Album review: Justice's 'Audio, Video, Disco'
Xavier de Rosnay, half of the Parisian electronic duo Justice, has been telling the press that its second album, “Audio, Video, Disco,” is “bedroom music.” This might be accurate, if your bedroom has lighting rigs and holds 50,000 dancing people.
Justice, which made its name crusading around the world’s dance festivals, lighting a blazing cross onstage while pummeling the crowd of neon fanny-packers with operatic electro-house, returns with a record that sounds like the lush prog fantasia of Yes but manicured by club-hopping control freaks. For every guitar that ventures down a sonic maze in baroquely constructed songs such as “Canon,” there are the brutally executed rhythmic stops of the lean showpiece “Civilization.” As soon as the music really wanders, the demand for the beat collars it back.








