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Happy birthday, Dr. Seuss! Celebrate Read Across America Day

Drseuss_apps

March 2 is the birthday of Theodor Geisel, known to generations of young readers as Dr. Seuss. In his honor, it has been declared Read Across America Day by the National Education Assn. This is the 14th year that thousands of participating schools, libraries and community centers will celebrate the day by reading together. Geisel died in 1991.

Washington, D.C., will celebrate Read Across America Day with First Lady Michelle Obama reading "Green Eggs and Ham" at the Library of Congress at 11 a.m. She'll be joined by actress Jessica Alba, Green Bay Packers wide receiver Donald Driver, NEA President Dennis Van Roekel, Secretary of Education Arne Duncan and others.

Dr. Seuss' works are central to the project, and publisher Random House has a package of special Read Across America Day materials available for educators at the website Seussville.com. The website on its own is pretty Seuss-er-ific.

The official Dr. Seuss app-maker is also celebrating. All week long, Dr. Seuss e-book apps are on sale, 25% to 75% off. The Dr. Seuss Happy Birthday to You Camera app is free.

-- Carolyn Kellogg

Photo: Dr. Seuss apps. Credit: Oceanhouse Media

[For the record, 7:17 a.m.: In a previous version of this post, the app maker Oceanhouse Media was incorrectly referred to as Openhouse Media.]

Murdoch's The Daily launches, for your iPad only

Rupert Murdoch unveiled his new iPad-only newspaper-like publication, The Daily, Wednesday morning. For 99 cents a week, or $39.99 a year, subscribers can get full-color, interactive, video-enhanced news, opinion, gossip, sports and culture.

In our pages, Dawn Chmielewski explains the media titan's motivations:

Murdoch, distraught over how the free culture of the Internet has ravaged the newspaper business, is determined to find a way to put the ink back in the bottle. He has advocated charging for content, delivered to all sorts of devices including cellphones, computers, tablets and e-readers.

"The old business model based on advertising-only is dead … that's not going to change even in a boom," Murdoch said last year in an interview with the Washington Post. "Critics say people won't pay, but I say they will. But only if you give them something good."

The Guardian says it looks good, but asks, will it find a niche? What I want to know is: what's its books coverage like? I can't download it to my iPhone -- it's iPad only -- so if you've taken a look, let us know what you think.

-- Carolyn Kellogg

 

Digital Book World conference begins

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The Digital Book World conference began quietly Monday morning with three long, focused sessions; the official opening ceremonies will begin at 5 p.m. But despite the stealthy start, Digital Book World 2011 is hardly quiet -- there are 1,250 registrants, more than double that of last year's 600.

Digital Book World, known as DBW, is the key conference in publishing for publishers about e-books. All of publishing's "big six" publishers are attending in volumes they never have before. Random House will have more than 40 people attending, while fewer than 20 came from the publisher in 2010.

Because publishers are here, vendors are here too. Who will be here and what exactly they're selling will become apparent when the exhibition floor opens at 1 p.m.

Monday's three morning sessions were on e-book design and production, online content strategy and iPhone/iPad strategies. It was the first, the most nuts-and-bolts, which was the best attended. Speaking directly to book designers and production managers, the popular session included discussions about programming languages and workflow -- indicating that publishers are serious about integrating e-books into their business.

The iPad/iPhone session, led by Rana June Sobhany, provided an overview of apps and Apple's app store. It was the kind of session that felt as if it had been presented to other audiences -- not publishing-specific, like the session on e-book design and production. The well-attended session, which is still underway as I'm writing, shows an interest from ppeople in publishing. How much they will have gotten out of it, well, maybe they'll tell me later.

Follow along with the DBW proceedings on Twitter with the hashtag #dbw11, and here on Jacket Copy, where the DBW blogging will continue through Wednesday.

-- Carolyn Kellogg

Photo: Digital Book World's Ebook Design and Production workshop on Monday. Credit: Carolyn Kellogg / Los Angeles Times

 

Reports of the death of magazines on the iPad are greatly exaggerated

Project_ipad_demoToday the news came that magazine sales on the iPad have been sliding. When Wired launched its first magazine-as-app for the iPad in May 2010, it sold more than 100,000 copies -- or downloads, or issues -- for $4.99 each (it later dropped the issue price to $3.99).

That initial success came as a surprise to many. I was at Book Expo and for a while, the Wired app's huge sales numbers were the big buzz of the publishing convention. Technology enabling old media, not cannibalizing it? What a novelty. What a glimmer of hope.

Not for long: the second issue of Wired on the iPad only sold a third as much, around 30,000 copies.

Today's Audit Bureau of Circulations report's numbers, along with a post at WWD crunching some numbers, show that major magazines, including Vanity Fair and GQ, had declining iPad sales in November.

But the slide off from Wired's initial gangbuster sales is nothing new. In October, Ad Agelooked at how major magazine apps were doing on the iPad, noting that since Wired's first iPad issue, its sales had consistently been around 30,000. And while that number is certainly no 100,000, Wired -- one of the earliest well-known magazines to debut an iPad app -- has been holding onto a major market share. In contrast, Ad Age found that Popular Science, Vanity Fair, GQ and People regularly sell significantly fewer copies: 10,000 to 15,000 per issue (for People, that's weekly).

And those hard numbers mean different things to different publications. Vanity Fair's summer iPad sales, averaging slightly under 10,000 per month, were just 2% of its newsstand sales, while Wired's 32,000 September iPad sales were 37% of its newsstand sales. That's a huge distinction. It's easy to see why Wired might look to the iPad as a revenue source and as a way of deepening its connection with readers. Vanity Fair? Maybe not so much.

But if the sky is falling, media media moguls Richard Branson and Rupert Murdoch aren't ducking. Instead, they're creating new tablet-focused media. In November, Branson launched Project, a magazine built for the iPad (and, he promises, other tablets eventually). Murdoch's iPad-native newspaper, the Daily, is said to be coming in 2011.

As Ad Age noted in Ocotber and Read Write Webreiterates today, the mechanism for purchasing magazines on the iPad still needs improvement. Magazine sales on the iPad might be stronger if iPad magazine readers could subscribe -- instead, they must buy each issue individually -- and if they could browse for magazines in Apple's shopping interface, which isn't yet easy to do.

What's more, content-wise, magazines have only intermittentlytaken advantage of the tablet's interactive and multimedia capabilities. Mashable notes that the failure to innovate, coupled with overly big download sizes and overly high prices, are working against greater success of iPad magazines.

But these are just the kinds of fixes that publishers can tackle. In fact, if they want to successfully move to capture people who like e-reading, they'll have to. The real question, I think, is whether the built-for-tablet magazines (or newspapers) will have an advantage over magazines that come from the old media world.

-- Carolyn Kellogg

Photo: An iPad with Richard Branson's "Project." Credit: Mike Segar / Reuters

Can Local Books iPhone app be a literary UrbanSpoon?

iPhone AppLibraryThingLocal Books

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LibraryThing, a major social-networking-through-books site, launched its first iPhone app yesterday. Local Books is free and lists bookstores, libraries and book-related events near you.

It's got an easy, intuitive interface and loads venues quickly, once you tell it your location. But -- how does it play in L.A.?

On the upside, the venue listings are extensive. There are public and academic libraries, chain bookstores and independent bookstores, and many include photos. I'd forgotten about the radical bookstore Libros Revolución, but there it was in the downtown listings, between a branch of the Los Angeles Public Library and Ivanhoe Books, a Silver Lake art book seller. It seems every branch of the L.A. Public Library makes the list, and it's easy to select one or two as favorites and quickly return to them.

As good as the venue listings are, the search function seems, in this iteration, a little creaky. Searching for "skylight" and "skylight books" turned up venues more than 999 miles away, but never delivered the Skylight Books in nearby Los Feliz. To find it, I scrolled down in the listings near me, and there it was. Into the favorites it went.

The database powering the listings is the user-generated LibraryThing Local, which has a few glitches. Because Book Expo America, the publishing conference, was at the Los Angeles Convention Center in 2008, it makes the events list -- but it won't be happening here anytime in the near future. Some locations appear twice -- Stories in Echo Park is also listed as Stories Books & Cafe -- but that's because users entered the names or addresses with slight variations, not the fault of the application.

Founder Tim Spalding is aware of another area for improvement in the app, and he appeals to LibraryThing's users to help: events listings. "Events, especially indie bookstores and libraries, are a particular need," he writes. "If you represent the bookstore or library in question, you can 'claim' your venue page, and start using LibraryThing to connect to your customers or patrons."

What's really successful about the app is that it is built for people who love books, regardless of the small divisions of the book world. It will list a big bookstore like Barnes & Noble alongside the Pasadena Public Library and independent bookseller Vroman's -- whereas the IndieBound app only lists independent bookstores. While those who work for libraries or independent booksellers may be understandably parochial, a reader who wants to know where T. Jefferson Parker is reading this week really could use an overview.

Can Local Books be Urban Spoon? If its users start feeding the database with more delicious info, it's got a good shot.

-- Carolyn Kellogg

Image: LibraryThing

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