Category: Murs

LACMA's next big project: L.A. hip-hop

 3 Melancholy Gypsys
Murs had a revelation while waiting in line to see the Louvre Museum in Paris. A longtime staple of L.A.'s underground hip-hop scene, Murs had a day off while on tour in Paris last year. Spotted by museum workers, Murs and his wife were pulled from the line and told to bypass the crowds.

"Some fans came up to me and gave us some free passes," said Murs, who was born Nick Carter. "That's when it hit me that we're old enough to be involved with the arts. I have fans who work at the Louvre? That's crazy."

Not, perhaps, as crazy as collaborating with a similarly world-renowned art institution.

This week, Murs and the Los Angeles County Museum of Art will launch a six-month exploration of L.A.'s hip-hop culture with the series Through the Mic. On Thursday night, Murs' own group 3 Melancholy Gypsys will stage its first performance in about five years; monthly concerts will follow, each presented in front of the 200 vintage lamp posts that make up the museum's "Urban Light" installation on Wilshire Boulevard. The goal, said Murs, is for "the Los Angeles hip-hop scene to get some validation as art and not just gangsta rap or pop music."

"Even in the past, in traveling to New York, my friends think a lot of the gangsta rap is just made up," Murs said. "They think it's a product and they think it isn't real hip-hop. They think it's entertaining, like everything else in this city. We're known here for entertainment, but not necessarily known for our art scene and our hip-hop scene. I aim to change that."

'Through the Mic' will return June 21 with Koreatown's Dumfounded and pioneering female MC Medusa. While LACMA is no stranger to live music, showcasing bands as part of its events-focused Muse membership program in addition to hosting a jazz series, the museum's hip-hop ambitions will be the first step toward turning the outdoor area near the "Urban Light" exhibit into a venue.

"We want that venue in front of 'Urban Light' to emerge as one of the best outdoor concert venues in Los Angeles," said Jason Gaulton, coordinator of the Muse program. "We'll never be able to take anything away from the [Hollywood] Bowl, but 'Urban Light' makes for a stunning backdrop. It's an intimate experience but creates a unique experience."

Murs said he has acts lined up through much of the series. The artist, who now lives in Tuscon, Ariz., has been programming the annual Paid Dues hip-hop festival  since 2006, and that event's promoter, Guerilla Union, will be handling stage setup and sound for 'Through the Mic.'

"I have relationships with everyone from Snopp Doog to Kendrick Lamar," Murs said. "When I first started meeting with LACMA, I was telling them about Kendrick Lamar, and I said, 'By the time we get this started, he'll be the biggest rapper in L.A.' Now we won't get him to slow down enough to do this.

"But who doesn't want to be a part of presenting their art at LACMA?" Murs continued. "If it doesn't mean anything to you, it means something to your mother and your grandmother."

Gaulton believes the events will target those who don't usually come to LACMA, and he hopes it's the first of many music-focused happenings. "When we first started talking about the series, we were talking about an eclectic series, where each installment would reflect a different genre," Gaulton said. "We felt like the strength of being a museum, and what you find in exhibition, is an exploration of one topic."

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Pop & Hiss Download: Tabi Bonney's 'Hello & Goodnight'

Tabi Bonney!
Tabi Bonney's latest album, “The Summer Years” (released in September on Bluroc Records), is a definite reflection of the West African artist's personality: He's equal parts street rapper, intellectual (he holds a master's degree in biology), dreamer and pragmatist. The son of popular funk musician Itadi Bonney, Tabi Bonney describes his own sound as “sophisticated, futuristic boom bap,” but his tales of love, dashed dreams and hard work ethic belie a gloss and grit that surely is part of his lineage.

The D.C.-based rapper, who's originally from Togo,  earned his stripes with the East Coast label Organized Rhyme, making a name for himself in the underground rap circuit and earning a bicoastal following. Currently wrapping up a three-month U.S. tour in support of his new album, he plays tonight at the House of Blues in Hollywood as part of the Hip Hop & Love Tour featuring Murs.

Bonney has crafted a cocky, can-do attitude, which comes across in “The Summer Years,” and it’s clear that despite his diminutive frame, he doesn’t take his rhymes lightly. For proof, look no further than “Hello & Goodnight” -- a triumphant track that showcases Bonney’s classic hip-hop swagger along with easy-flowing rhymes and fresh beats.

Tabi Bonney's "Hello & Goodnight"

Tabi Bonney - Hello & Goodnight by user52708

 

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-- Nate Jackson

Photo: Tabi Bonney   Credit: Courtesy of Bluroc Records.

Murs talks punk rock, his work ethic, and his experience with Warner Bros.

L_8d6c9ae959353fdf607efb6ccb9fe54b Like an indie-rap equivalent to the omnipresent protagonist of LCD Soundsystem’s “Losing My Edge,” Murs has been at or near the center of the underground for the last two decades.

Still only 32 years old, he was there: from absorbing the unhinged creativity of West Coast legends Freestyle Fellowship, to an apprenticeship learning the how-to’s of DIY hip-hop from the Mystik Journeymen, to helping found the Living Legends Crew, to going solo with subterranean powerhouse Def Jux, to collaborating with Okayplayer icon 9th Wonder, to his Felt projects with Slug, the impresario of Atmosphere and Rhymesayers Entertainment.

Somewhere along the way, he managed to release an album on Warner Bros. and create the Paid Dues Festival, one of the nation’s preeminent showcases of independent hip-hop.

But unlike the jaded observer of James Murphy’s snob anthem, Murs has cultivated an everyman image. A tireless worker who has released 30-plus albums and EPs over the last 15 years, his live show is the stuff of legend — with the unruly-haired rapper an always kinetic and focused presence, ready to dig deep into his abyssal catalog to play fan favorites. Afterward, it’s no surprise to see him signing autographs and posing for photos for hours.

After an uncharacteristic two-year hiatus from the road, Murs recently wrapped up a national tour in support of his latest album, the 9th Wonder collaboration “Fornever.” While driving home from the last leg of his tour in advance of a homecoming date Saturday night at the House of Blues Sunset Strip (with Nocando and Sick Jacken), Murs spoke to Pop & Hiss about his experiences at a major label, his impressive prolificacy, and his favorite punk bands of all time. 

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