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Category: August 2008

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Telluride: The quiet Americans

August 31, 2008 |  3:17 pm

Loved1_2

The Telluride Film Festival doesn't have the word "international" in its title, but considering how few home-grown films are showing at this weekend's gathering, it wouldn't be a bad idea to add some sort of worldly adjective to the festival's official name.

Telluride_blog_pg_190 Of the 18 new feature-length dramas showing in the festival's 35th annual installment, only two new films -- "Adam Resurrected" and "American Violet" -- are clearly American-made, but director Paul Schrader's "Adam" was partially financed by foreign producers and filmed in Germany, Romania and Israel. Between the two films added to the Telluride schedule as sneak previews, Marc Abrahams' "Flash of Genius" is a pure studio film, but while Danny Boyle's "Slumdog Millionaire" will be distributed by Fox Searchlight, it was financed by the English and the French and shot in India.

"Some years we have a lot of foreign films, and some years we don't," says festival co-director Tom Luddy, who says it's not an intentional slight this year.

Cantalupo1_5 But the near complete absence of American movies in this Colorado mountain hamlet may underscore a more worrisome trend: that some of the highest-quality movies are being made far from American soil. Among the best-received Telluride titles are "I've Loved You So Long," a French drama about estranged sisters starring Kristin Scott Thomas (top); and "Gomorrah," an Italian crime story set in the world of toxic waste disposal and garment manufacturing that stars Salvatore Cantalupo (left).

There are so many distinctive movies being made overseas, in fact, that Sony Pictures Classics, which is distributing "I've Loved You So Long" in late October, isn't sure its film will be France's official submission for the foreign-language Oscar next year. "They just have too many great films," Sony's Michael Barker says. It's something that can't currently be said of the United States.

--John Horn

Photos courtesy Telluride Film Festival


Telluride: Where tiny is big

August 30, 2008 | 12:26 pm

Helen1

Good film festivals are always going to feature movies so small and personal that they are unlikely to grab the attention of a prominent distributor. The makers of "Helen" are proud of their film's deliberate pacing and spare exposition, but know that the very elements that brought the British film to the attention of the Telluride Film Festival are also the same attributes that may scare off a buyer. "It's a real risk," says Joe Lawlor, who co-directed the film with his wife, Christine Molloy. "It's not going to work for half the people."

In fact, it didn't appear to work for everybody at the film's first showing in Telluride, with one festival guest wondering out loud as she left the theater if the projectionist had shown "Helen" at the wrong speed. But as the 2006 Sundance title "Old Joy" proved, patient filmmaking still has its admirers; that virtually narrative-free movie about two friends on a hike may not have sold many tickets, but it did generate some strong reviews.

"Helen," a story about an orphaned teen who is enlisted to appear in a police reenactment about another missing young girl, is populated almost entirely with non-professional actors. Anyone who shows up to be in their films, Lawlor and Molloy say, gets to act. "We've made a vow never to say no one to anyone," Lawlor says.

Working with a budget of less than $500,000 and only two weeks of shooting, the filmmakers say they were forced to use many long takes because multiple camera set-ups and edits are too expensive. "One of the challenges of a film like this is that it can be boring because we can't afford cuts," Lawlor says.

But as several dozen enthusiastic Telluride fans who stuck around to discuss "Helen" proved, one film's obstacles may lead to its distinction; "Helen" already has appeared at festivals in Sydney and Edinburgh. Maybe a small American distributor will decide that tiny isn't necessarily a negative.

--John Horn


Higher ticket prices behind summer box-office record

August 29, 2008 |  5:57 pm

Cotown_logo2_4 This weekend, Hollywood will officially celebrate a summer box-office record with $4.2 billion in U.S. and Canadian grosses as the early-May-through-labor-Day season ends.

Of course, that's a little bit like saying that Michael Phelps won the 400 meter relay because they shrunk the length of the pool. The fact is Hollywood can only boast -- and barely at that -- that it set a new summer box office "record" due to higher movie ticket prices, not because more people actually went to theaters.

Although box office revenue through Monday will top last summer’s $4.18 billion by 1% or less, the estimated 586.6 million total tickets sold will be down about 3.5% from last year and 10.2% from the modern-day peak in 2002, when the first “Spider-Man” came out.

“Yeah, it’s great to have the record but it’s built on higher ticket prices,” said Paul Dergarabedian, president of the Encino-based data tracker Media by Numbers.Knight

Movie attendance has been virtually flat over the last decade despite year-to-year fluctuations, as studios and theater owners compete with computer gaming and other industries for the hearts and wallets of consumers.

Even so, exhibitors have been able to hike ticket prices by an estimated 53% since 1998, to a national average of $7.16 (including matinees and other discounts) this year, according to the National Assn. of Theatre Owners.

Angelenos, of course, usually pay a much stiffer rate as L.A. has some of the highest ticket prices in the nation.

Warner Bros.’ “The Dark Knight” will end up accounting for about 12% of this summer’s revenue - a chunk Dergarabedian called “unprecedented.” The movie will top $500 million domestically this weekend and appears headed for at least $1 billion worldwide.

Premium ticket prices for movies like “The Dark Knight” at giant-screen Imax locations, and for 3-D movies like “Journey to the Center of the Earth” at digitally equipped theaters, also have helped boost the national average.

-- Josh Friedman


ThinkFilm's Mark Urman jumps to Senator

August 29, 2008 |  5:21 pm

Cotown_logo2_5 In what shouldn't surprise anyone, Veteran film industry executive Mark Urman is leaving beleaguered  ThinkFilm to become president of newly formed independent distribution company Senator Entertainment U.S.

The move, announced Friday by Senator, follows months of complaints from filmmakers and outside vendors that ThinkFilm, headed by investor David Bergstein, had failed to pay its bills on time.

Senator, the German movie company whose U.S. arm was recently acquired by producer Marco Weber, will establish offices in Los Angeles and New York.

Urman said was he “thrilled” to be joining Weber, but the announcement made no mention of the current financial woes at ThinkFilm, best known for such art-house fare as the drama “Half Nelson,” the documentary “Spellbound” and Sidney’s Lumet’s “Before the Devil Knows You’re Dead.”

Urman co-founded ThinkFilm in 2001, several years before its acquisition by Bergstein and his partners, and most recently served as its president. Prior to that, he was co-president of Lionsgate Releasing. He will work withUrman Weber in establishing “all windows of distribution” for the Senator's slate, the company said, allowing Weber to concentrate on original productions.

Senator is prepping two productions: “Unthinkable,” a thriller starring Samuel L. Jackson, which starts shooting in September, and “Clocktower,” based on Capcom’s video game franchise, to begin shooting later this year. It recently bought U.S. rights to the crime drama “Public Enemy No. 1,” starring Vincent Cassel, Gerard Depardieu and Matthieu Amalric.

Calls to Bergstein and Urman were not returned.

In a recent interview, Bergstein said he was lining up new financing for ThinkFilm and paying off the company’s obligations.

-- Josh Friedman


Telluride: No swap meet; 'Adam Resurrected,' 'American Violet' to debut

August 29, 2008 |  3:38 pm
Telluride

The Telluride Film Festival prides itself on attracting far more movie lovers than Hollywood sales agents and acquisitions executives (not that the latter don't love movies, but in a different, less authentic way).

This year's Telluride lineup does not threaten to overturn that historical trend, and indeed many of the top sellers and buyers are nowhere in sight as the festival opens Friday night.

American distributors say the Telluride slate does not at first glance appear to carry any movies capable of meeting the ever-escalating box-office threshold for specialized films; buyers such as Miramax and Fox Searchlight aren't really interested in movies that might gross less than $10 million.

But representatives from smaller distributors are targeting several new films that will enjoy their first showings in Telluride.

Those include "Adam Resurrected," which stars Jeff Goldblum as a concentration camp survivor; "American Violet," a fact-based drama about a single mother swept up in a drug raid who says she's innocent; and "Pirate for the Sea," a documentary about environmental activist Paul Watson.

Those Telluride films here that already have distribution are largely being handled by smaller companies; Sony Pictures Classics and IFC Films combined previously bought more than half a dozen movies here.Telluride_blog_pg_190_5

-- John Horn

Previously:

Another "Juno" for Telluride Film Festival?

Telluride Film Festival 2008 (PHOTOS)

Film festival bombs & bargains (PHOTOS)

Photo: Looking down Telluride's Main Street. Credit: Woods Wheatcroft


No 'Star Trek'-ing on Ellison's work

August 28, 2008 |  8:20 pm

leIn 1968, science fiction writer extraordinaire Harlan Ellison helped "Star Trek" do what many thought could not happen: win a major mainstream award. The celebrated episode "The City on the Edge of Forever" took home the Writers Guild of America Award for Best Original Teleplay. More recent genre shows, such as "Battlestar Galactica," "Heroes" and "Buffy the Vampire Slayer," have sniffed at the Emmys, DGA, WGA and SAG major awards, but mostly have not jumped that hurdle. (Patricia Arquette's Emmy win for "Medium" should not be overlooked!)

Now comes word that the acclaimed writer is suing CBS-Paramount, Simon & Schuster and CBS Corp. for breach of contract. The author says the companies failed to pay him "for use of elements of a 'Star Trek' screenplay he wrote in a trio of 'Star Trek' novels."

Not a lot has been revealed about the lawsuit, or which particular novels supposedly took which particular elements, but gleaning from the creations of others in a multiverse-size story like "Star Trek" or "Star Wars" or "Stargate" seems acceptable and desirable. Authors are really particular, though, about what they own (intellectually and emotionally), so there's surely more going on than just 'He took my Vulcan.'

Mr. Ellison is not one to shy away from speaking his mind though, as illustrated here:


Guest blogs: 'American Teen's' Mitch Reinholt & Colin Clemens

August 28, 2008 |  3:56 pm

American_teen_500

The senior year of high school. Nine months, and then it’s over. Unless you were in "American Teen," the Paramount Vantage docu-drama that opened this summer. The film follows a group of kids from Warsaw, Ind., during their senior year, and we asked a few of them to guest blog the experience of promoting the movie while spending the summer in Los Angeles.

Essays from Mitch Reinholt and Colin Clemens are what follows. Reinholt and Clemens both leaned toward the jock end of the spectrum in the film, with Clemens playing the role of Warsaw's star basketball player. These days, Reinholt is studying pre-med at Indiana University and Clemens is attending Manchester College in Manchester, Ind.

Read the Los Angeles Times review of "American Teen."

Mitch Reinholt's guest blog: Talk about culture shock. 

The four quasi-teens and I embarked on a journey to Los Angeles from our hometown in Indiana, not knowing what the next eight weeks would entail.  However, now that we are more than halfway through the experience, living and breathing the documentary that tells the story of five small-town kids' last year of high school, "American Teen," I have begun to reflect and have made some intriguing observations.

Warsaw, Ind., is a small town where the highlight of one's day is often a trip to Wal-Mart to pick up groceries.  However, it is a very family-oriented town and was a great, safe place for myself and many others to grow up.

Literally, my entire family is from and lives in Warsaw, and operates a small furniture store business.  It is a very tightknit community, where it is not uncommon to know every single person you see at the post office.  I'm telling you all of this to help paint a picture of the drastic contrast between this small community and the new city that I call home for the summer, ­ Los Angeles. 

I have discovered that the city never sleeps.  I have actually been stuck in traffic on one of the infamous freeways at 3 a.m.  Here, even the Subways are open 24 hours a day.  There is always something to do or something new to see and the size is incredible.

My favorite change is the proximity to the beach here in LA.  From our apartments, it is a 30-minute drive to the beach, as opposed to 30 hours from Warsaw.

However, in addition to the change in scenery, living here has also been a change in lifestyle. Instead of a summer job delivering furniture or working in a duck hatchery (my last two summer jobs), our job is to talk to people and tell them about our lives. 

It sounds very simple, but it is also very difficult. I have discovered how incredibly exhausting it is to talk all day, let alone about yourself.  During the last couple weeks, our normal schedule has consisted of interviews in the morning and often into the afternoon, followed by a screening of the movie and a question-and-answer session, and then generally an evening event of some kind to promote the movie. 

While all of this has been a lot of fun and we have met a lot of incredible people, at the end of the day we are more tired than if we had been doing physical labor all day.

However, the exhaustion is almost always trumped by the joy of seeing the reaction of a crowd as they watch the pains and pleasures of our senior year of high school in documentary form.  In case you have never had the opportunity to watch yourself on a big screen in a room full of strangers, let me tell you about the rush of emotions that I have experienced in the last several weeks. 

My first time seeing the movie with an actual crowd of strangers was at the Sundance Film Festival in January, and my emotions could be described one word: ­ petrified. I was a deer in headlights when we walked on stage for our first question-and-answer session. It was clear that the crowd disagreed with some of my actions in the movie and I was afraid that someone was going to call me out and that I would not be able to handle it. (Editor's note: Reinholt dumps his high school girlfriend Hannah Bailey via text message.)

However, adrenaline quickly took over and each of us survived the 20 minutes in the spotlight.  Fast-forward a few months and many screenings later.

With my entire family in the crowd at the LACMA [Los Angeles County Museum of Art] Theater and another screening complete, Colin, Jake, Hannah, Megan and I took the stage, mikes in hand, and calmly took our seats.  Each of us recited our normal "where are you now" spiel and boisterously mocked each other.  It felt as if we had known each other for a lifetime as we played off of each other's mistakes and took the floor to bail each other out of awkward questions. 

I really felt as if things clicked between the five of us that night, as the memories of the initial fear and stage fright were the last thing on our minds.  Essentially, we were officially comfortable enough to talk very openly about the condensed events of one year of our lives to complete strangers and have a blast hanging out together at the same time.

And to top it off, I had my family there to cheer me on and love me the same when it was all over.
Going into the summer, I had absolutely no idea what it would be like to promote a movie or what all that would entail.  However, I also had no idea that only a few short weeks after arriving in the grand state of California that I would surmount any fear of public speaking that I ever felt and would be able to address thousands of people calmly and candidly.

Although I feel as if I still have a great deal to learn about myself and about the entertainment industry, I feel that this amazing summer has been an exciting challenge that has helped me put a lot of things in perspective. I certainly have a different standpoint on what an actor goes through throughout the filmmaking process.

However, more importantly for me, I have learned that I enjoy living outside of Indiana, as well as many other helpful details about my personality. The experience has stretched my limits physically and mentally, and although it may not ultimately change the course of my life, I will walk away from this summer with newfound wisdom, four best friends and incredible memories that will last a lifetime. 

-- Mitch Reinholt

Photo: The cast of "American Teen": From left, Jake Tusing, Colin Clemens, Mitch Reinholt and Megan Krizmanich. Credit: Michael Robinson Chavez / Los Angeles Times

Continue reading »

Mary McNamara: Watching TV, a job with regrets

August 24, 2008 |  4:47 pm

Everyone has had the experience of disagreeing with a critic, but do critics ever second-guess themselves? We asked Calendar's critics whether there are any reviews they regret. One in a series of occasional articles.

Second_thought_220 When you watch television for a living, the pleasures are many. I was able to watch the entire season of "In Treatment" before the first episode aired, and I spent weeks immersing myself in "Battlestar Galactica" to refresh the old memory before the final season premiered.

But there are, of course, disappointments, even regrets.

Although I can't really think of a review that I would have done differently, I do wish the rest of NBC's “Bionic Woman” had been as good as the pilot and that they had given Katee Sackhoff the lead. In fact, it would be nice if the networks sent out more than the pilot for review; sometimes it's difficult to tell which way things are going to go from just one episode.

I wish someone else could have reviewed "John Adams," because I knew people would hate me for not loving it (I still get the occasional irate e-mail), but I really didn't, so what else could I say?

I wish I understood why so many people watched the new "Knight Rider," which was terrible, while so few watched “In Treatment,” which was wonderful. (Actually I really don't want to know because it would probably be too upsetting.)

Continue reading »

The 'Rings' team returns to write 'The Hobbit' with Guillermo del Toro

August 19, 2008 |  6:09 pm

Gandalf1 The essential pieces of "The Hobbit" are falling into place.

The latest announcement confirms the rumor that Peter Jackson and his "Lord of the Rings" screenplay collaborators, Fran Walsh (Jackson's wife) and Phillipa Boyens, will be returning to write the new scripts with director Guillermo del Toro.

That's a lot of top-name talent huddled around the keyboard at once. Will their egos gel successfully enough to recapture the success of the "Rings" trilogy?

The new films are based on J.R.R. Tolkein's prequel to "Lord of the Rings" about Frodo's uncle Bilbo, played in the "Rings" films by Ian Holm, and his first encounter with the wizard Gandalf and his discovery of the all-powerful ring.

The book will be broken into two movies, filmed simultaneously, with the first to be released in 2011.

-- Patrick Kevin Day


'For Better or Worse' lives on

August 13, 2008 |  5:38 pm

The creator of the popular comic strip "For Better or For Worse" has had a change of heart - literally and figuratively - and won't be retiring after all. Lynn Johnston  announced Wednesday that beginning Sept. 1, “For Better or For Worse” will be retold in a blending of repeat and new comic strips.

Not long ago, Johnston had planned to retire this year and run mostly reruns of her 29-year-old comic strip. But her life changed when her husband fell in love with another woman and the couple divorced.

“At this time in my life I thought I would be on a cruise ship to Panama or the Mediterranean, retired with my Tilley hats, my sneakers. But I'm a single lady now, and I want to keep working,” she says.

Come September, Johnston said, "For Better or For Worse" will be a 50-50 mix of old and new comics, but the new comics will be drawn in what she called a "retro" style.
“I want it to flow into the classic material seamlessly,” she said.

For the last year, "For Better or For Worse" has blended old and new story lines, but, Johnston said “that became very confusing. Some people really enjoyed it and some just wanted us to get on with the story,” she says.

Johnston will select material from her collection of almost 10,000 archival strips to help retell the Patterson family’s story, starting at the beginning.

But, she said she will revert to her earlier drawing style: "Over the years, Elly’s nose grew up to the size of a potato.  Now, I'm drawing it smaller again, the way it was when I first started to draw. There is a huge difference between the earlier and the later styles."

-- Sherry Stern



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