« Previous | Culture Monster Home | Next »

Art review: John Baldessari at Margo Leavin Gallery

June 4, 2010 |  4:00 pm

400.Baldessari-EltonJohn If you know how to use your imagination, it isn’t difficult to look at clouds and see all sorts of things.

It takes a bit more ingenuity to look at the rest of the world and see abstract silhouettes instead of people and objects.

And that’s exactly what John Baldessari’s new works at Margo Leavin Gallery do: invite viewers to imagine a world in which we do not immediately know what we’re seeing but have to piece together its parts slowly — like a kid sounding out words as he learns to read. It’s a fascinating exercise that makes everything slightly strange and significantly more interesting than business-as-usual.

Never a pedagogue, Baldessari makes lesson-obsessed Conceptual art fun. Each of his 11 printed paintings is an oversize flashcard. On gray grounds appear black or white silhouettes of objects and bodies. But unlike flashcards, which idealize objects by turning them into icons so that they can be easily identified, Baldessari’s home-brewed flashcards are based on the way things actually look in the world, where they are seen from odd angles, are partially blocked by other objects or are shrouded in shadows.

At the bottom of each image he has printed captions that identify the shapes depicted. In one horizontal canvas, two large black lumps and a single, somewhat smaller white blob are labeled “Three Overcoats (Ascending Stairs).”

400.Baldessari-ViolinBowHand Sometimes the words state the obvious, as they do in “Sediment: Chain Saw and Two Hands” and “Sediment: Leg and Shirt.” At others they add specific info, as in “Sediment: Elton John’s Smile and Portion of Shirt.” And occasionally they zero in on the difficulty of describing things simply, verbally and visually, as in “Sediment: Hat Rack (With Shadow), Arm and Apron (Portion) and Shadow (Person).”

In every instance, Baldessari’s language games lure the imagination into action by making ordinary images and everyday objects strangely fascinating.

-- David Pagel

Margo Leavin Gallery, 812 N. Robertson Blvd., L.A., (310) 273-0603, through July 10. Closed Sundays and Mondays. www.margoleavingallery.com

Images: "Elton John’s Smile and Portion of Shirt" (top) and "Violin, Bow, Hand, Foot and Portion of Platform." Courtesy of the artist and Margo Leavin Gallery.  Photo credit: Brian Forrest.

Comments () | Archives (2)

Interesting WW, and very appropriate. Neither Baldessari nor Nauman's silly word games reveal either deep or creative thinkers, nor especially skilled artists. Rather mundane ideas glorified as the typical "smart', "clever" and "Witty" bantering of the well heeled hobnobbing set assures its irrelevance to humanity.

Surrealists often cut and pasted like this, but knew they were but sketches, and then fulfiulled them into art, as Miro did with tools, and Ernst did with birds and other magazine cutouts. This is but a starting point, not an end.
But in todays low vaulted ceiling of art, I guess it fulfills its purpose, absurdly undone and marketed postage stamps for investment.

art collegia delenda est
Save the Watts Towers/Nuestro Pueblo, tear down the Ivories.


Recommended on Facebook

In Case You Missed It...


Explore the arts: See our interactive venue graphics


Tweets and retweets from L.A. Times staff writers.