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Category: mystery

Happy birthday, Carolyn Keene!

Nancydrewbooks

Carolyn Keene, the author of the Nancy Drew mysteries, was not a real person. It was a mantle worn by 28 different women and men during the series' 73-year run. The first, most enduring Carolyn Keene was Mildred Augustine Wirt Benson, who wrote 23 of the first 30 Nancy Drew books. Benson was a stunningly prolific writer, publishing more than 130 books, mostly for children and young adults, frequently under pen names. She was born Mildred Augustine in Ladora, Iowa, on this day in 1905.

Girl detective Nancy Drew, as some of her fans know, was a 16-year-old with strawberry blond hair, a sky-blue roadster that matched her eyes, a rather boring boyfriend named Ned, and best friends tomboyish George and pretty, plump Bess. Other fans will be perplexed by this description because as the decades wore on, and the girl detective remained popular, she underwent some changes. Nancy Drew got older, her hair changed color, and she even got a new car. Although I haven't read the latest editions, I hear she now drives a Prius.

The editions I read, thanks to a sympathetic babysitter, were the originals written by Mildred Augustine Wirt Benson. She wrote the first Nancy Drew book, "The Secret of the Old Clock," published in 1930; her last was 1953's "The Clue of the Velvet Mask." Many have connected Benson closely to Nancy Drew -- in our obituary of Benson, who died in 2002 at age 96, The Times wrote, "Benson and Nancy Drew shared many interests: Both flew planes, golfed, participated in archeological digs and radiated self-confidence in the man's world of the early 20th century."

Benson had conflicting feelings about the character she brought to life. "I always knew the series would be successful. I just never expected it to be the blockbuster that it has been. I'm glad that I had that much influence on people," she told the Associated Press in 2001. Eight years earlier, on her way to the first-ever Nancy Drew conference, she had said, "I'm so sick of Nancy Drew I could vomit."

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It started as a book: 'Savages' by Don Winslow

This weekend Oliver Stone's "Savages" hits screens with a stylish amount of uber-violence and a star-filled lineup that includes John Travolta, Blake Lively, Benicio Del Toro and Salma Hayek. It'll certainly be something to watch.

Two years ago, it was something to read. Don Winslow's stylish, fast-paced SoCal noir follows the story of a territorial struggle between powerful Mexican drug interests and two American pot growers, whose mutual girlfriend gets kidnapped. Rescue efforts ensue.

When the book was published, the L.A. Times called it a "marvelous, adrenaline-juiced roller coaster of a novel." Our reviewer wrote, "Winslow buffs the surface to high gloss only to dirty things up pretty fast." One of the pot growers, Chon, "has always known that there are two worlds: The savage/the less savage."

At Grantland, John Lopez asked Winslow how he wrote the characters so well. "A lot of it’s just hanging around Laguna Beach and listening," Winslow says. "It’s funny sometimes — my editors from the East Coast don’t believe this. And I say, 'You know what, get on an airplane, I’ll pick you up at John Wayne Airport, and if I can’t take you to these people in 45 minutes, you win.'"

In the short time since the movie was announced, Winslow went back to the keyboard and returned to the characters in "Savages." That book, "The Kings of Cool," makes its debut on the L.A. Times bestseller list this Sunday. It's a prequel to "Savages."

“I wanted to tell an origins story," Winslow told KPCC's Madeleine Brand. "And I wanted to tell a story about families. When people are faced with a really hard choice between their biological families and their friends, sort of family that they’ve created on their own which is what happens in 'The Kings of Cool,' people have to choose. And that to me was a really attractive story."

ALSO:

Movie review: Oliver Stone's 'Savages'

Don Winslow's 'Savages' gets film and prequel

L.A. Times bestsellers: 'Savages' by Don Winslow

-- Carolyn Kellogg

Tom Cruise as Jack Reacher: See Lee Child's antihero [video]

When Tom Cruise was cast as Jack Reacher, fans of the tough-guy character created by Lee Child cried foul. In books like "Killing Floor" and "The Hard Way," Reacher is a 6-foot-5-inch antihero, capable of bone-crushing violence. Cruise was not the Reacher readers had in mind. One Jacket Copy commenter wrote, "Tom Cruise could play Reacher's "mini-me" --- otherwise I can't think of anyone more poorly suited to do Reacher. Okay, Woody Allen, but Tom Cruise is #2 with a bullet."

Now that the first trailer is available online, readers can see for themselves: Can Tom Cruise be a convincing Jack Reacher? Or not?

The film was based on the Jack Reacher novel "One Shot," but that won't be its title when it is released this year. It'll be called -- wait for it -- "Jack Reacher."

When the deal was announced, Lee Child spoke to Deadline Hollywood. "Reacher's size in the books is a metaphor for an unstoppable force, which Cruise portrays in his own way," he said.

Kenneth Turan wrote about the Jack Reacher novel "Gone Tomorrow" in our pages.

One of the great conceits of the Reacher novels, however, is ... the tendency of the folks he deals with to consistently underestimate him. Unlike Sherlock Holmes or Paul Temple, Reacher is not known to the criminal world, and the bad guys are always telling him, "Stay away from this," "You're out of your depth" and the ever-popular "You got lucky." You want to scream at them, "This is Jack Reacher for pity's sake, he'll eat you for breakfast!" He will, you know, and that's why we keep coming back for more.

So far, readers have; Child has published 13 Jack Reacher novels, which have sold more than 40 million copies. Will fans be as enthusiastic about the film?

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James Patterson: the $84-million author

Could the Poe movie save Edgar Allan Poe's Baltimore house?

-- Carolyn Kellogg

Amazon Publishing buys Avalon, gets 3,000 squeaky-clean titles

Avalonbooks
On Monday, Amazon Publishing announced that it had purchased Avalon Books, a 62-year-old publisher. The acquisition means that Amazon Publishing has just added 3,000 titles to its list.

Avalon is an independent publisher that has focused on specific genres. In the past, that included science fiction. Now it primarily publishes mysteries, westerns and romance. While romance is hot right now -- hot and heavy, like "50 Shades of Grey" -- these novels are anything but. The books Avalon has published are, it writes, "good stories and wholesome entertainment."

How good and how wholesome? Very good. Very wholesome. "There is no explicit sexual content or profanity in any of our novels," Avalon states in its writers guidelines. "It is the author’s responsibility to heighten the romantic atmosphere by developing love scenes with tenderness, emotion, and perception."

In other words, none of that "50 Shades of Grey"-style hanky-panky.

From the FAQ regarding manuscript submissions:

Q. WHAT IS TOO SEXY FOR AVALON?
A. Sexual tension is fine but not more than a kiss or embrace is allowed.

Q. WHAT ARE THE RULES ON ROUGH LANGUAGE?
A. No cursing throughout all of our books. Nothing heavier than a “hell,” “damn” in Westerns and Mysteries. We don’t like cursing at all in our romances. We do not accept racial epithets, no harsh language, and no sexy talk.

Q. WHAT ARE THE RULES ON LIQUOR?
A. In our Romances keep it minimal, if any. In our Westerns and Mysteries it is okay within reason.

The writers guidelines go further in describing what kinds of characters and content are appropriate for Avalon.

AVALON ROMANCES / HEROINES: Every Avalon heroine should be an independent young woman with an interesting profession or career. She is equal to the stresses of today’s world and can take care of herself. She should be smart, capable, and likable.

AVALON ROMANCES / HEROES: Avalon heroes should be warm, likable, realistic, sympathetic, understanding men who treat the heroine as an equal, with respect for her intelligence and individuality, and with courtesy. The hero should be a fully-realized character, someone the reader can warm up to and be happy to see with the heroine.

AVALON MYSTERIES / HEROES: The hero can be male or female or a team of people with sound values. The hero must be someone for whom the truth is paramount.

AVALON WESTERNS / HEROES: The hero must be a strong individual with sound values. He’s excellent with his fists and his gun, but not overeager to use either.

There are no guidelines for heroines of Avalon Mysteries or Avalon Westerns; I assume there are none.

"Avalon has a long tradition in publishing wonderful stories that affirm a positive way of life," said Amazon Publishing's Philip Patrick, director of business development, rights and licensing. "We are thrilled to have these talented writers join our publishing program."

Other than squeaky-clean content, Avalon had something else going for it: None of its books has been published in e-book form. Yet.

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-- Carolyn Kellogg

Tonight in LA: James Ellroy and Helen Knode

Helenknode_jamesellroy
Tonight, James Ellroy, the self-proclaimed "demon dog of American crime fiction," will turn his attention to writer Helen Knode. The occasion? The publication of her new novel, "Wildcat Play." The twist? The two were once married. To each other.

Knode and Ellroy have been splitsville for a while, but are apparently on speaking terms. He'll be asking her questions about the book, a mystery among oil rigs in the San Joaquin Valley, published by Houghton Mifflin Harcourt.

Knode was a longtime writer at the L.A. Weekly, where she did stints as a movie critic and columnist; she now lives in Austin, Texas. Ellroy is known for, among others, his books "L.A. Confidential" and "My Dark Places"; recently, he penned the screenplay for "Rampart," the film about dirty cops starring Woody Harrelson.

The two will talk books and, maybe, crime and murder, at Skylight Books in an evening the bookstore is dubbing "apocalypse noir." Admission is free; things get started at 7:30 p.m.

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-- Carolyn Kellogg

Photos: Helen Knode, left, and James Ellroy, right, at the book release party for her 2003 novel "The Ticket Out." Credit: Lawrence K. Ho / Los Angeles Times

 

L.A. literary salon remembers noir at Musso & Frank

Johnbuntin_mussofrank
Musso & Frank, the famous steakhouse that served up cocktails to William Faulkner, F. Scott Fitzgerald and other writers at loose ends in Hollywood, hosted its second literary salon Monday night. The guest speaker was John Buntin, author of "L.A. Noir: The Struggle for the Soul of America's Most Seductive City"; he was there to illuminate the true-life models for the fiction of iconic detective novelist Raymond Chandler.

That was the end of the evening. First, there was dinner -- a three-course one, with a limited menu that, yes, included steak -- and before that, cocktails.

Mussofrank_cocktail

Musso's bartenders and waitstaff came in to work on their day off -- the restaurant is usually closed Mondays, and was open only to salon attendees. Ruben Rueda, above, has been at the restaurant for 45 years -- since Feb. 4, 1967, to be exact. Like the martinis, the gibson above came with an overflow carafe. I'd like to think that's how Chandler used to take his drinks -- with more drinks on the side.

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How did John Cusack get to know Edgar Allan Poe? 'Read'

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Starting Friday, when "The Raven" opens, we can all see John Cusack bring the 19th century writer Edgar Allan Poe to life. The premise of the film seems pretty 21st century: a serial killer is murdering victims in the style of Poe's stories, and the writer sets out to discover who it might be. Yet it actually hearkens back to Poe's work -- he is often credited with inventing the detective novel with stories like "The Murders in the Rue Morgue."

In advance of the film, Cusack is talking about his experiences with playing the notoriously dark-visioned writer. At a film screening Sunday night, the L.A. Times' Ministry of Gossip blog asked Cusack how he got into Poe's head. "Read," Cusack answers in the video below. "Read his stuff. I read biographies on him, but I read mostly his stories. Tried to immerse myself in his stuff, in his imagination .... It was like going into a nightmare, in a way."

At the L.A. Times Festival of Books, the Huffington Post caught Cusack's answer to the question: What are you reading now?

"The Sugar-Frosted Nutsack: A Novel" by Mark Leyner (who interviewed Cusack on stage)
"In the Hands of Dante: A Novel" by Nick Tosches
"Walking Since Daybreak" by Modris Eksteins
"A Movable Feast" by Ernest Hemingway (after seeing "Midnight in Paris")

He also said that he likes e-books for the dictionary apps, but when he has a hard copy he writes in the margins of his books so that  he can "make them mine." 

Cusack also promises that Poe aficionados will find the film packed with nods to his real life and work. All of Poe's work can be downloaded for free, in e-book form, from Project Gutenberg.

On Thursday, Cusack will be doing an online chat with fans at the L.A. Times -- sign up here to be a part of that conversation.

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Happy birthday, Edgar Allan Poe!

Could 'The Raven' save Poe's Baltimore house?

-- Carolyn Kellogg

Photo: John Cusack and friend at the April 23 screening of "The Raven" in Los Angeles. Credit: Jason Merritt / Getty Images

J.K. Rowling's new book will be 'The Casual Vacancy'

Jkrowling_emmawatson
J.K. Rowling has written her first book for adults, and on Thursday the title was announced. The novel, described as "darkly comic," will be called "The Casual Vacancy." On its website, publisher Little, Brown has posted a thumbnail description of the book:

When Barry Fairweather dies unexpectedly in his early forties, the little town of Pagford is left in shock.

Pagford is, seemingly, an English idyll, with a cobbled market square and an ancient abbey, but what lies behind the pretty façade is a town at war.

Rich at war with poor, teenagers at war with their parents, wives at war with their husbands, teachers at war with their pupils...Pagford is not what it first seems.

And the empty seat left by Barry on the parish council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations?

Rowling's "The Casual Vacancy" will be published worldwide on Sept. 27. It is not quite 500 pages long. Unlike the Harry Potter books, it will be released simultaneously in print book and as an e-book.

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-- Carolyn Kellogg

Photo: J.K. Rowling, right, with actress Emma Watson at the world premiere of "Harry Potter and the Deathly Hallows Part 2." Credit: Dave Hogan/Getty Images

This Sunday: Pico Iyer's Greene agenda and more

Graham-greene

Pico Iyer and I share something in common and it isn’t writing chops. We share a fascination with Graham Greene.

GetAttachment-2.aspxYears ago, I collected as many of the nice Penguin paperback editions of Greene’s work that I could find.  I loved “The Quiet American,” "The End of the Affair" and “The Third Man” and many others. When I first traveled in Europe, I would stumble into English-language bookstores and my barometer on the quality of their selection was always based on their section of Greene's work. But I’m no expert on Greene and Iyer is -- as witnessed by his latest book “The Man Within My Head.” Our reviewer, Richard Rayner, is fascinated by both Greene and Iyer. In his lively review he notes that “The Man Within My Head” is “literary criticism disguised as autobiography, a book filled with insights, sadness, rumination and splashes of the dazzling travelogue that Iyer’s readers have come to expect.” Rayner’s piece is as much a meditation on Greene as it is on Iyer’s book and it leads our coverage this Sunday.

Book critic David Ulin found a gem in “The Fat Years,’ the first novel by Chinese writer Chan Koonchung to be translated into English. (Michael S. Duke does the honors.) The novel takes place in 2013 after the next great global economic meltdown and China is left standing as the pillar of economic and social stability. The catch here, however, is that between the economic meltdown and China’s emergence as the bastion of prosperity, it has lost a month. Ulin writes that the book “is a cunning caricature of modern China with its friction between communism and consumerism.”

Scott Martelle reviews “Roger Williams and the Creation of the American Soul: Church, State and the Birth of Liberty” by John M. Barry. Martelle writes that Williams “for those who don’t remember their colonial history, founded the European settlement that gave rise to Providence, R.I., in pursuit of the still-gestating idea that people should be able to worship God in individual freedom not as a dictum of government." It was, author Barry writes, “the first government in the world which broke church and state apart.” But Williams faced some long odds in selling his message of liberty and paid dearly for his concept. 

Long odds are also in evidence in Stewart O’Nan’s latest novel “The Odds,” which Carolyn Kellogg reviews. A marriage has hit the rocks, so the happy (not) couple head to Niagara Falls, where they spent their honeymoon, carrying with them a history of “insolvency, indecision and stupidity,” as well as a “desperate gambling plan” that, if successful, “will make everything right.”  Kellogg notes that “all of this could make for rather grim melodrama, but not in O’Nan’s hands.”

More after the jump ...

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Books this week: On Dear Leader and a capricious God

  Adam Johnson near the Pohyon Temple in North Korea.

Adam Johnson teaches creative writing at Stanford University and he describes himself as “probably the most un-Korean person in the world.” But that wasn’t the largest obstacle to Johnson in writing “The Orphan Master’s Son,” his new novel on that most closed of societies, North Korea, and the cult of personality around its now late -- but fully-alive in the book -- leader Kim Jong Il. Times staff writer Reed Johnson, no relation to the author, profiles Adam Johnson and his book, which is getting  lot  of attention, in a piece that starts on Sunday’s Arts & Books cover. He writes: “Possibly Johnson’s greatest challenge was trying to infiltrate the inner lives of characters in a country where self-censorship and blending in with the anonymous throng are essential for survival.” Adam Johnson, who will be at Vroman’s in Pasadena on Tuesday night, visited North Korea in 2007 to gain insight after spending years researching his novel, working from a handful of books by escaped dissidents. He also cited Times staff writer Barbara Demick’s book “Nothing to Envy:   Ordinary Lives in North Korea" as being particularly helpful “because she was always focused on the human dimension.”

Shalom Auslander also writes about the human dimension, but as David L. Ulin, our book critic, notes in a review of  his new novel “Hope: A Tragedy,” Auslander’s  great subject is “God’s capriciousness,” which can be challenging to frame.  Ulin notes that what Auslander brings to the task is "willfully outrageous, [he’s] a black humorist with an Old Testament moralist’s heart." This is Auslander’s first novel after the 2005 short story collection “Beware of God,” and his 2007 memoir “Foreskin’s Lament.”

As I was reading Scott Martelle’s review of “The Partnership:  Five Cold Warriors and Their Quest to Ban the Bomb," I was lamenting the lost value of bipartisanship in dealing with some of the nation’s difficult issues. The book, by former New York Times staffer Philip Taubman, records the efforts of four officials — Henry Kissinger, George Shultz, Sam Nunn and William Perry — and Sidney Drell, a Stanford physicist and nuclear expert, to curb nuclear weapons around the world. Martelle calls it a “complex book about complex subjects” but note that “Taubman does a clean job of reducing the elements to layman’s terms.”  

In her review of “The Odditorium,” a collection of stories by Melissa Pritchard,  Carolyn Kellogg notes that the “literary landscape is jammed with short stories.” They are a “glut” on the market, Kellogg writes, but she also notes that few of the authors working that parcel of the literary landscape “rise above to be seen as truly excellent.” She notes that “at her best,  Melissa Pritchard belongs in that number.”

Kenneth Turan takes a little break from the film critic’s beat to reflect on P.D. James' latest, “Death Comes to Pemberley,” which couples the formidable talents of the 91-year-old James with the Jane Austen set for murder and mayhem at the ancestral estate of Mr. Darcy of “Pride and Prejudice” fame. Fans of James and Austen seem happy with the marriage: The book is  No. 3 on this week's L.A. Times best-seller list for fiction.

The subject of suicide is not easy in the young adult market, and surviving suicide perhaps even less so. But Susan Carpenter writes that Jennifer R. Hubbard’s new book for ages 14 and up,  “Try Not to Breathe,” is a compelling and compassionate look into the motivations and rationales of teen suicide and the aftermath when it fails.”

Busy week? If so, you may have missed Patt Morrison's fine review of Elizabeth the Queen: The Life of a Modern Monarch;" Bob Drogin's take on Michael Hasting's provocative "The Operators:  The Wild and Terrifying Inside Story of America's War in Afghanistan" and Kerry Luft's review of  "The Obamas."  And mark your calendar for Feb. 7 to see which critic will receive the Hatchet Job of the Year Award." Carolyn Kellogg  fills us in on the contestants. For you Stephen King fans, think for a moment about King Lear and then take a look at David Ulin's Reading Life  piece on King.

As always, thanks for reading.

-- Jon Thurber, book editor

Photo: Adam Johnson in North Korea near the Pohyon Temple. Credit: Adam Johnson

 

 

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