band in Chicago. Of the act's Austin City Limits appearance, Rolling Stone wrote, "What’s most surprising about the live experience is just how nasty the songs are. Far from boilerplate modern rock, the music instead coils and snaps like a rattlesnake, a mile-high stack of filthy riffs powered by Grohl’s whipcrack percussion."

Them Crooked Vultures is the latest to jump in on the pre-Thanksgiving release date. It was also officially announced Thursday that British pop singer Leona Lewis would release her sophomore effort on the 17th, "Echo." Other artists releasing that day include "Britain's Got Talent" sensation Susan Boyle and "American Idol" runner-up Adam Lambert, as well as the latest efforts from non-TV-bred stars such as John Mayer and Norah Jones.

--Todd Martens

Photo: Them Crooked Vultures. John Paul Jones, from left, Dave Grohl and Joshua Homme. Credit: EPA


On the charts: Pearl Jam's Target adventure, Phoenix rising and Whitney's steady

September 30, 2009 |  1:12 pm

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Return to form: With "Backspacer," Pearl Jam scores its first No. 1 album in 13 years, Billboard reports. The set sold 190,000 copies in its first week in stores, according to Nielsen SoundScan. It's Pearl Jam's first release outside the major label system, but the band wasn't exactly going the DIY-route. In a move that surprised fans, Pearl Jam lined up with big box retailer Target for the exclusive release.

Long associated with an anti-corporate stance, Pearl Jam avoided major fan criticism by still allowing the album to be sold at indie shops and Apple's iTunes store. While "Backspacer" failed to land on the chart with the same impact of 2006's self-titled effort, which opened with 279,000 copies, it is on par with Target's other recent exclusive. Earlier this year, Prince went with the retailer, and ended up with the album "LotusFlow3r" landing at No. 2 after selling 168,000 copies.

Diva tales: It's another solid week for Whitney Houston. Her "I Look to You" is at No. 4 this week, selling 66,000 copies. That's a dip from last week, when she sold 156,000 copies -- a post-"Oprah" sales bump -- but brings her total to 620,000 copies sold to date. That's good news for Houston as the industry heads into the holiday season. With depressed sales making it relatively easy for a brand-name artist to stay in the top 20, Houston should be on target to rack up a bevy of Grammy nominations if she can maintain a consistent sales base.

Expect her to be joined on the chart next week by another diva -- Mariah Carey. Digital downloads of Carey's "Memoirs of an Imperfect Angel" are expected to be solid, as the album is currently retailing at Amazon.com for a budget price of $5.99. But album sales may not be a real indicator for the success of "Angel," as it's a truly ad-supported release, coming complete with sponsored liner notes.

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A survival tale: Silver Lake's Rockaway Records

September 24, 2009 | 12:46 pm

Pop & Hiss contributor Randy Lewis has a story in today's Business section on Silver Lake's Rockaway Records, chronicling how the indie shop has survived the CD downtown, as well as the arrival of Amoeba Records. Below is an excerpt.

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Don't tell brothers Wayne and Gary Johnson the CD business is dead or that the brick-and-mortar record store has gone the way of the five-and-dime.

Or go ahead. Tell them. They'll just smile. That's because they run Rockaway Records in Silver Lake, one of the longest-surviving independent record stores in Los Angeles. It has successfully been trading since 1979 in various forms of music technology pronounced dead or dying in most other corners of the ailing music industry.

"I feel more confident than ever," Wayne Johnson said during an interview in the back office lined with memorabilia that reflects his lifelong love of the Beach Boys and their music.

As the bottom fell out from under the retail music business, the Johnson siblings witnessed the demise of Rhino, Aron's and other local independent record stores as well as onetime behemoths such as Tower Records and Virgin Megastores.

About 3,650 stores that sell music have closed nationwide in the six years since the Studio City-based Almighty Institute of Music Retail marketing research firm began collecting data. During that period, about 2,000 new stores have opened, but 70% of those have been big-box stores such as Wal-Mart, Target and Best Buy or chains including Borders and Barnes & Noble. That leaves about 600 free-standing music retailers.

Rockaway has sidestepped that fate with a combination store and online business where customers can find music as cheap as 99 cents or spend thousands for coveted pop music collectibles such as a copy of the Beatles' first album, "Please Please Me," signed in 1964 by all four band members and on display in a glass case. Cost: $28,500.

The Johnsons have survived, they say, thanks to a simple philosophy. "You have to know what you're doing," Wayne said. "You can't wing it anymore. It used to be easy to buy collections and turn them around and sell them for more than what you paid. But now, there are so many avenues -- people can go on Amazon or EBay and find out what stuff is worth. Now you really have to know the market."

Rockaway's calling card is collectibles, the same thing the Johnsons started out selling in the '70s out of the basement of the house they shared in Brea. Back then, they could pick up items in thrift stores or yard sales for 25 or 50 cents each and then sell them for $5 to $10 apiece to collectors around the country -- or the world, for that matter. (Last year it sold some acetates of unreleased Frank Zappa music to a collector in Andorra for $12,000.)

But, to the delight of sellers, Wayne said, "we pay as much as we can." They bought a collection of 100,000 albums from a collector in Hollywood several years ago for $600,000, their biggest purchase. "There are some collections I've seen that I'd be willing to pay $1 million for."

Their thinking since the early days: Word would spread among collectors that they pay fairly. It seems to work: Wayne said five or six local collectors approached Rockaway after hearing about the $600,000 outlay. Rockaway finances big-ticket purchases either through the seller or with help from a bank, Wayne said.

Several years ago Rockaway stopped selling new CDs when Best Buy, Wal-Mart and other major merchants began selling them for $9.99 or cheaper. That's $2 to $3 less than independents such as Rockaway could buy them for wholesale. But the Johnsons have kept Rockaway afloat by taking in used CDs, LPs, 45s and DVDs -- items that don't reach the "collectible" threshold but still create enough profit to make them worth stocking.

"A few years ago I was thinking the used-CD business would just go away," Wayne said. "But that has kind of changed, and the CD business has gone way up. A lot of that is because of what has happened to the competition. So many stores went under; there are not many places to buy used CDs."

Another such place is Amoeba Music in Hollywood. Amoeba, which opened in 2001, at first dealt a blow to Rockaway because of its massive size. But Rockaway recovered and in some cases has even benefited from the misfortune of other independent stores that went out of business and had inventory to unload.

For example, the Johnsons paid $150,000 for the entire inventory of 75,000 CDs from a store in Clear Lake, Iowa, that went under. "That kept our CD bins stocked for a long time," Wayne said.

Read more A survival tale: Silver Lake's Rockaway Records

-- Randy Lewis

Photo: Wayne Johnson of Rockaway Records imitates Gene Simmons while showing off a guitar signed by the musician. Credit: Mel Melcon / Los Angeles Times


Still in action: Jackie DeShannon, '60s L.A. rockers invade Amoeba tonight

September 22, 2009 |  1:17 pm

A handful of musicians who were part of the vibrant mid-1960s L.A. music scene that’s celebrated in the new box set “Where the Action Is! Los Angeles Nuggets 1965-1968” will perform songs from that collection tonight at Amoeba Music in Hollywood.

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Jackie DeShannon, members of the Standells and the Peanut Butter Conspiracy, former Paul Revere and the Raiders member Keith Allison and Three Dog Night founding member Danny Hutton will stick around after they revisit their vintage material to sign autographs and chat with fans.

DeShannon’s cut on this edition of Nuggets is a gem, her collaboration with the Byrds on “Splendor in the Grass,” a song that wasn't part of the hit 1961 film but which DeShannon says was inspired by it. It’s probably too much to hope that Roger McGuinn, David Crosby and/or Chris Hillman will pop by to lend their harmonies.

For my money, Hutton's pre-Three Dog single "Roses and Rainbows," which made it only to No. 73 nationally but was in regular rotation on L.A. pop radio stations KHJ and KRLA, is a glorious piece of pop songcraft that outshines any of the million sellers he turned out after connecting with Cory Wells and Chuck Negron.

The four-CD set (we’ll have more on this later in the week) gathers 101 tracks recorded in and around L.A., and covers the period from the superstars who emerged at the top (the Byrds, the Beach Boys, Buffalo Springfield, the Doors, Arthur Lee & Love) down to those remembered primarily by pop geeks and musicologists (am I being redundant?) such as the Oracle, the Velvet Illusions, the Humane Society, Ken & the Fourth Dimension.

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Jay-Z and the Beatles: Together again

September 16, 2009 | 12:19 pm

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Are we staring into the blueprint for a Jay-Z-Paul McCartney-Ringo Starr trio performance on a future  Grammy Awards show?

The rapper and the Beatles are once again intertwined on the national sales charts this week, Jay-Z debuting at No. 1 on Billboard’s Top 200 with “The Blueprint 3,” with sales of 476,000 copies. With his 11th No. 1 album on the Top 200, Jay-Z is now the solo act with the most No. 1 albums, breaking a tie with Elvis Presley that he established when “American Gangster” made it to the top in 2007. The only act with more No. 1s? The Beatles, whose 1968 double LP known as “The White Album” was a reference point for the title of the rapper's 2003 set, “The Black Album.” (For those of you with scorecards, that was the one billed as his final release before he went into retirement.)

During the same week that a committedly unretired Jay-Z moved ahead of Presley, all 13 of the Beatles'  original studio releases landed in the Top 20 of Billboard’s Top Pop Catalog Albums listing of works that originally came out at least 18 months ago. They sold 626,000 copies of the remastered albums; that five-day total tops 1 million when the individual albums within two box sets are factored in.

“The Beatles in Stereo” box set -- a 14-album, 16-CD collection listing for $260 -- sold almost 26,000 copies. “The Beatles in Mono,”  an 11-album, 13-CD set listing for $300, sold nearly 12,000 copies from the release date of Sept. 9 through Sunday, the end of the sales monitoring period tallied by Nielsen SoundScan. Adding the individual titles contained in each box set, the Beatles sold nearly 1.1 million CDs last week.

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Beatles CDs: 235,000 in 2 days

September 11, 2009 |  5:28 pm

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During the first two days of release, newly remastered Beatles CDs have sold more than 235,000 copies and will take over many of the top positions on next week’s charts of the nation’s bestselling albums, according to Nielsen SoundScan.

The preliminary figures are from seven retailers that account for approximately 70% of all CD sales in the nation. “Abbey Road” is leading among 14 newly refurbished titles, and Billboard reports that it could sell 100,000 copies by the end of the sales monitoring period on Sunday. It’s currently the third bestselling album of the week, behind Jay-Z’s “The Blueprint 3” and Miley Cyrus' “Time of Our Lives” EP. Jay-Z’s album went on sale a day before the Beatles albums arrived in stores Sept. 9, and Cyrus’ latest showed up two days earlier.

“It looks like the Beatles will own nine out of the top 10 titles” on the Top Pop Catalog Albums chart, “with Michael Jackson's resilient ‘Number Ones’ the lone non-Beatles set,” Billboard reported.

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Beatles box sets: An Amazon sellout [Updated]

September 8, 2009 |  2:32 pm

 
BEATLES_BOX_3_ Update: As of Wednesday morning, EMI reports that Amazon's stock of the Beatles boxed sets has been replenished. The site is once again taking orders.

“Money can’t buy me love,” the Beatles sang in 1964, and today, it couldn’t buy either the stereo or mono box sets of the remastered Beatles catalog at Amazon.com, which reported selling out of both a day before their official release.

The online retailer is, however, continuing to take orders for the individual CD reissues, according to an EMI Records representative, who said Amazon will be restocked on both box sets “soon.”

As of  midday today, six of Amazon’s 10 bestselling music titles were Beatles albums, and fully half of its Top 20 was occupied by the Fab Four. The box set containing stereo versions of all 13 of the Beatles' core studio releases plus two additional CDs with singles and other tracks that weren’t included on those albums lists for $260, while a limited-edition mono box, containing the 10 albums originally intended by the group and producer George Martin to be heard in mono, lists for $300. That set also includes a slightly different two-CD set of singles and non-album tracks.  Reportedly only 40,000 copies of the mono box have been manufactured for worldwide distribution, with 13,000 of those allocated to the U.S. market.

The sellout at Amazon indicates that the quartet’s tradition of topping the sales charts is alive and well 39 years after the band disbanded, paving the way for John Lennon, Paul McCartney, George Harrison and Ringo Starr to pursue solo careers.

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The line is forming at Jack White's pop-up store

August 25, 2009 |  3:06 pm

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Chau Tu over at our Brand X blog walked over to Jack White's pop-up record store -- conveniently located near the Pop & Hiss HQ here in downtown Los Angeles -- and found a line beginning to form. White's Dead Weather is in town for two shows, one tonight at the Wiltern and one Wednesday at the Mayan. Tu spoke with some of the early arrivals.

Here's an excerpt:

Vannessa Calderon, 19, of Whittier, said she showed up last night but with no one around decided to come back this morning at 8. Clad in a yellow nearly matching the store's paint job (which corresponds with Third Man Records' primary color motif), she's the first in line.

Just after noon, however, she found company with two fellow White enthusiasts. Jack Waskiewicz, 30, of Seattle, and Christine Wood, 18, of Eugene, Ore., met each other at the Dead Weather show in Portland, Ore., on Sunday. And Monday afternoon, they got in a van with Wood's mother (a White fan herself) and drove straight with no sleep about 17 hours (they said they were too exhausted to count anymore), driving right up to the store.

"It's his motivation," said Waskiewicz of what he admires about White.  "Even with this economy and everything, it's giving me something to look forward to."  In the past, Waskiewicz has gone as far as New York and Texas to see White perform, but he still contends, with tired, amazed eyes, that this trip was one of the craziest decisions he’s ever made.  "I mean, I got into this car with strangers!"

Even if you can’t make it into the Third Man Records’ tiny space for the Dead Weather performance Wednesday, the store will be open until Friday, with DJ sets and, we’re assured by Third Man Records staff, a few surprises every day

Read more at Brand X. Dead Weather will play an in-store at the pop-up shop Wednesday at noon. It's first-come, first-serve. Look for the yellow school-bus paint taking over the Regent Theater at 448 S. Main St., near the intersection with 4th Street.

-- Todd Martens

Photo: Chau Tu



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