24 Frames

Movies: Past, present and future

Category: Spy Movies

Can Angelina Jolie get saltier?

August 13, 2010 | 11:02 am

   Jolie

Filmgoers who saw "Salt" well know how its ending was left open wider than Red Square. But will Sony drive through with a sequel?

The stars and principals that need to align have, at least, begun to come together.

Writer Kurt Wimmer has ideas for how to advance the story of the spy thriller, in which Evelyn Salt is a Russian plant in the highest echelons of the CIA who may or may not be working for her home country.

Director Phillip Noyce, for his part, is said to be interested in returning for a new installment. Scheduling and preferences would need to be worked out, however: Though the filmmaker doesn't officially have a new movie, he is involved with several high-priority development projects.

They include "Wenceslas Square," the indie thriller that was set to shoot in Serbia as early as this summer but has gotten hung up on casting issues as producers seek a big-name star. Noyce is also interested in directing Russell Crowe in the Australian love story "Dirt Music," which has long been a passion project for the director, though without financing yet, no one's moving on that one. And there's another romance film in the offing that would reunite Noyce with "Salt" producer Sunil Perkash.

Angelina Jolie had said that she's keen to work on a sequel; she has the Tim Burton film "Maleficent" and the big-franchise dreams of Kay Scarpetta waiting in the wings, but no commitment to a new movie now that she's finished Spyglass spy movie "The Tourist."

"Salt" producer Lorenzo di Bonaventura and, in particular, Sony remain a question, however. The line the studio has put out to insiders in Hollywood is that the the company wants to see how the film performs in key international territories -- over the coming weeks it opens in the U.K., Germany and numerous South American countries -- before deciding whether to move forward. The movie has performed reasonably well in the U.S., earning $96 million thus far, but the production cost $110 million, with marketing costs running along the usual lines for a star-driven action picture. And sequels tend to get pricier.

Then again, Sony has done the heavy lifting, launching an original script and an unknown title in a climate inhospitable to them. Now comes the easy part. Well, comparatively speaking.

--Steven Zeitchik

http://twitter.com/ZeitchikLAT

Photo: Angelina Jolie in 'Salt.' Credit: Sony Pictures

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On the big screen, the Russians are coming

July 21, 2010 |  4:38 pm

Can the Cold War make a comeback? Not the real Cold War, but the one at the multiplex, where Russian spies are American agents who are really Russian spies working for a super-secret international coalition.

This weekend, "Salt" will try to do just that, as Angelina Jolie plays a well-reputed CIA agent who, after being accused of working for the KGB, goes on the run in a violent spree that alternately confirms both her innocence and her enemies' accusations. The Phillip Noyce film, which is being released by Sony Pictures, harks back to twisty Cold War thrillers like “ “No Way Out” -- who works for the Russians and who for the Americans? -- but with the pacing of a present-day action picture.

Redsqu Whether audiences will buy some of the conventions of a Cold War movie, or Russia as Public Enemy No. 1, remains a question. "Salt" producer Lorenzo di Bonaventura says he feels any skepticism about Cold War-themed movies is overblown. "We heard this kind of genre feels overplayed," Di Bonaventura says of some of the executive response when he first tried to set up Kurt Wimmer's script at a studio. "But none of it really made any sense, because in my experience the audience likes film in any genre if it's done the right way."

Audiences' appetite in Cold War-era spy movies is of particular interest to the producer, who also has another such staple in his arsenal. Momentum is building -- there's activity around, if not quite a greenlight for -- Di Bonaventura's origin story of Tom Clancy's Jack Ryan character at Paramount. The hero, previously played by Alec Baldwin ("The Hunt for Red October"), Harrison Ford ("Patriot Games," "Clear and Present Danger") and Ben Affleck ("The Sum of All Fears"), will be played by the new Capt. Kirk, Chris Pine. (The new film, tentatively titled "Moscow," isn't based on a Clancy book; it takes an original non-Ryan script and grafts a younger version of the character on it.)

Sources say that a number of filmmakers have surfaced as possible candidates to take on the project,  including Jack Bender, a "Lost" director who is an acolyte of Paramount uber-producer J.J. Abrams; "Terminator: Salvation" director McG; and "Seabiscuit" director Gary Ross. (Paramount says that "no offers have been made and any speculation would be premature.")

Who takes the job will go a long way toward shaping the end product. But the bigger question may be how a new Ryan movie goes over culturally. Bad guys will be bad guys, and a strong plot knows not from national motive, but there's no doubt that spy movies in the 1950s and 1980s, for example, derived some of their suspense from real-life circumstances -- the recent specter of WWII, or the heat of the Cold War. And while Russian espionage was back in the news lately, it remains to be seen how long it will stay there.

Di Bonaventura, for his part, says that the period element isn't a hindrance, and could actually help the film. "I think there's an opportunity to bring back something very loved. The older audience has a sense memory of what the earlier films were, and the younger audience has a chance to go through some of that journey with a new star whom they love." And, perhaps, discover a new enemy to root against.

-- Steven Zeitchik

http://twitter.com/ZeitchikLAT

Photo: St. Basil's Cathedral in Moscow. Credit: Sasha Vasilyuk

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