L.A. architect's mission: Build a better animal shelter

When Rania Alomar was hired to design a new animal shelter for the city of Los Angeles, the architect was given specific instructions: Create a temporary home for animals that increases their comfort, and by virtue of the shelter's design, makes people want to adopt a pet.

But can architecture really reduce euthanasia when the city's shelters are filled to capacity? Yes, Alomar said, if it’s a facility that people want to visit, a place where “you want to come in and feel like you are in a happy space.”

The $9 million South Los Angeles Animal Care Center is scheduled to open next month with 270 kennels, and the hope is that the facility will challenge the outdated perception of the animal shelter as dismal dog pound.

It’s a design experiment from an architect who has learned from experience -- designing an animal wellness center, an animal emergency room in Long Beach and a German Shepherd rescue facility in Santa Monica, where she is pictured here.

The exterior of the new South L.A. animal shelter is striking, with a front facade composed of a series of green stucco “ribbons” and concrete panels with overlapping foliage, shown at top. The modern design is a welcoming presence in a light industrial zone near Western Avenue and 60th Street.

But perhaps the most remarkable feature of the facility is its layout: Imagining the psychology of people who will come to the shelter to “shop” for pets, Alomar has designed the building with a retail model in mind. The architect thought of shoppers at a mall who allow themselves to be sidetracked by small boutiques on their way to a large department store, so at the shelter she created a series of displays with the hope of enticing them to consider “alternative” pets such as reptiles or bunnies or older dogs rather than, say, puppies, which are often the first to be adopted.

Mercado farmers market bag: Squished tomatoes no more?

Anyone who has returned home from the farmers market to find costly heirloom tomatoes crushed beneath the weight of fingerling potatoes may appreciate the new Mercado tote.

The Mercado bag from Quirky is made of canvas, soft cotton and mesh. It has four small interior pockets for delicate items such as peaches and grapes; two long interior compartments behind see-through mesh; one large interior compartment with two elastic loops, perhaps to hold wine, flowers or baguettes; and two exterior pockets for easy access for cash, keys, sunglasses or a phone.

Watercolor paintings based on Julius Shulman photos

If the famed architectural photographs of Julius Shulman sketched a story about California, then New York artist Amy Park has added her own chapter, painting color into images that many of us have seen over and over again.

Park creates large-scale watercolors from architectural photographs, and Shulman's images of California homes and other buildings were inspiration for a show that opens Saturday at Kopeikin Gallery in Los Angeles.

“His photographs capture such an idyllic time in California,” Park said by phone from her studio. “The landscape, the light. It is magical for someone like me who grew up in the Midwest and now lives in New York.”

The painter, originally inspired by the documentary “Visual Acoustics: The Modernism of Julius Shulman,” did not work on site or even visit the buildings. She worked exclusively from Shulman's black-and-white photographs, on loan from the Getty Research Institute. Though Shulman’s archive does include color photography, Park chose black-and-white images as a challenge. The colors in her paintings of the Eames House in Pacific Palisades, for instance, are based on her recollection. 

'Atomic Ranch Midcentury Interiors': Modern living with 'Mad' looks

During a recent trip to San Diego, I drove by my childhood home in Point Loma. The low-lying 1956 ranch house still looked the same from the street. Were my hand prints still in the patio concrete? I also found myself wondering if the home’s period details inside remained. The lovely diamond pane windows with the stubborn hand cranks were gone. And surely the small kitchen with its funky brown appliances had been edited by now. But I hoped the wide brick and flagstone fireplace -- the one that could easily seat four and doubled as a stage for my sister and me -- was still there.

Retaining those classic ranch-house elements while adapting to modern living is precisely what Michelle Gringeri-Brown, editor of the quarterly Atomic Ranch magazine, tries to encourage through her new book, “Atomic Ranch Midcentury Interiors.”

“We try to point out the charm of original features,” Gringeri-Brown said in an interview. “We encourage homeowners to be cautious. Don't rush to gut the whole thing before you make interior design choices that can’t be undone. The period pieces often stand out as things to be appreciated.” 

Gringeri-Brown credits the popularity of “Mad Men” for fueling appreciation of ranch houses. A new generation is attracted to what she calls “retro cool.” Ranch houses also appeal to aging baby boomers who are wary of stairs. “Because ranches were built when property was cheaper, they tend to sprawl on one floor and have a larger yard,” the author said.

This is her second book on ranch houses with husband, photographer Jim Brown, and it highlights eight homes, from a tract house in Calistoga, Calif., to a split-level in Ohio. (That's a 1958 house in San Mateo, Calif., at the top of the post.) Homeowners share their remodeling stories, offer tips on projects such as windows and plumbing, and detail the design elements they have retained. In one case, homeowners found original metal kitchen cabinets in their garage. The book is filled with creative ideas as well as informative sidebars, floor plans, vintage photos and a list of nearly 200 resources.

Sheditecture: Vote for your favorite cabin design

  Minutes before the three cabins were to be unveiled, 17 exhausted architecture students in Woodbury University's design-build program raced to finish like a construction crew awaiting a city inspector. Ladders were still propped against the structures. Tool belts and Skilsaws lay about. "They were drawing and redrawing until the end," said architect Jeanine Centuori, chairwoman of the undergraduate program.

As we reported earlier, the challenge had been daunting: Take the components of a hardware store shed kit and build a cabin that can sleep two, with light, ventilation and insulation. Read our full story on the process and click through a photo gallery of the finished projects, then tell us: Which team created the best cabin?

 

 

Vote! We'll keep the poll open for a week and will share the results.

ALSO:

Small-space stories

Homes of the Times archive

Eames House moves into LACMA: Time-lapse video

Marmol Radziner house: 360-degree interactive panoramas

Photos: Anne Cusack / Los Angeles Times

Artists open studios for Venice Art Walk & Auctions

Venice artists and architects will open their studios and homes to the public this weekend for the Venice Art Walk & Auctions, the 34th annual fundraiser for the Venice Family free Clinic. Artist Jesse Hazelip will be working on "Hearts of Oak," a live painting and mural installation throughout the weekend on the Red Fort, a Venice landmark built in 1922 and located at 901 Pacific Ave. Other painters, sculptors and photographers will be part of a self-guided tour from noon to 4 p.m. Sunday. (That's painter Gary Palmer pictured in his studio at the Distillery.)

Painter Isabelle Alford-Lago, known for her human-like gorilla portraits, right, will be featured inside the building at 1320 Main St. The show will include her signature artworks on large oil canvas along with several new pieces.

Alford-Lago's work will be among 400 items donated for a silent auction on Sunday, held at Google Los Angeles, Hampton Drive and Sunset Avenue. The auction runs from noon to 6 p.m. followed by a party until 7:30 p.m.

Self-guided architecture tours run from noon to 4 p.m. Saturday and 11 a.m. to 2 p.m. Sunday. They will highlight homes designed by architects including Neil Kaufman, Steven Shortridge, Molly Reid, Steven Ehrlich, John Frane and David Ritch, whose update of a 1906 bunaglow we featured a few years ago.

Tickets to the Art Walk are $50. Architecture tour tickets are $125. Buy online or register at the Westminster School, 1010 Abbot Kinney Blvd., Venice. For a full schedule of studio and architecture tours, silent auction and family events, consult the Venice Art Walk website.

MORE VENICE ARTICLES:

New Marmol-Radziner house in Venice

Shopper's guide to Abbot Kinney Boulevard

A peek inside a Maya Lin-designed Venice house

A green cube: Venice house planted on three sides

-- Lisa Boone

Photo: Gary Palmer

Painting: "Grandmaster" by Isabelle Alford-Lago

 

Woodbury architecture students turn sheds into cool little cabins

The challenge for three teams of architecture students from Woodbury University in Burbank: Design the coolest, smartest cabin that you can dream up. The catch: Your building materials have to come from an ordinary, not-so-cool shed kit from Lowes.

“There was a lot of grumbling at the beginning,” said Jeanine Centuori, chairwoman of the undergraduate architecture program at Woodbury. Each 10-by-10-foot shed had to be transformed to accommodate two people for sleeping. The template had to be tweaked to provide light, ventilation and insulation. And though the teams each had a budget of $1,500 for additional supplies, they also had a mandate to experiment with one assigned material — paper, plastic or wood.

PHOTO GALLERY: Woodbury students tweak shed kits into mini modern cabins

POLL: Vote for your favorite cabin design

Just how much can a simple shed be transformed? The answer becomes apparent before you're even off the driveway at the Shadow Hills Riding Club, the San Fernando Valley equestrian center where the three cabins were built.

The paper team's bright orange cabin practically glows, its exterior pop-outs borrowing an idea from motor homes (imagine dresser drawers left open). The pop-outs provide seating on the outside and space for luggage racks on the inside. Two beds are cleverly hidden under removable floor panels. Colorful hammocks from Craigslist hang from the ceiling, prompting student Sunny Lam to claim (as only a college student could) that the cabin “sleeps four.” (That's Lam in the photo hanging out, with Colin McCarville holding a floor panel that, when lifted up, becomes a privacy screen.)

Counterpane quilts: L.A. artist goes improvisational

The quilts of Los Angeles artist Pauline Boyd stand out not only for their surprising mix of materials -- remnants of Moroccan silk tunics and African wax prints, Balinese sarongs and Mexican embroidered cotton dresses -- but also for their unconventional, freehand style.

"It really is an improvisational thing," she said of the way she assembles her handcrafted quilts using textiles that traditional quilters might find maddening. Boyd said she has long quilted in her spare time, exploring color and form on the bare floors (significant because many quilters like to compose on sheets of flannel hung on the wall).

She began selling her Counterpane quilts online in January, and the business has been gaining momentum ever since. She was a vendor at the Unique L.A. craft fair in February, and was featured in a gallery show last month in Echo Park. She recently shipped quilts to the boutique Beautiful Dreamers in Brooklyn. 

'Magic City': One of TV's best-designed shows?

Reviews for the new Starz series “Magic City” have been mixed, but the critics seem to agree on one thing: The show looks stunning. Set in 1959 Miami Beach in the luxury Miramar Playa Hotel, "Magic City" looks like it was shot entirely on location in a period-perfect resort, but in fact its living rooms, bars and suites were built on a stage over nearly four months. The look is a mix of gold, glitz and glamour that betray the deals that go down after dark.

Production designer Carlos Barbosa and set decorator Scott Jacobson said they worked hard to stay true to the period in all aspects: the Midcentury Modern furniture, the television consoles that would have been appropriate for a new luxury hotel, even the typography on the matchbooks and signs.

“It was such a fascinating time both socially and politically, especially in Miami,” Barbosa said. “There was the Jewish Mafia. Sinatra. Castro took over that year. Later the Kennedys would visit.” And there was one architect in particular who captured the glamour at that time: Morris Lapidus.

The production designer said he took inspiration from the Miami Modernist architecture -- or MiMo -- of Lapidus, who designed several Miami Beach hotels including the Foutainebleau, Deauville and Eden Roc.

Like Lapidus, the production team mixed styles -- including Modernist, classical and baroque -- to create the Miramar Playa's distinctive interiors. To save money, the production made much of the furniture rather than tracked down period pieces. “In order to achieve that look today, in that scale, many things were not available,” Jacobson said. “And even if they were, it would be too cost prohibitive. It’s easier to design what you want and select the textiles that are right.”

Nothing was leased from a prop house. Jacobson, who is based in Miami, said he scoured Florida antique shops, EBay and the Brimfield antique market in Massachusetts. "Estate sales were a gold mine for me," he said. "There were several where I walked in in the morning, took a look and told them, 'I'll buy everything.' " Keep reading for a closer look at some of the residential environments, as well as the back story to the bar pictured at top ...

1971 Ojai ranch house remodeled into modern retreat

After living in what they had thought was their dream house — six bedrooms, five bathrooms, 3,900 square feet in Ojai complete with orange orchard and pool — Wanda Weller Sakai and Kurtis Sakai found themselves wanting something different. Something less.

“We realized we’d rather downsize to something smaller and more humble and use whatever money we had left over to make something nice for ourselves,” Kurtis said.

“One of the wake-up calls was seeing how much time and money I had to spend on water, property taxes, utilities and landscaping,” he said, adding that the monthly water bill in summer was $700. “I started to think that, for the long haul, it didn’t make sense to be in a house that big.”

PHOTO GALLERY: Ojai ranch remodel

So they sold the house and bought a 1,700-square-foot, 1971 ranch-house fixer nearby at the foot of Los Padres National Forest, pictured at right, top.

Working with architect Darwin McCredie, the couple created what McCredie calls “a transparent house” by adding 6-foot-wide glass sliders to every room. McCredie also added a master suite and office and rearranged rooms inside the home’s original footprint.

The gabled roof of the garage was altered into a streamlined box, the bookend to the new office for Kurtis Sakai at the other end of the house, right, bottom.