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Category: visual effects

'Inception' dominates Visual Effects Society's VES Awards

Inception 

"Inception" dominated the Visual Effects Society's ninth VES Awards late Tuesday, winning four awards.
 
Christopher Nolan's surreal, complex thriller, which is nominated for eight Academy Awards, including best film, won outstanding visual effects on a visual-effects-driven motion picture, outstanding created environment in a live-action feature motion picture (for the Paris dreamscape sequence), outstanding models and miniatures in a featured motion picture (for the hospital fortress destruction) and outstanding compositing in a feature motion picture.

Nolan also received the organization's first Visionary Award at the ceremony hosted by comic Patton Oswalt at the Beverly Hilton Hotel.
 
Other movie VES winners were "Hereafter" for outstanding supporting visual effects in a feature motion picture, and "How to Train Your Dragon" for outstanding animation in an animated feature motion picture, outstanding animated character in an animated feature motion picture and outstanding effects animation in an animated feature motion picture. "Harry Potter and the Deathly Hallows, Part I" won for outstanding animated character in a live-action feature motion picture (for Dobby, the house elf).
 
On the television front, HBO's World War II miniseries "The Pacific" was the big winner, earning three VES awards for outstanding visual effects in a broadcast miniseries, movie or special; outstanding created environment in a live-action broadcast program (for the battle of Iwo Jima sequence), and outstanding compositing in a broadcast program or commercial (for the Peleliu landing).

For a complete list of winners go to http://www.visualeffectssociety.com
 
The awards will air Feb. 19 at 10 p.m. on the Reelz Channel, with encore presentations throughout the month
 
-- Susan King

Photo: A scene from "Inception." Credit: Warner Bros.


The secrets of 'Black Swan' visual effects -- How did they do it?

In Darren Aronofsky’s psychological thriller “Black Swan,” an increasingly imbalanced ballerina, Nina Sayers (Natalie Portman), struggles to break free of her inhibitions. Cast as the lead in a production of “Swan Lake,” Nina perfectly embodies the purity and reserve of the white swan but falls well short of finding the aggressive sexuality and passion of its counterpart, the black swan. She is pushed ever harder by the company director to let loose, to go beyond the technical aspects of the dance and find the emotional resonance of the darker character. Yet, through weeks of rehearsals, she never captures it. The night of the show, as Nina’s mental state grows ever shakier, she suddenly breaks free to transform, quite literally, into the stunning and seductive black swan as Tchaikovsky’s score thunders around her.

-- Elena Howe 


Visual effects Bake-offs and a party for the ages

Mantilini's 
Awards season doesn’t just mean bright shiny statues and long-winded speeches but also parties, lots of parties. Pre-parties, after-parties and screening parties dominate the social scene. And Thursday night the visual effects branch of the academy held its annual Bake-offs, its version of the Vanity Fair Oscar party. The members wine, dine, schmooze and reunite with old friends before strolling down Wilshire Boulevard to the academy screening room to narrow down the nominees for best visual effects from seven to five. More on that in a minute. But first, a little about the longtime eatery that has hosted this shindig for nearly 20 years, Kate Mantilini.

To start with, the woman behind Kate’s is actually named Marilyn. The grand dame restaurateur of Hollywood, Marilyn Lewis -- along with husband Harry -- founded the Hamburger Hamlet chain, one of the original celebrity hangouts, back in the '50s. The tall and bubbly Marilyn, with a head of brightly colored copper hair, has a story to tell as colorful as anything the visual effects folks were watching.

The real Kate Mantilini was actually Marilyn Lewis' uncle’s mistress in Cleveland, Ohio, where Marilyn was born and raised for a time by her grandmother, who cooked lobster bisque and onion soup for the rich during the Depression.

Those recipes came in handy when Marilyn came to Hollywood and met Warner Bros. contract player Harry Lewis, who dreamed of opening a hamburger joint for actors to meet and relax after a show--thus, the Hamlet in the name. They opened on Sunset Boulevard with just two burners in 1950 to a house packed with Harry’s actor friends, including Tony Curtis and Sammy Davis Jr., who once manned the grill for three days while Harry and Marilyn got hitched in Las Vegas, Marilyn Lewis recalled.

Throughout the '50s and '60s the restaurant expanded into a successful chain, and Marilyn started her own couture clothing line, Cardinali, and was soon dressing the likes of Nancy Reagan, Eydie Gorme and Dyan Cannon. 

In 1978, Lewis says, she survived a kidnapping in Chicago and in 1987 the couple sold Hamburger Hamlet for $33 million. That same year, they opened Kate Mantilini. In a town where restaurants and clubs come and go just as quickly as a reality show star’s career, how did the Lewis' manage to keep going for so long? An indelible proximity to talent agencies, the Writers Guild and academy screening rooms hasn't hurt.

But more than that, said the Lewis' son David, who manages the day-to-day operations with younger brother, Adam, since Marilyn, 81, and Harry, 90, retired last year, it was a savviness on Marilyn's part that kept them in business. “My mother had a sensibility and sensitivity to what the public might want but don’t know it yet. She was always ahead of the game, for example having a hamburger joint with amazing hamburgers but with lobster bisque and onion soup."

The family has been associated with many awards over the years. Harry starred alongside Edward G. Robinson as gangster Edward “Toots” Bass, Humphrey Bogart’s nemeis in “Key Largo,” for which Claire Trevor won an Oscar for supporting actress.  Marilyn clothed the Emmy Award winning Marlo Thomas in “That Girl” and in 1998 produced “The Passion of Ayn Rand” for Showtime with Helen Mirren taking home a Golden Globe for her starring performance. 

At the moment, posters of the cast of AMC’s Emmy-winning “Mad Men” grace the 30-foot proscenium wall. The recent addition of a photo of actress Jessica Paré who plays Megan, Don Draper’s newest secretary/fiancé, may be a hint of what’s in store for the show next season.

And on Thursday, it was a night of celebration for the wizards behind the scenes. In addition to visual effects masters at the Bake-off, Jon Favreau showed up to support his "Iron Man 2." So far, “Inception” and “Tron: Legacy” appear to be the front-runners in a field that also includes "Alice in Wonderland," “Harry Potter and the Deathly Hallows -- Part I,” “Hereafter” and “Scott Pilgrim vs. the World."

The results of the voting will be announced along with the nominees from all the other Oscar categories on Tuesday.

--Liesl Bradner

Photo: 2002 file photo of Kate Mantilini by Carlos Chavez / Los Angeles Times


'Inception' dominates Visual Effects Society's annual nominations

 Inception

For the Visual Effects Society, "Inception" was the leading nominee on the film side  as the Christopher Nolan film dominated the organization's annual picks with four nods. Nolan will also receive the inaugural VES Visionary Award, which will be presented Feb. 1 at the Beverly Hills Hotel. 

In addition to "Inception," the other films chosen for outstanding visual effects in a visual-effects driven feature motion picture included "Iron Man 2," "Tron: Legacy," "Alice in Wonderland" and "Harry Potter and the Deathly Hallows, Part 1."

"Inception" was also nominated for outstanding created environment in a live-action film for its Paris dreamscape; outstanding models & miniatures in a motion picture for its hospital fortress destruction; and outstanding compositing in a motion picture.

In the category of outstanding supporting visual effects in a feature motion picture, the nominees were "Green Zone," "Salt," "Hereafter," "Black Swan" and "Robin Hood." In the animation category, "Tangled," "How to Train Your Dragon," "Toy Story 3," "Shrek Forever After" and "Legend of the Guardians: The Owls of Ga'Hoole" all are being considered for a top prize.

In the television category, HBO's "Boardwalk Empire" led with five nominations. For best supporting visuals in a broadcast program, that drama will go up against "Lost," "The Walking Dead," "Human Target" and the now canceled "Undercovers."

VES recognizes outstanding visual effects in film, television, commercials and video games. For the full list of nominees go to www.visualeffectssociety.com. The ceremony will air on Reelz Channel on Feb. 19.

--Nicole Sperling

Scene from "Inception" from Warner Bros.


Visual effects Oscar contenders down to 7

Scott pilgrim 

They are about as different in tone as can be, but seven films have made the latest cut in the race to earn an Oscar nomination for visual effects.

The Academy of Motion Picture Arts and Sciences announced Wednesday that these films remain in the running for the 83rd Academy Awards, at least until Jan. 20 when visual effects branch members vote on which ones to make the final five nominees:

Alice in Wonderland

Harry Potter and the Deathly Hallows, Part 1

Hereafter

Inception

Iron Man 2

Scott Pilgrim vs the World

Tron: Legacy   

The branch members will screen 15-minute excerpts of each film on Jan. 20 before narrowing the field.

The Oscar nominations will be announced Jan. 25.

Elena Howe

Photo: Michael Cera, left, in "Scott Pilgrim." Credit: Universal Pictures



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