Paris Fashion Week: Celine's clean sweep
In her second runway show for Celine, Phoebe Philo proved she is fashion’s new pace setter, showing a follow-up to her influential spring collection that was once again so appealingly spare and modern, it made me want to set fire to my closet.
When the first model stepped out onto the pristine white carpeted runway, dressed in a navy blue funnel neck coat cut with military precision, and a pair of riding boots with sensible, metallic gold block heels, it was clear that Philo meant business.
Offering a welcome alternative to the dress and cardigan look that has dominated women’s fashion for the past few seasons, Philo brought back the idea of separates, something we saw in New York at Marc Jacobs and Michael Kors, and in Milan at Prada.
Worn over a cream silk tunic with long shirt tails, a boxy black jacket and cigarette pants was a fresh alternative to the suit, and a black shift with deep leather patch pockets was for when you want a go-to black dress with a little something extra.
Philo, a former design assistant to Stella McCartney, was creative director at Chloe beginning in the late 1990s. She is credited with making that fashion house cool again (remember the Chloe Paddington bag?), before resigning in 2006 to spend more time with her family in her native Britain.
Last year, she was brought in to head Celine, the French sportswear label owned by luxury conglomerate Louis Vuitton Moet Hennessy, which has seen a revolving door of designers over the last decade, including Michael Kors.
The clean-front khaki miniskirts and natural-colored suede topcoats arriving in Zara stores now? They look an awful lot like Celine spring.
-- Booth Moore, reporting from Paris
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Photos: Celine's fall 2010 runway in Paris. Credit: Peter Stigter and Jonas Gustavsson / For The Times
















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