Company Town: The business behind the show

Criss Angel reveals details of his exploding building stunt

Rockstar magician and illusionist Criss Angel variously calls the event his “most challenging escapeCriss_angel_2 ever” and “the most dangerous thing I have attempted in my career” -– a stunt in which he’ll flee a building set for destruction and rigged with hundreds of pounds of explosives before 4,500 tons of concrete come barreling down on top of him.

Handcuffed to a seventh-floor balcony, the Sin City sensation will have just three minutes and 30 seconds to get through a series of locked doors and climb three flights of stairs to the roof. His salvation: a helicopter hovering above with a dangling 30-foot ladder. The event will be broadcast live at 7 tonight on “Mindfreak,” Angel’s popular A&E show.

Just days before making his way to Florida for the “demonstration” (the New Jersey-born 41-year-old feels it cheapens things to call them “tricks”), Angel sat down with a reporter before a taping of “The Late Late Show With Craig Ferguson” to answer a few questions about the building escape -– but, more importantly, its affect on his new Cirque du Soleil-produced show, “Criss Angel: Believe,” which cost a reported $100 million to produce. "Believe" premieres at Las Vegas’ Luxor Resort Hotel and Casino in October.

Complete conversation after the jump...

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About the Bloggers
Company Town Team

Joe Flint, a veteran entertainment industry journalist, is the lead Company Town blogger.

Dawn C. Chmielewski is a Los Angeles Times staff writer covering entertainment business and technology.

Claudia Eller is a Los Angeles Times reporter who covers the movie industry.

Meg James is a Los Angeles Times reporter who covers the television industry.

Richard Verrier is a Los Angeles Times reporter who focuses on labor and production issues in Hollywood.

John Horn is a Los Angeles Times staff writer who covers the entertainment industry;

Ben Fritz is a Los Angeles Times reporter who covers the entertainment industry with a focus on box office and technology.


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