Category: Shakespeare

Theater review: 'Pulp Shakespeare' at Theatre Asylum

October 27, 2011 |  4:30 pm

Vincent (Aaron Lyons) and Jules (Dan White) make a dashing pair in "Pulp Shakespeare”
Hit men Vincent Vega and Jules Winnfield would relish their Elizabethan counterparts in “Pulp Shakespeare,” the droll exercise in fan fiction now at Theatre Asylum. Her Majesty’s Secret Players and Combined Artform have transposed Quentin Tarantino’s cult favorite from 1990s L.A. to 16th century London: Jack Rabbit Slims becomes the Slender Hare, guns become daggers, and the F-bomb is neutralized into prepositional phrases (“Thine ears, have they been plugged with wool of lamb?”) Some things remain the same: There’s a mysterious case everyone wants, and the erotic possibilities of the foot massage remain hotly debated. Oh, and a lot of people get beaten up or killed.

A hit at this year’s Hollywood Fringe Festival, this brisk homage plays it straight, and director Jordan Monsell finds some nice moments of suspense (and does a funny turn himself in Christopher Walken’s role).

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'Anonymous' provokes skepticism from Shakespeare experts

October 27, 2011 |  9:00 am

Vanessa Redgrave and Rhys Ifans in Anonymous

Times reporter Rebecca Keegan writes in Thursday's Calendar section about "Anonymous," the new movie from disaster-flick auteur Roland Emmerich, which revives the age-old Oxfordian theory of Shakespearean authorship arguing that Edward de Vere was in fact the man behind the Bard's masterpieces.

The movie, which opens this weekend, has already provoked a good deal of skepticism -- and not just from moviegoers who are wondering why Emmerich, the director of CGI-bonanzas "Godzilla" and "Independence Day," has decided to tackle the Elizabethan era. Some scholars are troubled by the movie's speculative interpretation of history and are taking their criticisms public.

Keegan spoke with Emmerich as well as screenwriter John Orloff. She also interviewed Michael Witmore, director of the Folger Shakespeare Library in Washington, D.C., and James Shapiro, a professor of English and comparative literature at Columbia University, who condemned the movie in a piece in the New York Times.

In the U.K., the Guardian reported this week that the Shakespeare Birthplace Trust has mounted a campaign against the movie by temporarily removing the Bard's name from road and bar signs across Warwickshire, the county where Shakespeare was born. The trust, which is an educational charity, wrote on its website that the "authorship conspiracy is much ado about nothing" and that they are trying to highlight the impact the film could have on rewriting history.

"This film flies in the face of a mass of historical fact, but there is a risk that people who have never questioned the authorship of Shakespeare's works could be hoodwinked," wrote Paul Edmondson, the trust's head of knowledge and research, on the website.

Earlier this month, the New York Times ran a op-ed column from Shapiro attacking the movie.

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Monster Mash: Joss Whedon's Shakespeare movie; Museum of Tolerance

October 25, 2011 |  7:31 am

Whedon

Pet project: Filmmaker Joss Whedon has secretly made a movie adaptation of Shakespeare's "Much Ado About Nothing." (Entertainment Weekly)

Still controversial: A group of international archaeologists joins the chorus denouncing the planned Museum of Tolerance in Jerusalem. (Los Angeles Times)

Chaotic: South Korea's top orchestra is in disarray, with musicians mutinying against the conductor. (Los Angeles Times)

You can't escape: A splinter group from the Occupy Wall Street movement briefly took over an art gallery space in New York's Soho neighborhood. (Village Voice)

Executive decision: NPR will no longer distribute "World of Opera" to about 60 stations across the country because the host was involved with the Occupy movement. (Associated Press)

Graphic: The Royal Shakespeare Company's production of "Marat/Sade" is proving to be controversial with audiences. (BBC News)

Moving forward: An Abu Dhabi developer has vowed that a branch of the Louvre will open in the Persian Gulf state in 2013. (Associated Press)

Iconic: The National Cowgirl Museum and Hall of Fame is opening an exhibit devoted to retired Supreme Court Justice Sandra Day O'Connor. (Fort Worth Star-Telegram)

Bad shape: The Utica Symphony Orchestra in upstate New York is in dire financial condition. (Utica Observer-Dispatch)

Also in the L.A. Times: Art critic Christopher Knight reviews "Glenn Ligon: America" at LACMA; architecture critic Christopher Hawthorne reviews the Administrative Campus Center in Claremont.

— David Ng

Photo: Joss Whedon. Credit: Reed Saxon / Associated Press

Monster Mash: Pattinson for 'Idiot' movie? O'Neill's lost play

October 17, 2011 |  7:35 am

Oneill

Leading man?: Robert Pattinson is rumored to be sought for the lead role in the movie version of the musical "American Idiot." (MTV)

Long lost: A recently discovered one-act play by Eugene O'Neill, titled "Exorcism," has been published in the New Yorker magazine. (New Yorker, plus video)

Unconvinced: Experts at Amsterdam's Van Gogh Museum don't buy the theory that the artist was accidentally shot by two teenagers and did not die from self-inflicted wound. (Dutch News)

Historic figure: The new Martin Luther King Jr. Memorial was formally dedicated in a ceremony over the weekend in Washington. (Los Angeles Times)

It's academic: An English professor at Columbia University has written an attack on the new movie "Anonymous," which questions whether Shakespeare wrote his plays. (New York Times)

Coming out: Actor Zachary Quinto discusses the impact that the play "Angels in America" had on him as a gay man. (New York)

Exeunt: Britain's Royal Shakespeare Company will see its two top executives depart the company by the end of next year. (The Guardian)

Masterpiece: A Gerhard Richter painting has sold for $16.6 million at a recent Christie's auction. (Bloomberg)

Sending a message: The Colorado Shakespeare Festival has put an anti-bullying spin on the Bard's plays. (Denver Post)

Celebrity art: An unconventional sculpture of Kate Moss by artist Marc Quinn has sold for $900,000. (BlackBook)

Also in the L.A. Times: Art critic Christopher Knight reviews "Under the Big Black Sun" at MOCA; a review of Audra McDonald at the Segerstrom Center for the Arts; a review of the Scottish Ballet at the Music Center; music critic Mark Swed reviews Igudesman and Joo at the Broad Stage.

-- David Ng

Photo: Eugene O'Neill in 1944. Credit: George Karger

Shakespeare Center L.A. honors Hollywood figures, professor

September 22, 2011 |  9:14 am

Anonymous 
 
When does an awards ceremony have the potential to turn into yet another skirmish (presumably a quite friendly one) in the long-running and probably never-to-be resolved debate over who wrote William Shakespeare’s plays?

Perhaps on Oct. 4 at Sony Studios, when the Shakespeare Center of Los Angeles presents the latest round of its Crystal Quill awards. Artistic director Ben Donenberg says the honor is for “scholars, patrons and artists whose work and philanthropy advances appreciation of the immediacy of Shakespeare’s plays.” The event doubles as a $250 per ticket fundraiser for the Shakespeare Center's play productions and educational programs.

This year's winners include Bert Fields, a prominent entertainment lawyer, and film director Roland Emmerich, whose “Anonymous,” opening Oct. 28, is a tale of political intrigue in Elizabethan England that revolves around the theory that Shakespeare was merely a front for a powerful nobleman who was the actual Bard.

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At RSC's 'Romeo & Juliet,' alarm bells, not wedding bells

August 14, 2011 |  9:33 am

Romeojuliet 
This post has been corrected. Please see below for details.  

It's Romeo and Juliet who normally make sparks fly in Shakespeare's classic tragedy. But it was Romeo and the Friar setting off the fire alarm when the Royal Shakespeare Company staged the Bard's play on Saturday in New York.

About midway through the first of two acts during a matinee performance at the Park Avenue Armory, as Friar Laurence (Forbes Masson) and Romeo (Dyfan Dwyfor) sat on the steps discussing the young lover's conundrum, a three-tone alarm started ringing metronomically. The actors plowed on for five minutes over the sounds before a theater manager stepped out to halt the performance.

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An early look at Ralph Fiennes in Shakespeare's 'Coriolanus'

August 10, 2011 |  2:55 pm

Shakespeare's historical play "Coriolanus" has never before been adapted for the big screen, and for good reason. It's one of the Bard's longest plays and also one of his most complicated. The title protagonist is a distant and largely unsympathetic character -- unlike, say, Richard III, who is unsympathetic but also clever and funny.

In December, the Weinstein Co. will release "Coriolanus" in U.S. theaters. Ralph Fiennes directed and stars in the movie, with a screenplay by Tony-winning playwright John Logan ("Red"). The movie places the action in a contemporary setting that is reminiscent of the Bosnian wars. (The film was shot at least partially in Serbia.)

The cast includes Gerard Butler as Aufidius, Coriolanus' chief rival; Vanessa Redgrave as Volumnia, his mother; Brian Cox and Menenius, a politician; and Jessica Chastain as Virgilia, his wife.

Fiennes has a strong history with "Coriolanus," having played the part on stage in a 2000 production by the Almeida Theatre and directed by Jonathan Kent.

RELATED:

Disaster-flick auteur Roland Emmerich takes on William Shakespeare

'War Horse': an early look at Steven Spielberg's film

-- David Ng

 

The Spotlight: Judy Durkin in 'Richard III' and Colin DePaula in 'Les Miserables'

July 27, 2011 |  9:30 am

Colin 
A cast of 40, epic battle scenes and a killer death scene: How else would you want to spend the summer? A pair of young actors are living it up in Schönberg and Shakespeare: Colin DePaula, 12, plays Parisian gamin Gavroche in “Les Misérables” at the Ahmanson while Judy Durkin, 11, gender bends to become the doomed Duke of York in “Richard III” at Theatricum Botanicum. Here, the prince and the pauper talk showbiz.

Give us the basics.

Judy: I grew up in Santa Monica and I go to John Adams Middle School.

Colin: I was born in L.A. but moved to New York when I was 3. I live in Brooklyn. L.A. is my 16th city on this tour. I’m home schooled — my mom travels with me.

Regular school versus home schooling: discuss.

Colin: Home schooling’s way better because you don’t have to sit in one room all day. 

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Theater review: 'Othello' at the Lex Theatre

July 21, 2011 | 12:00 pm

Othello (Victor Dickerson) and Desdemona (Abbie Cobb) in a loving momentA troubled veteran brutally murders his wife: “Othello” could be torn from today’s headlines, and director Tiger Reel’s emphatic modern adaptation, now at the Lex Theatre, sets the tragedy within the ranks of the U.S. military. General Othello (Victor Dickerson) and his ensign, Iago (Jim Hanna), return from a covert mission for some R&R with wives Desdemona (Abbie Cobb) and Emilia (Lacy Altwine). But resentful of losing a promotion to the square-jawed Cassio (David Lombard), Iago launches Operation Handkerchief and chaos soon comes again.

On Reel’s admirably spare set, video screens surround a trapezoid platform that doubles for a Gitmo-style interrogation cell and the general’s bedroom. Footage of surveillance and remote targeting flash behind the actors, which can be distracting during the less skillfully played scenes. Shakespeare knew wetware was the deadliest weapon, and it’s the dance between Cobb’s barely legal Desdemona and Dickerson’s passionate Moor that proves most explosive.  

Occasionally the high-tech multimedia staging here by Action! Theatre Co. and the Production Company adds to the experience of the play: there’s a particularly evocative image of black ink unfurling through water as Iago poisons his general’s heart. But video can’t save sections of this production that don’t feel as intimate — or clear — as they should. The soul of the show lives inside Dickerson’s Othello, a man so besotted with his beautiful young wife, he can’t quite believe she could really choose him over GI Cassio. It’s a war between love and self-loathing that even a warrior cannot win. 

-- Charlotte Stoudt

“Othello,” the Lex Theatre, 6760 Lexington Ave., Los Angeles. 8 p.m. Thursdays through Saturdays. Ends Aug. 20. $25. (800) 838-3006, www.theprodco.com or www.action-theatre.com. Running time: 2 hours, 10 minutes. 

Photo: Victor Dickerson and Abbie Cobb. Credit: Brian Helm. 

Monster Mash: Obama borrows Rockwell painting; with 'gay' word change, canceled opera is back on

July 7, 2011 |  6:42 am

Rockwell

Iconic artist: President Obama is borrowing a painting from the Norman Rockwell Museum that depicts racial integration. The work, titled "The Problem We All Live With," will hang outside the Oval Office through Oct. 31. (Berkshire Eagle)

Show goes on: An opera for kids by the creator of "Billy Elliot " that was canceled is back on after the writer agrees to change the word "queer" to "gay." (BBC News)

In the spotlight: Playwright Christopher Hampton will be honored next season at the Guthrie Theater in Minneapolis with a festival of his stage work. (Minneapolis Star-Tribune)

Follow that cab: Police investigating the theft of a Picasso sketch from a San Francisco art gallery are hoping to find clues in an impounded taxi that was used as the getaway vehicle. (Reuters)

Keeping busy: Recently released artist Ai Weiwei is believed to be back at work, though he still has not spoken to the press about his time in detention. (New York Times)

Entering the fray: The Diocese of Orange may make a bid for the bankrupt Crystal Cathedral. (Los Angeles Times)

Hiatus: Starting Thursday, Daniel Radcliffe will take a mini-break from Broadway's "How to Succeed in Business Without Really Trying" to promote the new "Harry Potter" movie. (Playbill)

Animal cruelty? The Royal Shakespeare Company has removed a scene showing the mutilation of a dead rabbit from its production of "As You Like It" that is being performed this summer in New York. (Wall Street Journal)

Looking ahead: New York City Opera's first season away from Lincoln Center will include productions at venues around the city. (New York Times)

Broadway bound? A revival of "Jesus Christ Superstar" from Canada appears to be a likely candidate for a Broadway transfer. (New York Post)

Hard times: The oldest continuously operating theater in Boston is going dark. (Boston Globe)

A worthy cause: Works by Andy Warhol and Alexander Calder will be sold at a Sotheby's charity auction in November for children orphaned and otherwise vulnerable in Africa. (Reuters)

Also in the L.A. Times: A new gallery exhibition titled "Super 8" focuses on the world of video art.

-- David Ng

Photo: Norman Rockwell's "The Problem We All Live With." Credit: Norman Rockwell Museum

The writer agreed to change the word to "gay" after a primary school removed 300 children from the community show.

The cancellation sparked accusations of homophobia but Bay Primary school has now said it is happy with the language.

Beached, commissioned by Opera North, will take place, as planned, in Bridlington on 15 July.

The school had complained about the lines: "Of course I'm queer/That's why I left here/So if you infer/That I prefer/A lad to a lass/And I'm working class/I'd have to concur."

Hall told BBC News: "I agreed to change "queer" to "gay" as to me they are synonymous. I would have done this months ago if asked."

The contested lines have now been changed to: "Of course I'm gay/That's why I went away/So if you infer/That I prefer/A lad to a lass/And him working class/I'd have to concur."

'Intense negotiations'

In a joint statement, East Riding of Yorkshire Council and Bay Primary said the school would take part now that the libretto was "an age appropriate text".

They said they were "delighted" that the author had "addressed the points raised by the school".

The council, the school and Opera North all denied being motivated by homophobia.

They said they had never "expressed any concern over the inclusion of a gay character, only some of the language and tone around the character's identity", the statement said.

Playwright Lee Hall and Opera North director Richard Mantle joined BBC Breakfast to discuss the controversy

"The writer has now addressed this," it added.

But in his own statement, Hall said the school had "backed down".

"This is a real victory for people speaking up against discrimination.

"It had been an intractable situation for weeks and the school and Opera North were given no other option but to take a U-turn on their discriminatory position.

"It's clearly a victory for good sense. We cannot silence gay people or any minorities. It's a real victory for collective action."

"They tried to censor me and they failed," he added.

Beached tells the story of a single father trying and failing to have a quiet day at Bridlington beach.

Opera North, which has had a two-year residency in the town, said "intense negotiations" had been taking place since the performance was called off on Friday.

"We have been at pains to work closely with the writers at all times, and have supported their rights of artistic expression throughout," a statement from the Leeds-based company said.

"We have also worked equally hard to ensure that the schools and community groups involved in the project have positive feelings of ownership and identity within the production."

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