24 Frames

Movies: Past, present and future

Category: True Grit

'True Grit' inspires a quiz: How well do you know your western literature?

February 15, 2011 |  5:00 am

1
Reading might be a lost art in Hollywood, but my colleague John Horn still finds time to pick up a book every now and then.

After reading Charles Portis' "True Grit," he was struck by how some of the novel's language resembled Jack London's writing style. London -- perhaps best known for his 1903 novel "Call of the Wild" -- also seems to have been an influence on Cormac McCarthy's prose in "No Country for Old Men." 

Quiz If you're not seeing the connection, Joel and Ethan Coen adapted both "True Grit" and "No Country for Old Men" for the screen, the latter winning the best picture Oscar in 2008. "True Grit" is in the race this year. (The Coens have yet to tackle "Call of the Wild," though it has been made into a movie several times, including once with Charlton Heston.)

Horn put together a quiz with quotes from the three books, and we dare you to identify who wrote what. I missed almost as many as I got right.

-- Julie Makinen

File photo: Jack London on his yacht, the Roamer, in 1914.


The filmgoers' guide to getting your drink on

January 12, 2011 |  3:24 pm

Kings

With so many good films in theaters this time of year, dinner and a movie may figure in your night-life plans. Nice idea. But this season’s crop of films seem to be more about booze than cuisine. Apparently, you're not a serious Oscar contender this year unless you have a drink associated with your movie.

Film-cocktails With that in mind, we’ve compiled a pairing guide to help you match your flick ("The King's Speech," "Black Swan," etc.) to your firewater (Scotch, tequila, you get the drift...). Check out the gallery at right, settle on a film and tip back a glass (though maybe not in the theater). To do anything else would be ... un-cinematic.

-- Steven Zeitchik

Photo: Colin Firth sips a Scotch in "The King's Speech." Credit: The Weinstein Co.



With so many good films in theaters this time of year, dinner-and-a-movie may figure in your night life plans. Nice idea. But this season’s crop of films seem to be more about booze than cuisine. Apparently, you're not a serious Oscar contender this year unless you have a cocktail associated with your movie.

With that in mind, we’ve compiled a pairing guide to help you match your flick to your firewater. Check out the list, settle on a film and tip back a glass (though maybe not in the theater). To do anything else would be ... un-cinematic.


Did movies get better or worse in 2010?

December 30, 2010 |  2:04 pm

Airben

The end of the year tends to prompt reflection on all things on God's green earth, including on what for film buffs is perhaps the most important thing of all -- the state of our  movie culture.

So that subject was already much on people's minds when this New York Times article about studios' willingness to gamble on original ideas began kicking up some dust, eliciting both scoffs and nods of agreement. And it made everyone, including us at 24 Frames, wonder if movies as a whole got better  or worse in 2010.

Is it possible to say both?

There's no objective truth on any of this -- one man's mess is another man's masterpiece -- but a lot of us have had the sense that 2010 was a tale of two seasons.

The summer brought more than its typical share of live-action critical clunkers --  for every "Inception" there was an "A-Team," a "Last Airbender," or a "Grown-Ups" -- while the fall seemed to yield an unusually large number of gems.

The summer and the fall have long had a quality gap, but this year it seemed wider than usual. "The Last Airbender" and "Grown-Ups," for instance, each failed to top a 10% approval rating on Rotten Tomatoes.  (The lowest Rotten Tomatoes rating for a big-budget extravaganza last summer was 20%, for "Transformers: Revenge of the Fallen.")  And while "Grown-Ups" got an overall CinemaScore of B from audiences, that was inflated by under-18 viewers, who gave it an A-; most adults gave it far below a B.

But it all turned around after Labor Day once the smaller guys took the stage. Reviewers and audiences began embracing a wide range of movies: "The Fighter," "The King's Speech," "Black Swan," "The Social Network,""True Grit." (You can also toss "The Kids Are All Right" and "Winter's Bone" into the mix -- they were technically released in the summer but both were indie films through and through.)

Last fall yielded some well-regarded movies too -- including "Avatar" and "Precious" -- but the list of the roundly loved was decidedly thinner. It was a season, after all, of "Brothers," "Invictus" and "The Lovely Bones." (None of this, incidentally, applies to animated films, which somehow continue to get better no matter the season.)

The widening in quality between summer and fall films is hardly an accident. As studios continue to go for sequels and brand-driven movies, some big-budget summer releases inevitably find themselves in a creative rut. Meanwhile, the independent-film world, still reeling from a shakeout, is experiencing a cream-rising-to-the-top effect. It's possible movies like "Black Swan" or "The Fighter" would have been made five years ago, when financing flowed more freely. But they probably wouldn't have been made as rigorously, and they might have been diluted in a sea of lesser films.

Given how studios remain focused on remakes while the indie world finds itself in a state of semi-recession, we can probably expect more of the same in '11. That's the bad news -- and the good news too.

-- Steven Zeitchik

twitter.com/ZeitchikLAT

Photo: "The Last Airbender." Credit: Paramount Pictures


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