Entertainment Industry

Category: Steven Spielberg

On Location: 'War Horse' tapped veteran trainer Bobby Lovgren

 

Horses have long played lead roles in cinema, from the classic movie “National Velvet” to 2010’s “Secretariat,” a drama based on the Triple Crown-winning thoroughbred. But rarely have they taken center stage as much they do in “War Horse,” Steven Spielberg's Oscar-nominated epic about an English farm boy's lasting relationship with a horse that is sold to the cavalry during World War I.

 

For chief horse trainer Bobby Lovgren, it was one of the veteran’s toughest jobs to date.  Lovgren has trained horses for movies that have included “Seabiscuit,” “Cowboys and Aliens” and “The Legend of Zorro.”

The locally based 46-year-old trainer, however, says nothing has compared to the scale of work on “War Horse,” the DreamWorks Pictures movie that has been nominated for six Academy Awards, including best picture. The film, which cost about $70 million to make, was adapted from Michael Morpurgo’s 1982 children’s novel that inspired successful stage productions in London and on Broadway.

While the acclaimed play utilized life-sized puppets for horses, Lovgren’s task was to oversee the training of more than 150 live horses used in the film. He recruited a team of seven trainers from Australia, Spain and the U.S. as well as groomers, handlers, transporters -- even an equine hair and makeup unit.

“What made ‘War Horse’ so special was that it was a combination of everything I’d done before with horses all put into one movie," said Lovgren in an interview from New Mexico, where he is working on the Disney film “The Lone Ranger,” starring Johnny Depp. “It’s the biggest horse movie I’ve ever done.”

Lovgren is among a select group of animal handlers, trainers and wranglers in the industry, many of whom live in the northern L.A. County community of Acton, where he owns a small horse ranch.  Teamsters Local 399 has 130 union members who are animal trainers, handlers and wranglers, down from as many as 500 members in the 1970s, reflecting the decline in the western movie and television genre and widespread use of computer effects that has lessened the demand for live animals in films, said Steve Dayan, a business agent for Local 399.

Nonetheless, animal trainers like Lovgren remain essential and often unheralded behind-the-scene players in Hollywood.  “There are only a handful of guys left like Bobby," Dayan said. “What they do is a very special art and skill that is a huge part of our history.”

Lovgren came to Hollywood via South Africa, where his parents owned one of the largest riding and jumping stables in the country.  He moved to Los Angeles in 1989, learning the ropes of the business from renowned horse trainers Corky Randall and his father, Glenn Randall Sr., who worked on such movies as “Ben Hur” and “Black Stallion.”

He went on to work as a trainer in dozens of movies, including “The Mask of Zorro,” “Running Free” and the 2005 comedy “Racing Stripes,” in which he trained zebras as well as horses.

On “War Horse,”  which has grossed $77 million domestically since its Christmas Day release, Lovgren spent two and a half months training actors to ride and feel comfortable with the horses before filming began in various English locales, including South Devon.

Lovgren and his team also had to discern how each of the horses responded differently to smoke, gunfire and other distractions. Trainers used body language, hand signals and repetitive exercises to train the horses to perform certain tasks and assess their individuals skills, such as jumping, chasing or pulling. 

Fourteen different horses to play the title character of “Joey,” each depicting different stages of his life. One of them was Lovgren’s own horse Finder, whom he purchased after training him in “Seabiscuit.” Lovgren said Finder has a special ability to convey his feelings and connect with audiences. “He’s quite a ham in front of the camera," he said.

Lovgren closely collaborated with Barbara Carr, a representative of the American Humane Assn., which monitors the welfare of animals used in films. “I found him to be a wonderful horse trainer," said Carr, adding that no horses were injured during filming.  “He seemed to have a real feeling for the horses.”

While most of the scenes involved living horses, Spielberg used an animatronic horse for parts of a graphic battle scene in which Joey gets trapped in barbed wire. In the film’s production notes, Spielberg said of Lovgren: “Bobby and his team literally performed miracles with the horses in this film.”

 

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--Richard Verrier

Photo: From left, Maj. Stewart (Benedict Cumberbatch), Lt. Waverly (Patrick Kennedy) and Capt. Nichols (Tom Hiddleston) are featured in this scene from DreamWorks Pictures' "War Horse." Credit: DreamWorks Distribution Co.

Where the cameras roll
Sample of neighborhoods with permitted TV, film and commercial shoots scheduled this week. Permits are subject to last-minute changes. Sources: FilmL.A. Inc., cities of Beverly Hills, Santa Clarita and Pasadena. Thomas Suh Lauder / Los Angeles Times

Spielberg's 'War Horse' going into battle against his 'Tintin' next December

Steven Spielberg's "War Horse," a film about a boy who is separated from his horse during World War I, will battle in the cinematic trenches next Christmas against another of the famous filmmaker's movies, "The Adventures of Tintin." SpIELBERG95w1anc

The pictures will now be released five days apart after Spielberg's production company DreamWorks announced Wednesday that it was moving "War Horse" from its original summer date to Dec. 28.

DreamWorks CEO Stacey Snider said the decision came after a screening in London for executives of Walt Disney Studios, which distributes most of DreamWorks' movies. She said the studio felt that "War Horse" played more like a holiday event film that would attract a family audience, despite its PG-13 rating.

The schedule shift puts "War Horse" opposite "The Adventures of Tintin: The Secret of the Unicorn," which comes out Dec. 23. That project, which Spielberg is directing as well as producing with Peter Jackson, is to be distributed by Paramount Pictures.

"It was something we took into consideration," said Snider of the back-to-back timing. "We think that there's room for a couple of holiday movies during that season. People go to multiple films during the Christmas season. We’re hoping both movies play into January."

Snider said the decision opened a place on the release calendar for "The Help," a drama that explores the relationship between white Southern women and the black women who work as domestics in their households. It will be released Aug. 12.

"That period of time has done well for 'Eat, Pray, Love' and 'Julie &Julia,'" Snider said of Sony Pictures releases that primarily targeted female audiences. "We can make a womens' event at that time of the year, after the summer blockbusters have gone through the market."

"Real Steel," a futuristic film in which Hugh Jackman plays a washed-up boxer who loses his shot at the title when giant robots come to dominate the ring, was moved to Oct. 7, from its original mid-November release date. The movie, in which Jackman's character reluctantly reunites with his estranged son to build and train a robotic contender, will be released by Disney.

The lone 3-D release in the DreamWorks slate is "Fright Night," due out through Disney on Aug. 19. The comedic horror flick (think "Zombieland"), which casts Colin Farrell as a vampire who's preying on a neighborhood, seemed to lend itself to that cinematic effect, said Snider.

 "We shot it in 3-D. It wasn’t an exorbidant incremental cost to the movie," said Snider.

-- Dawn C. Chmielewski

Steven Spielberg, right, stands on the set of his new film 'War Horse," which is adapted from Michael Morpurgo's novel. (Credit: Matt Cardy/Getty Images)

 

 

Morning Fix: 'Social Network' scores. Rupert Murdoch tilts right again. Sanchez adds to CNN's woes. Quick hook in new TV season. CAA gets an infusion.

After the coffee.  Before seeing if I had the Kansas City Chiefs going undefeated this season.

The Skinny. In Monday's roundup: Sony's "The Social Network" takes the top spot at the box office, but don't look for Facebook co-founder Mark Zuckerberg to buy the DVD. CAA has landed a big investment from TPG, a private equity firm, that the talent agency hopes will position it for a bright future in an uncertain world. No new hits so far in the TV season. Legendary producer Stephen Cannell, who died late last week, not only created great TV, he stood up for independent producers against the networks.

Sony likes this! "The Social Network," Sony Pictures' attempt to tell the behind-the-scenes story of the creation of Facebook and the legal battles that followed its co-founder Mark Zuckerberg, finished first at the box office, taking in $23 million. That is just a little off from what industry analysts had projected, and the movie easily beat the other two major releases that opened -- "Case 39" and "Let Me In." The real challenge for "The Social Network" will be to avoid being the MySpace or Friendster of movies, starting out hot and then vanishing from the zeitgeist. Box-office analysis from the Los Angeles Times and Movie City News

Zuckerberg's thumb is down. Although the box office was good, Facebook and Zuckerberg are not fans of "The Social Network," which people close the company claim is a very distorted look at the history of the social-networking site. Hollywood take creative liberties? Shocking. David Kirkpatrick, who wrote a book on Facebook with the cooperation of Zuckerberg, talks about what he thinks the movie got wrong in the Daily Beast. After reading his article and seeing the movie, I was more surprised by how much Kirkpatrick said the movie got right versus what he said the movie got wrong. OK, so Zuckberberg didn't have sex in a bathroom as implied with the movie; I think he can survive that hit to his reputation.  In the meantime, Zuckerberg is trying to improve his own profile, making a big donation to public schools in Newark, N.J., and appearing on both Oprah Winfrey's show and Sunday's episode of "The Simpsons."

Disney's new new media duo. Walt Disney Co.'s digital aspirations are so big that it takes two executives to run its interactive unit. Over the weekend, the company announced that John Pleasants, chief executive of Playdom, a social gaming site that Disney bought earlier this year, and James Pitaro, who oversees Yahoo Inc.'s media operations, will be co-presidents of Disney Interactive. They replace Steve Wadsworth, who left a few weeks ago. Details from Bloomberg.

CAA's new look. On Friday, Creative Artists Agency announced TPG Group, a firm whose investments include Burger King and Metro-Goldwyn-Mayer, bought a 35% stake in the talent agency whose clients include Steven Spielberg, James Cameron, George Clooney and Oprah Winfrey. The deal will also see CAA and TPG create a $500-million fund for future investments. The move comes as the movie and television industries struggle to adjust to the shifting digital landscape. Analysis from the Los Angeles Times, Wall Street Journal and Deadline Hollywood.

CNN's struggles. It is a cash cow with a brand known the world over, but Time Warner Inc.'s CNN has seen its ratings plummet in the U.S. over the last decade as Fox News has raced to the top and MSNBC has made big inroads. New York magazine looks at the unsuccessful efforts of recently ousted CNN U.S. President Jon Klein to shakeup the network and turn it around, and how its competitors have managed to steal the spotlight. CNN's headaches only got worse on Friday when one of its hosts, Rick Sanchez, was canned for calling Jon Stewart of Comedy Central's "The Daily Show" a bigot and for taking some shots at CNN management as well. The Washington Post on how Sanchez imploded.

Rupert leans right. Once again, News Corp. Chairman Rupert Murdoch has made a big donation that has people talking about the influence of his media company -- whose holdings include Fox News -- on the country's political climate. Murdoch wrote a $1-million check to the U.S. Chamber of Commerce, which is working primarily on behalf of Republican candidates. The New York Times takes a look at Murdoch's spending and what it has people saying about his company.

Quick trigger. The TV season is only a couple of weeks old and already two shows -- Fox's "Lone Star" and ABC's "My Generation" -- have been canceled. So much for having patience when, with so many shows launching at the same time, it's hard to get the attention of viewers. Of course, some shows just are not good, and all the marketing in the world won't make a difference. Variety has a look at the quick hook of the networks.

Inside the Los Angeles Times: Scott Collins looks at the lack of success for most of the TV season's new shows. Legendary producer Stephen Cannell, who died on Friday, not only made a lot of great shows ("The Rockford Files," "Wise Guy"), he was a strong voice for independent producers.

-- Joe Flint

Follow me on Twitter because it will make Monday go by faster. Twitter.com/JBFlint

The Morning Fix: Pity the writers of 'A-Team.' 3-D commercials are coming too. More exits at OWN

After the coffee. Before deciding what movie not to see this weekend.

Keep those funny glasses on during the commercials! Walt Disney Co.'s ESPN has persuaded three advertisers -- Procter & Gamble, Sony Corp. and its sister production company Pixar -- to make 3-D commercials for the Friday debut of the sports cable powerhouse's new channel. ESPN 3-D, which will open with coverage of the World Cup, is available in about 50 million homes, but the number of consumers with 3-D television sets is minuscule. The Wall Street Journal's advertising ace, Suzanne Vranica, says producing such spots can easily cost more than $1 million. It won't be an easy sell. "There will be a high hurdle to get 3-D commercials through in a period of time when advertisers are increasingly scrutinizing" the production side of the ad business, Brad DeHart, practice leader of marketing services at ICG Commerce, told the WSJ. Meanwhile, Sony unveiled some of its 3-D TV plans. More on that from Variety.

I pity the writers. 20th Century Fox's "The A-Team" had 11 writers over the course of its development. That's right, it took almost a dozen people to make a script based on an old TV show known more for its explosives than its explosive dialogue. Anyway, in the end only three writers are getting credit. Deadline Hollywood has the back story on the messy making of a movie and who should take the blame. Of course, if it's a hit, then the system worked!

Wait until this weekend. Time magazine's Richard Corliss weighs in with his take on the box office drought, which seems unlikely to improve this weekend. Best observation from him: "The joke is that Hollywood has become so sequel-dependent, it has forgotten how to make new hits."

Don't answer that phone! It's probably Jerry Brown or Meg Whitman calling. With the race for governor set (and it looks better than most of the summer movies), Variety says the two candidates are lining up their Hollywood backers and hope to be lining their campaign coffers. Brown, no stranger to Hollywood (or anyone for that matter) counts Steven Spielberg and Jeffrey Katzenberg in his camp. Whitman has Terry Semel and Harry Sloan in her corner.

Covering up the spill. Media trying to cover the Gulf Coast oil spill are hitting road blocks. The New York Times says that not only is BP making access for journalists and photographers tough, but local and federal government isn't helping much either.

ABC wraps up upfront. ABC became the latest network to finish selling advertising for the fall television season. Although folks close to the network were touting taking in $2.4 billion, that figure covers not only prime time, but late night, news, daytime, etc. Advertising Age and the Los Angeles Times note that with ratings being down at ABC last season and the network selling more ad inventory than it did in the 2009 market, ABC may not have as much to boast about as is being spun. 

More exits at OWN. The well-regarded Liz Dolan, a former Nike executive who was a big hire for the Oprah Winfrey Network is the latest to exit the channel that has seen too many changes in its leadership ranks to keep up with. Oh, and it hired a few more programming people. Anyone want to take bets on the over/under on how long they'll last? More on the hires and less on the exits from the Hollywood Reporter.

Inside the Los Angeles Times: New Producer's Guild President Mark Gordon talks credits."Tropic Thunder" producer Les Grossman may be a great, but a whole movie about him? Monday's Comcast-NBC hearing offered many lessons, most of them wrong.

--  Joe Flint

Hollywood, Washington and snark all in one twitter feed. Follow me at: Twitter.com/JBFlint

Steven Spielberg finds his next project at Fox

HarveyStewart Walt Disney Studios landed a distribution deal with the newly reconstituted DreamWorks Studios earlier this year after much drama, but it's Twentieth Century Fox that will be co-financing Steven Spielberg's first directing project since then.

Hollywood's most famous filmmaker will start production early next year on a remake of the 1950 movie "Harvey," which starred Jimmy Stewart and was based on a Pulitzer Prize-winning play about an eccentric man who claims to be friends with an invisible 6-foot rabbit.

Fox will co-finance the picture with DreamWorks, which is expected to soon announce that it has closed a deal for $325 million worth of debt financing, which will be matched by a $325-million investment by India media company Reliance Entertainment. DreamWorks also has a loan of up to $175 million from Disney.

SpielbergGGDreamWorks and Fox have yet to determine in which countries each will distribute the movie. As part of their agreement, Disney will handle distribution in the territories DreamWorks ends up controlling and receive a percentage of the movie's revenue in return.

Spielberg is currently finishing work on the first of a new series of movies based on the French comic strip "Tintin," which are being co-financed by Paramount Pictures and Sony Pictures. He had been considering directing several other projects in development at DreamWorks next, including one about Abraham Lincoln and an adaptation of the kids' history book series "The 39 Clues."

His surprise decision to go with a movie that has been in development at Twentieth Century Fox's Fox 2000 division for a year once again illustrates how, for the entertainment industry's most powerful director, it's always difficult to predict what's next.

-- Ben Fritz

Update (1:30 pm): This post was updated to clarify the financing and distribution relationship between Twentieth Century Fox, Walt Disney Studios and DreamWorks Studios.

Update (9:55 PM): "Tintin" is based on a Belgian comic strip, not French.

Photos, from top: Jimmy Stewart in the 1950 film "Harvey"; Steven Spielberg accepting a Golden Globe in January. Credits, from top: Associated Press: Gary Friedman / Los Angeles Times.

DreamWorks deal with Reliance waiting for debt financing

Ctlogo_2Man, you know the debt markets are something awful when even Steven Spielberg is having a tough time getting a loan.

But that’s exactly what’s holding up the DreamWorks co-founder and his cohorts from launching their new movie company with an equity infusion from India’s Reliance Big Entertainment. Although Reliance is poised to invest $500 million in the venture for a 50% ownership stake, that deal hinges on the group getting a firm guarantee from lead bank JPMorgan Chase to raise up to $700 million in debt financing to satisfy the business plan to make four to six movies a year. JPMorgan, which will not underwrite the entire portion of the loan as DreamWorks had hoped, will now attempt to syndicate it -- and that could take months. People close to the matter say that DreamWorks is still looking for further clarification on the term sheet it recently received from the lead bank and that negotiations are continuing.

All of this means that the protracted deal that DreamWorks was hoping to have locked up by now may not happen until November or December. And you can just imagine how pleased this must make Spielberg’s DreamWorks colleagues David Geffen and Stacey Snider, who have been champing at the bit to leave Paramount Pictures after a stormy 2½-year relationship with studio chairman Brad Grey. Grey and his team at the Viacom Inc.-owned studio, which bought DreamWorks for $1.6 billion in 2006, also can’t wait to be free of the DreamWorks foxes in the henhouse.

Of course, there’s always a chance that the stars may align sooner and this overly talked-about deal will finally get done. Geffen, who had an option to get out in his Paramount contract in January of this year, still hasn’t given the studio official notice. Once he does, both Spielberg and Snider can leave 60 days later, but no earlier than Oct. 31 of this year without getting Paramount’s blessing. Paramount is not expected to stand in their way if they want to leave sooner.

One of the other outstanding elements is that DreamWorks needs to land a distribution deal with a new studio to release its films and DVDs. When banks lend this kind of money to a production company, they typically want to know there’s a U.S. distributor in place, say industry observers. Not that there’s any shortage of studios who want to be in business with Spielberg. In the coming weeks, DreamWorks presumably will begin to have formal talks with potential new studio partners. The company is looking to make a straight “rent-a-system” deal in which it simply pays a studio a distribution fee much like the arrangement George Lucas has with his “Star Wars” franchise at 20th Century Fox.

DreamWorks declined to comment. JPMorgan didn't respond to a request for comment.

It’s no secret that Spielberg’s No. 1 choice for a new distributor has always been and remains Universal Pictures, where he began his career with such hits as “Jaws” and “E.T. The Extra-Terrestrial” and still maintains offices on the back lot.

There’s no guarantee, however, that Universal Pictures president Ron Meyer will automatically consent to all of DreamWorks' demands. Some Universal executives have complained that they don’t necessarily want their former movie chief, Stacey Snider, who co-heads DreamWorks, sitting in on their marketing meetings. Of course, there’s always Fox, where Geffen has a close relationship with media mogul Rupert Murdoch, whose News Corp. owns the Century City studio.

And, though it’s an intriguing long shot, Spielberg could decide to keep Paramount as his new company’s distributor since, stressed relations notwithstanding, he was happy with how the studio marketed this summer’s blockbuster “Indiana Jones and the Kingdom of the Crystal Skull.” The sequel racked up $100 million in U.S. ticket sales its first three days of release, handing him his biggest opening ever for a movie he directed. He's also pleased with how Paramount handled the release of “Tropic Thunder,” directed by Ben Stiller, which was the top-grossing film for three consecutive weekends after opening Aug. 13.

-- Claudia Eller

Cannes '08: Kenneth Turan reviews 'Indiana Jones and the Kingdom of the Crystal Skull'

Los Angeles Times film critic Kenneth Turan: “This is the Indiana Jones film people have been waiting for.”



Check back soon for Turan's full review of "Indiana Jones and the Kingdom of the Crystal Skull"

Click here for pictures from the "Indiana Jones and the Kingdom of the Crystal Skull" premiere and other scenes from Cannes

-- Sheigh Crabtree

Steven Spielberg: He wants to shoot 'Abraham Lincoln' in 2009

Steven Spielberg's long-rumored Abraham Lincoln biopic will go into production in 2009. It may be the director's next project after "Tintin," which is expected to go into production in September.
Steven Spielberg says next project is Abraham Lincoln biopic scheduled for 2009
"I want to start 'Lincoln' in early 2009, because it's Lincoln's 200th anniversary," Spielberg told German magazine Focus while doing advance press for "Indiana Jones and the Kingdom of the Crystal Skull." (Editor's note: German-to-English translation via Google translator.)

Marvin Levy, Spielberg's spokesman, confirmed the director's production plans to the Los Angeles Times on Sunday morning.

Liam Neeson, who was in talks to play the 16th U.S. president based on an adaptation of "Team of Rivals: The Genius of Abraham Lincoln," a biography by Pulitzer Prize-winning historian Doris Kearns Goodwin, is still associated with the project, Levy confirmed.

It was expected that Spielberg's next project would be "Chicago Seven," about protesters at the historic 1968 Democratic National Convention, but the script was not ready and production had to be postponed.

While Spielberg's shingle DreamWorks is currently home to the "Lincoln" and "Tintin" projects, it remains to be seen whether the production company will retain its ties with distributor Paramount.

-- Sheigh Crabtree

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