When Kenneth Lonergan's "Margaret" was quietly released last September, it seemed the end of a very, very long journey for a film caught up for years in post-production problems and various legal disputes. Although very few people saw the movie during its brief theatrical run, a vocal group of critics began to lobby on its behalf -- the unusual groundswell of support prompted in part by the year-end awards season crush and in part by a desire to simply be able to see a movie that had not played in their towns.
"Margaret" has since been inching its way toward reassessment and in some sense resurrection, to the point where there is now an undercurrent of backlash from those who feel its movie-you-can't-see mystique is too much a part of its appeal.
In the film, Anna Paquin plays an Upper East Side teenager named Lisa Cohen -- in one of the movie's signature quirks, "Margaret" has no character named Margaret -- who feels in part responsible for a bus accident that claimed a woman's life. This leads to a portrait, at once nuanced and raw, of dealing with grief and moving forward with life. The film features a deep bench of supporting performances from Matt Damon, Mark Ruffalo, Jean Reno, Allison Janney, J. Smith-Cameron, Matthew Broderick, Kieran Culkin and Jeannie Berlin.
"Margaret" is going to be playing for one week at the Cinefamily in Los Angeles starting Jan. 27, giving local audience another chance to see for themselves whether this most singular film lives up to its legend. Paquin, an Oscar winner and now the star of HBO's "True Blood," rather suddenly made herself available to a few press outlets just this week to talk about the film.
How weird is it to be talking about a film you shot in 2005?
I could not possibly have loved that script or loved doing that movie any more. It was one of the most incredible professional experiences I've ever had, and, you know, movies all have their own path to being seen by people and some of them are long journeys and some are really quick. And this one's just been a bit longer. I'm just pleased that people are watching it now.
When you were shooting the film did you have any idea it would become the problem child it turned into?
No, actually. The shoot was extraordinarily smooth. Everything kind of ran perfectly. It was a sort of long script, so obviously if you shoot all of a very long script there's just going to be a lot more material to play around with when you're trying to put the movie together. Which ultimately, as an actor, is not something that I really worry myself about. That's kind of, thankfully, somebody else's department. I'm just like sweet, I will shoot all one-hundred and sixty, seventy, whatever-it-was pages of incredibly well-written, beautiful scenes with incredible character work.
Did you ever reach a point where you thought the movie would just never come out?