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Scene Stealer: 'Get Smart's' new Cone of Silence

04:14 PM PT, Jun 25 2008

Getsmartcone1

While preparing the big-screen update of "Get Smart," director Peter Segal got an interesting bit of trivia from his visual effects supervisor. According to a friend who once worked in the CIA, the Cone of Silence, the original series' bit of poorly designed spy-tech,  had been used in the early '70s in the U.S. Embassy in Moscow. "It was a plastic device that people got under and they played music so they could have conversations and not be wiretapped. It didn't work very well," Segal says. Segal wanted to give the device an updated look -- a silvery, stretchy beam of light. On the set, the new cone was just a small metal device that emitted a blue light. In post-production, a CGI electronic beam was added, that, Segal says, would "bounce off the ceiling and surround anything that was a heat source -- i.e. a body." To get the full comedic effect, Segal took the half-page scripted scene and  let the actors run wild, ending up with an original cut of the scene over eight minutes long.

-- Patrick Kevin Day

(Photo courtesy Warner Bros.)

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About the Blogger
Entertainment News Bloggers

Patrick Kevin Day is a Los Angeles Times staff writer who writes the weekly Scene Stealer column;

Todd Martens is a Los Angeles Times staff writer who covers the music industry and writes the Extended Play blog;

Sheigh Crabtree is a Los Angeles Times staff writer who covers the entertainment industry.

Dawn C. Chmielewski is a Los Angeles Times staff writer covering entertainment business and technology.

Josh Friedman who writes the Movie Projector column which covers the box office performance of movies.

Kenneth Turan is a Los Angeles Times film critic.

Clauda Eller is a Los Angeles Times reporter who covers the movie industry.

Meg James is a Los Angeles Times reporter who covers the television industry.

Swati Pandey is a Los Angeles Times reporter who covers the music industry.

Richard Verrier is a Los Angeles Times reporter who focuses on labor and production issues in Hollywood.

John Horn is a Los Angeles Times staff writer who covers the entertainment industry;


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