'Twilight' director's career gets new lifeblood
There was quite of bit of angst and confusion among "Twilight" fans when Catherine Hardwicke, the director of the first film, was sent packing before the second movie got underway. Patrick Goldstein, my colleague here at the Los Angeles Times, has an item on his blog, The Big Picture, that will cheer up those Twi-hards who thought the filmmaker was treated unfairly. Here's an excerpt:
You may remember that the last time we wrote about Catherine Hardwicke back in December, it was to lament the news that the gifted filmmaker, after delivering a lucrative franchise starter to Summit Entertainment in the form of "Twilight," was being pushed aside, with Summit moving ahead on a sequel to the hit film without her. It's fair to say that Hardwicke had her own doubts about continuing with the series. But nonetheless, the fallout from the news -- with fans voicing complaints about the franchise losing its top creative voice, not to mention its top female voice, outside of author Stephenie Meyer -- made it look like a very unhappy parting of the ways.
But, life, and Hollywood in particular, is full of surprises. Guess what? Hardwicke has just signed on to direct a new film, "If I Stay," with -- ahem -- Summit Entertainment. Rumors have been swirling for weeks, but Summit has now made it official: Hardwicke will direct the adaptation of Gayle Forman's upcoming novel, which will hit the stores later this spring from Dutton Children's Books. The novel is the story of Mia, a young classical musician and her indie-rock boyfriend, whose relationship is upended when Mia is badly injured in a car accident with her family. She watches the events unfold as she nears death, trying to decide whether she wants to continue living.
READ THE REST -- Geoff Boucher
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Photos: "The Orphanage." Credit: Picturehouse Entertainment. Robert Pattinson. Credit: Spencer Weiner / Los Angeles Times
'Twilight,' Batman and 'Half-Blood Prince,' all in Everyday Hero headlines
Hardwicke's hard fall: What really happened with the "Twilight" franchise and suddenly ousted director Catherine Hardwicke? There's plenty of knee-jerk journalism and amatuer psychoanalysis underway on the Internet, but the most reasoned reportage I've seen is from Patrick Goldstein, who pulls apart the complicated case on his Big Picture blog. Here's an excerpt: "Director of such indie-style films as 'Thirteen' and 'Lords of Dogtown,' Hardwicke is an incredibly gifted filmmaker who gave 'Twilight' an emotional intensity that helped the movie capture the heart-racing intoxication of Stephenie Meyer's novel, making the film a must-see for teenagers everywhere. (It's now grossed nearly $140 million in 18 days of release.) But Hardwicke is also a notoriously difficult, high-maintenance filmmaker who wears her emotions on her sleeve. This emotional intensity cuts both ways -- it brought something special to the movie, but it made life a vertiginous roller-coaster for many people working on the film, from crew to executives. On an indie film, prickly auteurs are a dime a dozen -- they come with the territory. But in a shockingly short time, 'Twilight' went from a quirky cult project, aimed at a teen subculture, to a massive, mainstream franchise. The indie movie suddenly became a mass-production product. The day after the movie opened, Summit announced that it wanted a sequel by late 2009. As Anne Thompson reports in today's Variety, Melissa Rosenberg, who wrote 'Twilight,' delivered her first draft of the sequel the weekend 'Twilight' opened. Summit chief executive Rob Friedman, who deserves a lot of credit for supporting a project that had been put in turnaround by Paramount, the studio where he was a top executive for years, seems to have made a classic studio-style risk vs. reward decision: The sensitive artist who was the perfect filmmaker to launch the franchise was the wrong person to run the show once the project became a blockbuster franchise." There's a lot more in the column; it's well worth reading and again it's right here. [The Big Picture]
A French connection: The first woman elected to the White House is assassinated by a sniper during a Veterans Day speech. Three months later, a mystery man, wounded and claiming amnesia, is found in a forest. Is he the presidential shooter? The only clue to his identity is the tattoo on his neck “XIII.” That's the set-up for two-night NBC movie "XIII" which airs Feb. 8 and 15 and stars Val Kilmer and Stephen Dorff. Reporter Matthew Brady writes about the origins of the thriller: "While English versions of the celebrated Frenco-Belgian 'XIII' comic may be hard to come by, those interested in Jean Van Hamme and William Vance’s story of an amnesiac killer will get a chance to see an adaptation of it on NBC in February...'XIII' began in the Belgian magazine Spirou in 1984, and all told has spanned 19 volumes (published by Dargaud), with 'The Last Round' being published last year. The series has a large following in France and Belgium, as well as other countries where the work has been translated. English translations of the work are very limited, and to date, have only covered the first few issues. Catalan Communications published translated versions of the first three volumes in 1989; Alias Comics published censored versions of the first 5 issues in 2005, and Dabel Bros., in association with Marvel Comics collected the first three volumes (uncensored) in 2007. Ironically, the property’s largest audience in the Unites States is probably most familiar with XIII due to its 2003 videogame incarnation." [Newsarama]
Batman, in motion: The graphic album "Batman: Black & White" debuted today on iTunes and will be coming soon to other distribution channels, including Amazon Video On Demand and Verizon Wireless VCAST. Here's the hype on the latest entry in the DC Comics bid to create a motion comics library, all from a Warners press release: 'Batman: Black and White' Motion Comics features 10 stories created by comic book legends that include Alex Ross, Dave Gibbons, Ted McKeever, Paul Levitz and others. The stories are available on iTunes as five episodes of two shorts each and can be purchased and downloaded for $0.99 per episode. In addition, comic book fans can download a free podcast, also available on iTunes, featuring “Batman: Black & White” illustrator Alex Ross. Hosted by John Siuntres of the popular Wordballoon comic book podcast, Alex discusses Motion Comics, his work on the best-selling series and his current projects. Warner Premiere’s Motion Comics are a new way for comic fans to connect with their favorite characters and the stories they know and love through short-form digital content. The Motion Comics slate draws on a deep reservoir of source material to bring a new visually engaging experience to life through the use of subtle movements, voice-overs, sweeping music scores and stunning comic book artwork...the “Batman: Black & White” stories range in theme from the unsettling drama of solving a brutal murder to the light comedy of fighting bad guys with a broken nose. These short episodes also touch on elements of romance, mystery and even the supernatural. [Warner Bros Home Entertainment press release]
Hermione, how could you?: There are few film stars who grow up in front of the world in the way that the "Harry Potter" stars have, but they are growing up, which explains why British tabloid writers such as Hugo Daniel are writing red-carpet stories like this one: "She only turned 18 eight months ago, but Harry Potter star Emma Watson is already considering stripping off on screen. In what many might see as further evidence of the pressure on women in the industry, the young actress admits she is prepared to go nude -- if the role demands it. The news will shock fans who have watched her grow up as Hermione Granger in the series of J.K. Rowling adaptations and still think of her as a child. But when asked by a Sunday magazine if she would ever film naked, she admitted: 'Yes. For Bernardo Bertolucci. It ... depends. 'I’m not getting my kit off any time soon, but it is part of my job. I’m at a strange age. I’m not a woman yet, but I’m not a girl anymore. They [film companies] say: 'Oh, in a couple of years you’ll be perfect for this.' I’ll be like, yeah, but I want to be studying English then, so it’s going to be quite tough to choose between the two.' Meanwhile, the university-bound actress showed her youth as she donned mouse ears -- and a fashionable dress, of course -- for her latest Hollywood premiere last night. She may have graced the cover of Vogue, but she looked at home promoting the animated movie, 'The Tale of Despereaux,' which is set to be a big Christmas hit. The British star had a big smile for the camera as she posed on the red carpet in the satin dress and a pair of peep-toe black heels. She posed with co-stars Dustin Hoffman and Matthew Broderick in Los Angeles. In the CGI film she provides the voice for the character Princess Pea, who forms a friendship with a brave little mouse with huge ears." [The Daily Mail]
More "Harry Potter": Speaking of the Hogwarts crowd, here's a sneak peek about the romantic subplots of "Harry Potter and the Half Blood Prince," the sixth film in the franchise, due in theaters next summer. You can see four more of these mini-previews on the jump page; just click through to the second part of this post...
'Twilight,' Christopher Nolan and 'Fables' in Everyday Hero headlines
A busy Monday edition of Everyday Hero, your roundup of handpicked headlines from the fanboy universe...
A storybook ending for "Fables"?: Writer Bill Willingham has done a sparkling job these past six years on the Vertigo comic book series "Fables," which presents the Big Bad Wolf, Snow White, Jack Horner and other "legends in exile" being part of a sort of storybook diaspora -- the secret community of magical peoples living in New York City. It's got a dash of "Shrek" to it, I suppose, but really it reminds me more of Neil Gaiman's tales of assorted gods from different cultures struggling to live with one another in the unmagically modern and secular world. Anyway, it's a great series and now perhaps it will be a TV show. There's an announcement story in the trades today by Nellie Andreeva and Borys Kit saying that ABC might be bringing the refugees of Fabletown to life: "The network has handed out a put pilot commitment to the fantasy project, based on the comic book created by Bill Willingham and published by DC's Vertigo imprint. 'Six Degrees' creators/executive producers Stu Zicherman and Raven Metzner are penning the script for the hourlong drama set at Warner Bros. TV. David Semel has come on board to direct "Fables," which revolves around characters from fairy tales and folklore living in exile in modern-day New York. 'Their lives become interconnected in very big way,' Zicherman said. 'They share a secret and a bond.' Zicherman and Metzner wouldn't elaborate which fairy tale characters will be featured in the TV series but noted that Big Bad Wolf and Snow White, who are central to the comics, will have a similar role on the show. The comic book series' first storyline followed Fabletown's sheriff, a reformed and pardoned Big Bad Wolf, who investigates the murder of Snow White's party-girl sister, Rose Red. 'We set up a structure to allow any fairy tale character to show up in any one episode,' Metzner said. The fairy tale characters will keep some of their trademark characteristics. For instance, Prince Charming will be handsome, while Big Bad Wolf will have to shave a four-day shadow from growing back every day." [Hollywood Reporter]
Batman at home: Reporter Scott Bowles visited with "The Dark Knight" director Christopher Nolan to talk about the DVD and Blu Ray release this Tuesday, and it doesn't sound like there was much laying around the Batcave in the way of extras: "There are features on the staging of the film's elaborate stunts, alternate angles and a segment on the technology behind Batman's gadgets, but not a single deleted scene or outtake from [Heath] Ledger's performance. Nolan says he wasn't keeping deleted scenes from fans. "For my past three films, I really haven't had scenes that didn't make it in the movie," he says. 'If it's in the final script, I tend put it on screen.' Any outtakes, however, were intentionally left off the DVD. 'I don't like outtakes or gag reels,' Nolan says. 'I don't think it's respectful to the actors, who signed on to have their performance on screen, not the takes that didn't work out. It discourages actors from going all-out if they think every mistake is going on the disc.' Nolan says he is jotting notes and doing some rough outlines for a third story, but he hasn't yet found anything he's willing to commit to film, despite Warner Bros.' eagerness to get a new film underway. 'It was obvious when the box office was so big ($530 million domestically) that we had underestimated how ready fans were to reboot the franchise,' he says. 'The worst thing you could do now that you've gotten the plane back in the air is mess up the landing.' Bowles also had Nolan talk about four of his favorite scenes in "Dark Knight." [USA TODAY]
Heath Ledger honored: More "Dark Knight" news as the late Heath Ledger picks up a major honor in the country of his birth: "Ledger's family paid a teary tribute to the Aussie actor in accepting an AFI award on behalf of his 'precious Matilda.' Ledger was posthumously given the Australian Film Institute's international award for best actor for his virtuoso performance as The Joker in 'The Dark Knight.' 'It was this swaggering, psychopathic clown that turned his career into a legacy and the name Heath Ledger into an ongoing inspiration to actors everywhere,' the AFI said at the glittering awards ceremony on Saturday night. 'He was the untamed spirit many of us wish we could be. May the legend live on.' His father Kim, mother Sally and sister Kate accepted the award from actor Michael Caton, receiving a standing ovation from the A-list film and television crowd in Melbourne's Princess Theatre. 'It's been without a doubt the most difficult year, losing such a loved family member,' said Kate Ledger, fighting back tears. 'We are so proud of him and humbly accept this award on behalf of his beautiful daughter, who we will cherish forever.' [ABC News]
Gift shopping? Think big: Reviewer Douglas Wolk weighs in on a heavy new collection that might not even fit down the chimney: "If there’s one book that art-comics enthusiasts would be happiest to find in their stockings this year, it’s probably 'Kramers Ergot 7' [Buenaventura, $125], except for the small matter that it’s bigger than an entire hearth. This is one of the grandest English-language comics artifacts ever produced — a mammoth hardcover anthology, 16 by 21 inches, of new stories by several dozen notable cartoonists, including Daniel Clowes, Seth, Gabrielle Bell, Kevin Huizenga, Sammy Harkham (who also edited the book) and the 'Simpsons' creator Matt Groening. Like the early-20th-century broadsheet newspaper comics pages that inspired it, 'Kramers Ergot' occupies its readers’ entire visual field, and most of its contributors have some fun with its dimensions, cramming the page with tiny details or opening it up for apocalyptically huge vistas. The cleverest gesture comes from Chris Ware, whose two-page contribution is built around a cartoon of a sleeping baby printed at the child’s actual size." Wolk, the author of "Reading Comics: How Graphic Novels Work and What They Mean," goes on to recommend other comics tomes for the holiday, including "Absolute Ronin," "Swallow Me Whole" and "Herbie, Vol. 1" [New York Times Sunday Book Review]
The dark side of "Twilight": It's been a great month for "Twilight" director Catherine Hardwicke; what could possibly ruin it? Oh, wait...this weekend Nikki Finke broke the news that the filmmaker won't be back to continue the tale of Edward and Bella: "I've confirmed that Summit Entertainment has rejected 'Twilight' director Catherine Hardwicke from helming the sequel in this big new franchise. No doubt my news will speed up the studio's announcement, and Summit will surely spin this as all going down amicably along the lines that 'she couldn't fit the film into her time frame.' (Summit does want a ridiculously speeded-up sked for the next installment.) But this terrible news for Hardwicke comes just as she and the 'Twilight' cast are on their European press tour. Tuesday's interviews in France will now focus entirely on what, if anything, Catherine did to deserve this treatment. This also could blow up into a scandal for Summit if it chooses a male director over Hardwicke, whose 'Twilight' easily beat Mimi Leder's 1998 'Deep Impact' box office gross as the biggest opener for a female director. That was a record embraced by Hollywood feminists as a sign of growing gal power." [Deadline Hollywood]
Punishment: Reporter Brandon Gray adds up the numbers on a franchise that, despite plenty of opportunities, just can't shoot straight: "The weekend's most prominent new release, 'Punisher: War Zone', had a pitiful start, grossing an estimated $4 million on around 2,700 screens at 2,508 theaters. It was the smallest opening ever for a Marvel Comics adaptation by far, even lower than 'Howard the Duck', and was a quarter of the previous Punisher movie's opening in terms of attendance. 'Punisher: War Zone' tried to reboot the franchise after the disappointment of 'The Punisher' in 2004, like 'The Incredible Hulk' versus 'Hulk' from 2003, but its marketing campaign was murky and made no attempt to entice those unfamiliar with the character. What's more, distributor Lionsgate released the similar 'Transporter 3' last week, stealing some of its thunder. [Box Office Mojo]
CREDITS: "Fables" art courtesy of Vertigo. Christopher Nolan at Spike TV Scream 2008 Awards, photographed by Frederick M. Brown / Getty Images. Catherine Hardwicke on the set of "Twilight," photographed by Rick Bowmer / Associated Press.
Robert Pattinson on his 'Twilight' songs: 'Music is my backup plan if acting fails'
EXCLUSIVE
Heartthrob Robert Pattinson not only stars in the upcoming big-screen adaptation of Stephenie Meyer’s vampire romance, “Twilight,” out Nov. 21, he's contributed two songs to the film, one of which, “Never Think” will be included on the official soundtrack.
But the self-effacing Brit insists that the songs’ inclusion was wholly accidental; a mysterious third party slipped director Catherine Hardwicke a copy of his recordings without his knowledge and she opted to include them, surprising Pattinson when he turned up to see some early footage.
“When I went to see the cut,” Pattinson said during an interview Wednesday afternoon, “she’d put these two songs in. They’re old songs, but one of them specifically, it really made the scene better. It was like it was supposed to be there. It’s strange because what was supposed to be at that point in the movie was a big orchestral film climax. Instead it’s this little song with acoustic guitar. I’m singing it, maybe that makes it different, but it’s kind of overwhelming. I hope it’s overwhelming.”
Although many actors try to work in film and television while juggling careers in the pop arena, Pattinson insists he won’t be one of them. “That’s what I was scared about, it looks like I’m trying to get a music career out of it or something,” he said. “I’ve never really recorded anything -- I just played in pubs and stuff –- and I really didn’t want it to look like I was trying to cash in. I hope it doesn’t come across as that. I’m not going to be doing any music videos or anything. Music is my backup plan if acting fails. I don’t want to put all my eggs in one basket.”
Judging from the level of anticipation surrounding his first major starring vehicle, he might not have too much to worry about. On the music front, though, Pattinson will be sharing the soundtrack's track listing with Linkin Park, Muse, Paramore, Iron & Wine and Perry Farrell, among others.
-- Gina McIntyre
RELATED: Stephenie Meyer on music videos and mermaids
ALSO : 'Twilight' Countdown: Exclusive Robert Pattinson pic
- All 'Twilight' coverage at 'Hero Complex'
Photo: Kristen Stewart as "Bella," left, and Robert Pattinson as "Edward" are shown in a scene from, "Twilight." Credit: Peter Sorel, via the Associated Press and courtesy of Summit Entertainment.
Comic-Con: 'Twilight' fan-demonium, ears are ringing
The screams were deafening. Literally. I think my seat-mate Jevon is actually hard of hearing now.
"Twilight" director Catherine Hardwicke made it even louder right off the bat, telling the audience "When I read Stephenie’s [Stephenie Meyer] book, I fell in love with it just like you did." Screams. “I wanted to see Edward and Bella live and breathe just like you!” Screams.
The screaming continued throughout the duration of a clip they showed in which Bella is trapped by James and subsequently rescued by Edward. Twenty-two-year-old Robert Pattinson, who plays Edward, was smiling but visibly shocked and red at the fan reaction.
"As you can see we’re a little nervous," said star Kristen Stewart, who plays Bella. She later admitted that she hadn’t previously heard of "Twilight" before her involvement in the project.
"I don’t know. I was living under some big boulder rock," she said.
First question to Pattinson from the moderator: What’s it like to have these fans?
"It’s kind of the first time I’ve seen any of them, so I didn’t really expect it. I dunno... I... I... it just baffles me." Screams. "It’s nice, it’s nice though."
But let’s turn the mic over to the fans:
For all the actors, how is it to portray super hot vampires? Screams. Pattinson: “Wait, I’m the only one who’s playing super hot,” Pattinson dead-panned.
What’s on the soundtrack? Muse is on the soundtrack. Hardwicke added: “Rob’s a great musician.” And Hero Complex has learned, he’s writing “Edward’s Song” for the movie. He made up the lullaby on the spot while filming a scene.
Any spontaneous moments on set? Hardwicke: “I’ve got one! In one of the kissing scenes, Rob got a little passionate and fell off the bed onto the floor.” Screams.
Why‘d you get involved with the project, Kristen: Stewart: “It’s like the ideal version of love. As a lame sort of sappy girl, that’s sort of what life is about.” Awwww. “Plus, I got to do this audition with Rob Pattinson. It was on Catherine’s bed.” Screams.
“In her bed,” Pattinson added. Screams. “With Catherine.”
“I was filming,” Hardwicke protested.
'Twilight' watch at Comic-Con
"When you can live forever, what do you live for?"
That's a tough question, but I do know what fans of the"Twilight" novels are living for right now: The dream of seeing their beloved, breathless (but not bloodless) romantic tale on the big screen. Catherine Hardwicke's film is due in December and already she's feeling the heat from fans of the novel who worry about its afterlife in Hollywood. There was, for instance, the great debate about chest hair that was spotted on Edward, the vampire.
At Comic-Con International, the cast and filmmakers of "Twilight" will both calm nerves and goose excitement for their project. Here's some things to watch for in San Diego:
The Panel: The "Twilight" panel is the third and final film in the 90-minute panel presentation by Summit Entertainment that begins at 1:15 on Thursday (July 24) in Hall H, the 6,500-seat main hall at the convention. Seats are first-come, first-serve. Here's the description of the "Twilight" panel from Summit:
TWILIGHT – Director Catherine Hardwicke (THIRTEEN, LORDS OF DOGTOWN), book series author Stephenie Meyer and the cast including Robert Pattinson (Edward), Kristen Stewart (Bella), Cam Gigandet (James), Rachelle Lafevre (Victoria), Edi Gathegi (Laurent), Taylor Lautner (Jacob) will answer questions about bringing these characters to life on the big screen as well as showing exclusive footage from the film.
Photo op and autographs: At the Summit Entertainment booth (#4413), you can get your photo taken with life-size (or undead-size) standees Edward, Bella, James, Laurent or Victoria and have it instantly e-mailed to friends. There's also some prizes and contests and such. In the Comic-Con autograph room, "lucky winners will have the opportunity to participate in a limited autograph session with the panelists from 'Twilight,' " according to Summit publicists. So go to the booth as soon as you can.
Trading cards: Inkworks is releasing a set of "Twilight" trading cards in November, and packs will be sprinkled with autographed cards and Pieceworks costume cards, which has a chunk of wardrobe worn during the making of the film. There will be four different Comic-Con exclusive promo cards at Summit Entertainment booth (#4413). For more information about the set, collectors can visit the Inkworks booth (#2629) or website (www.inkworks.com).
-- Geoff Boucher
Photo: Summit Entertainment


