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Movies: Past, present and future

Category: Francis Ford Coppola

Cannes 2012: Watch trailers of six films playing the festival

April 19, 2012 | 12:19 pm

Moonrise_kingdom-620x311

Bruce Willis, Wes Anderson, Josh Hutcherson, Marion Cotillard, Lee Daniels and Nicole Kidman are among the talents bringing films to the Cannes Film Festival, whose lineup was announced Thursday. The prestigious festival kicks off in the southeast France town on May 16. Check out the trailers below to get familiarized with some up this year’s films.

“Moonrise Kingdom,” directed by Wes Anderson
Opening the festival is the Edward Norton-starring comedy by Wes Anderson. It’s his first film to appear at Cannes. Set in the 1960s, "Kingdom" centers on two young lovers who run away from their New England town, prompting a search party to go after them. Focus Features will distribute the film in the U.S. starting May 25. Bill Murray, Bruce Willis and Frances McDormand round out the cast.

“On the Road,” directed by Walter Salles
Starring Kristen Stewart, Garrett Hedlund and Sam Riley, this long-gestating adaptation of Jack Kerouac’s 1957 Beat novel will be in competition at the festival. Executive produced by Francis Ford Coppola, the film also features Viggo Mortensen, Terrance Howard and Amy Adams.

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Around Town: Films, screenings and more in L.A. this week

January 4, 2012 | 12:17 pm

Tinker

This post has been corrected. See the note below for details.

With Gary Oldman getting strong reviews and Oscar buzz for his performance as spy George Smiley in “Tinker, Tailor, Soldier, Spy,” the Arclight in Hollywood is offering a six-film retrospective of the British actor’s career beginning Monday with 1986’s “Sid and Nancy,” in which he played punk rocker Sid Vicious, followed by Oliver Stone’s 1991 “J.F.K.,” which features his tenacious performance as Lee Harvey Oswald.

Oldman’s performance as a U.S. congressman in 2000’s “The Contender” is on display on Tuesday, along with his “biting” turn as the most famous vampire in Francis Ford Coppola’s 1992 “Dracula.” Scheduled for Wednesday is his turn as playwright Joe Orton in 1987’s “Prick Up Your Ears,” directed by Stephen Frears, followed by “Tinker, Tailor, Soldier, Spy.”

After the "Tinker, Tailor" screening, Oldman will participate in a Q&A with Matt Holzman, host of KCRW’s “Matt’s Movies.” The admission to the retrospective is free, but tickets are only available via RSVP through www.OldmanRSVP.com. www.arclightcinemas.com

The American Cinematheque’s Aero Theatre concludes its annual “Screwball Comedies” Festival Thursday evening with Howard Hawks’ 1941 romantic comedy “Ball of Fire,” starring Barbara Stanwyck in her Oscar-nominated performance as a nightclub singer on the lam who hides out with a group of encyclopedia nerds. Gary Cooper plays the nerd working on slang who falls for Stanwyck.

The second feature is the 1937 classic “The Awful Truth,” for which director Leo McCarey won the best director Oscar. Cary Grant and Irene Dunne, who earned an Oscar nomination, star.

On Friday, the Aero celebrates the centennial of New Mexico’s statehood with Sam Peckinpah’s 1973 Western “Pat Garrett and Billy the Kid,” with Kris Kristofferson and James Coburn. Nick Redman, Peckinpah’s biographer and documentary filmmaker; Peckinpah’s assistant Katy Haber; editor Garth Craven; and the film’s co-star, Charles Martin Smith, will discuss the movie after the screening.

Director J.J. Abrams and members of his cast and crew will be appearing Saturday evening at the Aero Theatre for a screening of Abrams' sci-fi coming-of-age 2011 box office hit, “Super 8.” Sunday evening, the Aero presents the 2010 French comedy-drama “Eight Times Up,” which explores the topic of unemployment. Director Xabia Molia and star and co-producer Julie Gayet will appear in person.

Every year the Cinematheque presents the “Golden Globe Foreign-Language Nominee Series.” The Globes take place Jan. 15. This year's programming begins Monday evening at the Aero with Angelina Jolie’s feature film debut, “In the Land of Blood and Honey,” which is in Bosnian with English subtitles. The series continues Tuesday with Pedro Almodovar’s “The Skin I Live In,” which marks a reunion with one of the Spanish director’s early muses, Antonio Banderas. The critically lauded Iranian film, “A Separation,” which has already earned several critics’ accolades, screens Wednesday.

The Cinematheque’s Egyptian Theatre presents its seventh annual “Focus on Female Directors” evening on Thursday. Among the films screening are Maryna Vroda’s “Cross,” which won the 2011 Palme d’Or for best short film; Jess Holzworth’s 2011 “Gamma Ray,” with Chloe Sevigny; Mitsuyo Miyazaki’s award-winning 2011 USC student film, “Tsuyako”; and Penelope Spheeris’ 1998 “No Use Walkin’ When You Can Stroll.” Spheeris and other directors featured in the program will be appearing.

Two cult coming-of-age classics, 1985’s “The Goonies” and 1986’s “Stand By Me,” are scheduled for Friday evening at the Egyptian.

On Saturday evening, Jeff Garlin of “Curb Your Enthusiasm” will be leading a discussion after the screening of “The Honeymooners: Lost Episodes 1951-1957.”

The current film “My Week with Marilyn” explores the turbulent production of the 1957 film, “The Prince and the Showgirl,” starring Marilyn Monroe and Laurence Olivier. On Sunday the Egyptian will screen “The Prince and the Showgirl,” along with the 1959 Billy Wilder comedy masterwork, “Some Like It Hot,” with Monroe, Jack Lemmon and Tony Curtis. www.americancinematheque.com

The UCLA Film & Television Archive commences its three-month retrospective on Oscar-winning actor Spencer Tracy on Saturday evening at the Billy Wilder Theatre with “Inherit the Wind,” Stanley Kramer’s 1960 film version of the hit Broadway play based on the infamous Scopes Monkey Trial, for which Tracy earned an Oscar nomination as an attorney based on Clarence Darrow. Fredric March also stars. James Curtis, author of the new Tracy biography, and “Wind” co-star Donna Anderson will be in attendance.

Scheduled for Sunday is his first feature film, 1930’s “Up the River,” which also marked the feature debut of Humphrey Bogart, followed by the 1930 Vitaphone short, “The Hard Guy.”

The archive’s Wednesday program at the Million Dollar Theater in downtown Los Angeles is the campy 1966 prehistoric drama “One Million Years B.C." starring Raquel Welch in very revealing outfits and the 1940 version “One Million B.C.” with Victor Mature. www.cinema.ucla.edu

Jean-Luc Godard’s 1967 satire “Weekend” visits the Cinefamily at the Silent Movie Theatre on Thursday through Wednesday in a new 35mm print. On Monday, Cinefamily presents a feature length edition of Season One of David Cross’ IFC series “The Increasingly Poor Decisions of Todd Margaret,” followed by a Q&A with the actor (“Arrested Development”), who created and writes the series, which begins its second season Friday evening. www.cinefamily.org

And on Saturday the Los Angeles Filmforum teams up with Cinefamily to present “Wallace Berman’s Underground Alternative Projections: Experimental Film in Los Angeles, 1945-1980, Screening 9." Toni Bail and Russ Tamblyn are scheduled to appear in person, schedule permitting. www. lafilmforum.org

The New Beverly Cinema showcases Werner Herzog’s latest documentary, “Into the Abyss,” on Thursday evening, followed by Errol Morris’ 1999 doc, “Mr. Death: The Rise and Fall of Fred A. Leuchter Jr." Two by Pedro Almodovar are featured Friday and Saturday -- his 2011 drama “The Skin I Live In” followed by 2009’s “Broken Embraces” with Penelope Cruz. Saturday’s midnight movie is David Fincher’s 1999 “Fight Club,” with Brad Pitt and Edward Norton.

Sunday and Monday’s offerings are Luc Besson’s 1997 action-adventure “The Fifth Element,” with Bruce Willis and Chris Tucker, as well as 2001’s “Cowboy Bebop: The Movie.”

Mark Romanek, schedule permitting, will appear in person Wednesday at the New Beverly for a screening of his 2010 drama, “Never Let Me Go.” Also screening is Francois Truffaut’s only English-language film, 1966’s “Fahrenheit 451,” based on the novel by Ray Bradbury. www.newbevcinema.com

The 7th Annual Santa Clarita Valley Film Festival kicks off Thursday and continues through Sunday at the Repertory East Playhouse in Old Town Newhall and features comedies, dramas, animation and shorts, plus works by budding filmmakers in junior high and high school. www.SCVFilmFestival.com

The 9th Annual Venice Film Festival, which explores the history of films made in Venice, Calif., takes place Thursday at the Seven Dudley Cinema at Beyond Baroque. laughters.com/7dudleycinema.html.

The Free Tunisia Organization is presenting the New Tunisian Film Festival Tuesday through Thursday at the Barnsdall Gallery Theatre. The festival also marks the one-year anniversary of the Tunisian uprising. Among the films to be screened are “Fallaga 2011,” “Making of,” “Fausse Note” and “Rouge Parole.” www.levantinecenter.org/event/tunisian-film-festival.

Stanley Donen directed the acclaimed 1967 romantic comedy-drama “Two for the Road,” with Audrey Hepburn and Albert Finney, which screens Tuesday afternoon at the Skirball Cultural Center. www.skirball.org

[For the record, 4:03 p.m. Jan. 5: This post originally listed Spencer Tracy's retrospective as a two-month engagement launching on Friday. The retrospective is three months and launches Saturday.]

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-- Susan King

Photo: Tom Hardy, left, and Gary Oldman in "Tinker, Tailor, Soldier, Spy" Credit: Jack English/Focus Features


Toronto 2011: Francis Ford Coppola's 'Twixt' not wowing the critics

September 12, 2011 | 12:46 pm

Val Kilmer and Elle Fanning in Twixt
Francis Ford Coppola’s “Twixt” sounds like a candy bar, but critics at the Toronto International Film Festival are not too sweet on the filmmaker’s loosely autobiographical vampire story.

The movie, which premiered Sunday afternoon in Toronto, is looking for a domestic theatrical distributor. If the director of “The Godfather” and “Apocalypse Now” hoped the early notices for the occasionally 3-D production starring Val Kilmer and Elle Fanning would help prepare a sale, he might consider a different plan.

Here’s a roundup of some of the early reviews and Twitter beat downs:

“While his last film, ‘Tetro’  showed signs of recovery from his slump of many years, he now unveils at this very public film festival, ‘Twixt,’ easily his silliest work ever… One can reflect on what the young Coppola, with his masterful camera work and vivid imagination, might have done with such an opportunity. Unfortunately, the present-day one produces only tepid and tired imagery that would not earn high marks in any film school.” -- Kirk Honeycutt, the Hollywood Reporter

“The staging is at times awkward and many of the supporting actors laughably amateur. As much as the Francis Ford Coppola budget appears to have been a constraint on the effects of the film, it shouldn’t have affected the acting or coherency of the picture…. While those looking for a few midnight movie scares will find themselves very disappointed, the film is funny, sometimes intentionally, sometimes not.” -- Cory Everett, indieWIRE’s the Playlist

“Not just the worst film he’s made, but possibly the worst film to ever play this festival. Incomprehensibly bad… Coppola winded me so much I’m done with movies until midnight. I admire the idea of Coppola as film student, but this is literally a terrible student film that doesn’t belong in a fest.” -- Drew McWeeny, HitFix

“The visual layering -- which, in its sudden flashes of color and use of dreamy black-and-white, suggests something like ‘Sin City’ crossed with Godard's ‘In Praise of Love’ -- is extremely striking, and two 3-D sequences make effective use of the format…. 'Youth Without Youth’ strained to find visual correlatives for its pretentious source material, and ‘Tetro’ was so studied that even Vincent Gallo seemed subdued. But Coppola's new ‘Twixt’… improves on those films mainly by being a goof, albeit one apparently laced with autobiographical details.” -- Ben Kenigsberg, Time Out Chicago

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-- Emily Rome

Top photo: Val Kilmer and Elle Fanning in "Twixt." Credit: American Zoetrope.

Bottom photo: Francis Ford Coppola introducing "Twixt" in July at Comic-Con International in San Diego. Credit:  Kirk McKoy/Los Angeles Times


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