Album review: Karen O and the Kids' 'Where the Wild Things Are'
Earlier this year, on the Yeah Yeah Yeahs’ terrific “It’s Blitz!,” frontwoman Karen O demonstrated that she's as effective weaving her voice into a wall of synth-heavy alt-rock as she ever was wailing over the band's stripped-down garage punk. Now, with this soundtrack to her ex-boyfriend Spike Jonze's big-screen adaptation of "Where the Wild Things Are," Karen O proves she's capable of still more, floating her ethereal vocals over charmingly ramshackle folk-pop arrangements long on the kind of acoustic instruments you might find in a children's music class.
Karen O is actually co-billed here with the Kids, a sprawling group of indie-rock all-stars that includes Deerhunter singer Bradford Cox, Greg Kurstin of the Bird and the Bee, a pair of Raconteurs and her fellow Yeah Yeah Yeahs. An actual kids' choir lends the ensemble's name some credibility on several tracks.
Yet it's Karen O's unique singing -- imagine a post-punk take on a '40s-era jazz chanteuse -- that defines this music, even when it blows up to Arcade Fire-style proportions, as in "All Is Love" and "Rumpus," both of which culminate in tiny-army shout-alongs. In "Hideaway," the album's prettiest cut, she sounds even more vulnerable than she did on the Yeah Yeah Yeahs' hit ballad "Maps."
Not surprisingly, given its origin, not everything here works as well on record as it does in the movie, where a meandering tune-fragment like "Cliffs" adds emotional flesh to the minimalist bones of Jonze's story. Even then, though, there's that voice.
-- Mikael Wood
Karen O and the Kids
"Where the Wild Things Are"
(DGC/Interscope)
Three stars (Out of four)
Karen O is actually co-billed here with the Kids, a sprawling group of indie-rock all-stars that includes Deerhunter singer Bradford Cox, Greg Kurstin of the Bird and the Bee, a pair of Raconteurs and her fellow Yeah Yeah Yeahs. An actual kids' choir lends the ensemble's name some credibility on several tracks.
Yet it's Karen O's unique singing -- imagine a post-punk take on a '40s-era jazz chanteuse -- that defines this music, even when it blows up to Arcade Fire-style proportions, as in "All Is Love" and "Rumpus," both of which culminate in tiny-army shout-alongs. In "Hideaway," the album's prettiest cut, she sounds even more vulnerable than she did on the Yeah Yeah Yeahs' hit ballad "Maps."
Not surprisingly, given its origin, not everything here works as well on record as it does in the movie, where a meandering tune-fragment like "Cliffs" adds emotional flesh to the minimalist bones of Jonze's story. Even then, though, there's that voice.
-- Mikael Wood
Karen O and the Kids
"Where the Wild Things Are"
(DGC/Interscope)
Three stars (Out of four)









Being a big fan of the Yeah Yeah Yeahs, I of course had to listen to the soundtrack when I first saw the Trailer and noticed right away that the song "All is Love" had Karen O on It, Her voice is timeless in my mind and I find her style to be one of the most unique on the Indie Rock Scene. I love this soundtrack and Highly recommend it to everyone.
Posted by: GREG | October 01, 2009 at 10:58 AM
this is a beautiful record. soothes and tickles in just the right places. it would make a yummy ice cream flavor down up off in this piece.
Posted by: floppy johnson | October 03, 2009 at 04:51 PM