If marriage is a long plane ride, do you share the window or strand your mate in the middle seat? Such dilemmas define “The Language Archive,” Julia Cho’s sweet, meandering comedy now in revival at East West Players.
Linguist George (the excellent Ryun Yu) studies dying languages with a passion. “The task is quite Sisyphean,” he tells us — but is he speaking of ancient tongues or efforts to connect with his wife, Mary (Kimiko Gelman), a frequent crier who leaves passive-aggressive notes in her husband’s morning tea. Relationship fluency even fails Resten (Nelson Mashita) and Alta (Jeanne Sakata), an older couple who refuse to use their rare, mellifluous native dialect to fight — they prefer English for insults. Meanwhile, George’s assistant, Emma (Jennifer Chang), struggles to learn the universal language of Esperanto, even though there’s only one person she longs to converse with.
For all its lovelorn characters, “Language” is a play of ideas, a style reinforced by set designer Francois-Pierre Couture’s giant wall of multicolored filing cabinets that open to reveal doors, recording devices and secrets. Add E.B. Brooks’s vibrant, slightly fairy-tale costumes and a certain wonderful smell, and the overall effect is a sensuality that deepens what can sometimes be more of an essay than a story. (You may also find yourself pretty hungry by the curtain call.)