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Getty gets NEH grant to organize huge contemporary art archive

March 22, 2012 |  7:01 am

Getty Research Institute curator Marcia Reed inspects Szeemann Archive in Switzerland before 2011 acquisition
The Getty Research Institute landed a huge (literally) prize last year when it bought the Harald Szeemann Archive and Library -- one of the world’s leading private collections of books, pictures and documents concerning modern and contemporary art.

But with the trove compiled by Szeemann, a Swiss museum director and independent curator who died in 2005, came the enormous headache of organizing and cataloging more than 1,000 boxes of stuff. Laid end to end, the Getty said, the photographs, papers, correspondence and books would span more than eight football fields (end zones not included).

Even the world’s richest visual art institution would need help with a job like that –- and Uncle Sam is pitching in with a $230,000 grant from the National Endowment for the Humanities.

The grant, announced Wednesday as part of a $17-million funding round from the NEH, will allow the Getty to hire two full-time staffers to work on the archive for two years, said Andra Darlington, head of special collections cataloging. They're expected to catalog and write descriptions for about three football fields’ worth of the “most significant” elements, she said, including files Szeemann created on all his projects and on artists he worked with or thought were important. The equivalent of a table of contents will be posted online, so scholars can see what’s available -– but digitizing the archive isn’t on the immediate agenda.

Darlington notes that the 1,000 containers in which Szeemann kept his archive were all wine boxes. “When we were packing, we asked [Szeemann’s] widow and daughter if he consumed all the wine. They assured us he did not, although he liked wine.”

Separate from the NEH grant is work on an estimated 36,000 photographs from the collection and Szeemann’s 30,000 volume library; Darlington said the pictures should be sorted out and available to researchers by fall, and the books are gradually being catalogued and making their way onto shelves.

Overall, the NEH announced 208 grants totaling $17 million -– an average of about $82,000 each. California’s share was 16 grants totaling $1.4 million (placing it third nationally behind Massachusetts’ $2.9 million and New York’s $2.6 million).

One of the smaller grants, $40,000, went to the Los Angeles County Museum of Art. It will fund planning for a major exhibition, "Benton, Hollywood and History," on how Thomas Hart Benton's historical paintings intersect with Hollywood's interpretation of American history.

UC Santa Barbara was Thursday’s biggest Golden State recipient of NEH grants: three totaling $370,000, including $330,000 to digitize portions of its 17th century English Broadside Ballads Archive. The university is trying to provide online access to all known examples of “broadside ballads” -– printed sheets of songs, woodcut illustrations and other printed material that circulated widely during the 1600s.

UCLA got $185,000 for archival work on nearly two football fields' worth of materials “documenting Mexican American civic participation and daily life in Los Angeles during the late 20th century,” a project headed by Chon Noriega, director of the university’s Chicano Studies Research Center.

USC got $305,000 for cataloging, digitizing and conducting a workshop this summer on its International Mission Photography Archive, which documents the work of Christian missionaries during the early 1900s.

UC Riverside got $25,000 for work, led by art historian Conrad Rudolph, on facial recognition software that researchers hope will become a tool for identifying people in paintings.

The NEH’s grant making continued to emphasize making works available online –- including $280,000 to the Washington, D.C.-based Folger Shakespeare Library to digitize and post 10,000 illustrations from 17th century books in English. The library also received $75,000 to plan two traveling exhibitions “on William Shakespeare and the ways that his life and works have been reimagined over time” (Culture Monster hopes they won’t forget “Forbidden Planet”).

The four biggest grants were $600,000 to Filmmakers Collaborative Inc. of Waltham, Mass., for a two-hour documentary about the 1935 Pacific crossing of the China Clipper, a Pan American Airways flying boat; $550,000 to New York City-based API Arts and Outreach Inc. for a documentary on 19th  century American music, with a focus on the music played at the 1893 Chicago World’s Fair; and $500,000 to the Buffalo-based Western New York Public Broadcasting Assn. for a 90-minute documentary about the life and career of landscape architect Frederick Law Olmstead.

Among the other grants:

$265,000 to the Walters Museum in Baltimore for a digital archive of 112 Flemish manuscripts from the 13th to 16th centuries.

$190,000 to the Indianapolis Museum of Art to digitize 23,000 documents concerning the work of architect Eero Saarinen, landscape architect Dan Kiley and interior designer Alexander Girard on the Miller House of Columbus, Ind.

$93,000 to the Boston Symphony Orchestra to digitize its concert programs from 1888 to 2011.

$300,000 to Detroit-based Con/Vida Popular Arts of the Americas, for a traveling exhibition on folk art of northeastern Brazil.

$277,000 to Princeton University to digitize 34 avant-garde arts journals published in Europe and North America from 1848 to 1923, documenting the emergence of the modern era in literature, art and music.

$270,000 to the University of Tulsa to create a digital archive of modernist journals published from 1901 to 1921, among them Camera Work and The Seven Arts.

$305,000 to George Mason University in Fairfax, Va., for a mobile tour and website on the history and culture of the National Mall in Washington.

$275,000 to the University of Nebraska to create a digital index and images of Walt Whitman's prose manuscripts held in 70 different repositories.

A $6,000 summer research grant to the University of Illinois at Champagne-Urbana for musicologist  Gayle Magee’s study “Music in the Films of Robert Altman: From 'M*A*S*H' to 'A Prairie Home Companion.' ”

A $6,000 summer research grant to the University of Texas, Austin, for choreographer and dance scholar Rebecca Rossen’s study “Jewish Identity in American Modern and Postmodern Dance.”

A $6,000 summer research grant to Bard College in Annondale-on-Hudson, N.Y., for photography and art history professor Laurie Dahlberg’s study “Photography and the Transformation of a Gentleman’s Art, 1839-1900.”

Here are some other $6,000 summer research grants whose titles make us want to know more:

“African American Modernism and the New Psychiatry” (University of Oregon, Eugene); “Romanticism and Suicide in Britain, 1770-1822” (Ohio University, Athens); “Stimulants and Trade in Early Modern Europe, 1500-1800” (Siena College of Loudonville, N.Y.) and “Priests and Concubines in England, 1375-1559” (Michigan’s Kalamazoo College).

RELATED:

Getty acquires Harald Szeemann archive and library

Los Angeles to become home to Robert Mapplethorpe work and archive

Thomas Hart Benton and Hollywood show in works at LACMA

-- Mike Boehm

Photos: Getty Research Institute chief curator Marcia Reed inspects the Harald Szeemann Archive in Switzerland last summer before it was packed up and shipped to L.A.; Thomas Hart Benton's painting 'The Kentuckian,' from LACMA collection. Credits: J. Paul Getty Trust


 
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