« Previous | Culture Monster Home | Next »

Wayne Thiebaud's Pop art license plate design

June 29, 2010 |  1:30 pm

ARTS
In 1994, the year President Clinton presented the National Medal of Arts to painter Wayne Thiebaud, the artist's design for California's first specialty license plate began turning up on streets and freeways around the state. As graphic design it's lovely -- and an authentic example of Pop art.

Now the California Arts Council is optimistically hoping to raise at least $40 million for arts funding through an aggressive effort to sell Thiebaud's plates. The project even has its own Facebook page -- "Million Plates Campaign." With 73,000 such plates currently registered, there's a long way to go to reach that number by the January target date.

Sunny optimism is integral to Thiebaud's design. But so is a subject not immediately associated with the painter, albeit one that has in fact been a long-standing preoccupation.

Thiebaud Beach Boys 1959 LAM Thiebaud, 89, is most widely known for paintings that merge the visual tactility of creamy paint with luscious food, from pastry to ice cream. But a quirky 2007 survey of 53 paintings at the Laguna Art Museum took a different tack: Three out of five works in "Wayne Thiebaud: 70 Years of Painting" instead showed life in and around the California seashore.

So does the license plate. For so humble an object, the lovely design is unexpectedly trenchant.

What I wrote of paintings in the Laguna show -- like the one pictured here of two boys playing in the sand, with the surf pounding behind them -- also applies to the plate's starker, less atmospheric design: "[The] nearly squint-inducing light is almost always sharp and bright. Daylight whiteness near the ocean harbors neon-rainbow highlights, while shadows tend toward sky-reflective blue, rather than colorless black."

Cezanne Bather c. 1885 MOMA Thiebaud's beach paintings are usually populated with bathers, a theme in Modern art as old as the work of Paul Cezanne, also shown here, and as central to California art as that of David Park (in the north) and David Hockney (in the south). The license plate's image frames the empty space in the center, where the numbers go, with a shrinking perspective of palm trees at the left and a setting sun at the right. A surprisingly poignant note is added to the bather lineage.

Modern paintings of bathers ruminate on the distance that yawns between the idyllic, Utopian innocence of Eden and the destabilizing corruption of life as it is actually lived. Paradise, as John Milton warned us, is lost. Cezanne's bather steps tentatively forward into a new and radically different world.

So it is with the Pop art license plate. Bolted to the rear of an automobile, symbol of mobility and freedom and petroleum-fueled object of environmental destruction, Thiebaud's pointed design for America's Golden State put that implacable meditation on wheels.

-- Christopher Knight
twitter.com/KnightLAT

Photos: Wayne Thiebaud, "Arts license plate," 1994; Credit: California DMV; "Beach Boys," 1959; Credit: Laguna Art Museum; Paul Cezanne, "Bather," circa 1885; Credit: Museum of Modern Art; From left, Malissa Feruzzi Shriver, William Turner and Karen Skelton join Maria Shriver and Gov. Arnold Schwarzenegger at the Million Plates campaign launch at Fox Studios. Credit: Office of Gov. Arnold Schwarzenegger.

RELATED AND RECENT:

Schwarzenegger Schwarzenegger puts celebrity horsepower behind arts license plates

Art review: 'John Baldessari: Pure Beauty' @ LACMA

Time to ask Elena Kagan the 'culture question'


 
Comments () | Archives (4)

Dear Knight, thank you for this wonderful article.

Dear Paul Thiebaud, RIP.

While Thiebaud is one of my favorite artists, this plate isn't exactly special or indicative of his work. Plus, at 16 years old, is this really the ONLY choice for California's art enthusiasts to choose from for a specialized art plate? How about a bunch of options, like USPS Stamps, that could include work from other well-known California artists like Ed Ruscha, Robert Bechtle, Raymond Pettibon, or Richard Diebenkorn??? They're all plate-worthy.

Had one of those on my '96 green Mustang GT convertible. It looked great.

I thoroughly agree with DF's shrink (suspecting that it's DF himself in a flimsy disguise...). The state could offer a wide selection, along the lines of an artistic vanity plate. A touch of Pollock, or Mondrian, etc. would be sooo cool. Or, hey, even (as you can do with stamps), one's own design. Granted, it would be a bit pricey & have to pass muster with the state-plate powers-that-be.
Ok, 'nuff said.


Advertisement
Connect

Recommended on Facebook


In Case You Missed It...

Video


Explore the arts: See our interactive venue graphics



Advertisement

Tweets and retweets from L.A. Times staff writers.


Categories


Archives
 



In Case You Missed It...